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Author:
Publisher: UNC Press Books
ISBN: 9780807827949
Category : Art
Languages : en
Pages : 274
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Book Description
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
Author:
Publisher: UNC Press Books
ISBN: 9780807827949
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
Author: Robert Ervin Howard
Publisher: Chaosium Fiction Series
ISBN: 9781568821306
Category : Fantasy fiction, American
Languages : en
Pages : 0
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Book Description
Robert E. Howard is the world-renowned author of the Conan series and the stories that were the basis of the recent Kull movie. He also was one of H.P. Lovecraft's frequent correspondents, and an author of many pivotal Mythos tales. This book collects together all of Howard's Mythos tales, including the tales that originated Gol-Goroth, Unausspreclichen Kulten, and Friedrich Von Junzt. Included in this collections are several fragments left behind by Robert E. Howard which have been completed by a variety of authors. This book has been long anticipated by readers of H.P. Lovecraft and Call of Cthulhu players alike.
Author: Birte Wege
Publisher: Campus Verlag
ISBN: 3593440628
Category : History
Languages : de
Pages : 209
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Book Description
Lange wurden Comics als triviale Unterhaltung verpönt. Erst in den letzten Jahrzehnten hat sich das geändert. Immer häufiger sind sie zum Medium der Wahl für Künstlerinnen und Künstler geworden, die kritisieren wollen, wie die etablierten Medien mit politischen Fragen umgehen. Dieses Buch untersucht das Potenzial von dokumentarischen Comics im Kontext einer sich schnell verändernden und immer weiter entwickelnden visuellen Kultur. Im Mittelpunkt steht dabei gerade auch die Darstellung historischer Ereignisse und die Auseinandersetzung mit Fotografie.
Author: Tracy Sugarman
Publisher: Syracuse University Press
ISBN: 9780815608714
Category : Art
Languages : en
Pages : 204
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Book Description
At the apex of World War II, SU graduate Tracy Sugarman documented naval life before, during and after D-Day. He did not write for periodicals nor was he one of the daring photojournalists of the time. In an age of photography and motion picture, this artist used brush, ink, and pencil to forge his own distinctive brand of artistic journalism. Much as Winslow Homer had been sent by Harper’s Weekly to the front to capture images of the Civil War on canvas, so Sugarman’s drawings and paintings recorded one of the most momentous turns in the fortunes of World War II. After the war, Sugarman continued to visually record the passing scene. The result is a pictorial trove of powerful historic and societal events of the day: from civil rights uproar and transformation in the south to labor demonstration and space exploration, from commanding an invading craft on D-Day to revisiting Normandy in the wake of 9/11. Punctuated by the artist’s own words, Sugarman’s work offers a meaningful and thoughtful reflection upon turning points in the last critical century, and what it means to be an American. Rife with wisdom and humor yet brimming with rage over injustice, Sugarman’s singular artistry provides insights into our American psyche as well as into the artist’s life. Drawing Conclusions also shows that ink and pencil can record event with as much graphic potency as camera and film.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Kate Ganz
Publisher: Dominique Levy Gallery
ISBN: 9781944379049
Category : Art
Languages : en
Pages : 0
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Book Description
Inspired by the 1976 exhibition Drawing Nowat The Museum of Modern Art, Drawing Theninvestigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Thenincludes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats. The volume also includes newly commissioned work by poet Mei-mei Berssenbrugge in addition to rare archival material, artists' biographies and a comprehensive chronology linking developments in the art world with the larger social and political events of the decade.
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author: Richard Guy Wilson
Publisher: University of Virginia Press
ISBN: 9780813923482
Category : Architecture
Languages : en
Pages : 448
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Book Description
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Author: Richard A. Greenwald
Publisher: University Press of America
ISBN: 9780761801962
Category : History
Languages : en
Pages : 284
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Book Description
This book presents some of the most significant social history to date in one single volume. Readers will find that Exploring America's Past is not only up to date, but also more inclusive and multicultural than other similar collections. The essays in this book concentrate on issues in America, ranging from freedom, to sexuality, to industry, to war, to minorities, to our youth culture, dance, and music. This comprehensive collection of essays will be ideal for U.S. history survey courses. Contents: Introduction and Acknowledgements; The Meaning of Freedom, Eric Foner; Chinese-Americans Build a Railroad, Jack Chen; Populist Dreams and Negro Rights: East Texas as a Case Study, Lawrence Goodwyn; The Sociology and Historiography of Immigration, Ewa Morawska; Studying American Political Development in the Progressive Era, Martin Sklar; Charity Girls and City Pleasure: Historical Notes on Working-Class Sexuality, 1880-1920, Kathy Peiss; Encountering Mass Culture at the Grassroots: The Experience of Chicago Workers in the 1920s, Lizabeth Cohen; Origins of a Sit-Down Era: Worker Militancy and Innovation in the Rubber Industry, 1934-1938, Daniel Nelson; The Politics of Sacrifice on the Homefront in World War II, Mark Leff; The Riddle of the Zoot, Robin D.G. Kelley; The Land of a Thousand Dances: Youth, Minorities, and the Rise of Rock and Roll, George Lipsitz; The Unraveling of America, Allen Matusow; Ronald Reagan and the Movie, Michael Rogin.
Author: Claude S. Fischer
Publisher: University of Chicago Press
ISBN: 0226251454
Category : Social Science
Languages : en
Pages : 523
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Book Description
Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today? With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character. Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs.
