Dramatic Works: The renegado. The picture. The fatal dowry. The emperor of the East. The maid of honour PDF Download
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Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
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Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
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Book Description
![The Dramatic Works of Philip Massinger ... Revised ... by T. Coxeter. With Notes Critical and Explanatory, of Various Authors. To which are Prefixed, Critical Reflections on the Old English Dramatic Writers [by G. Colman]. PDF](https://books.google.com/books/content/images/frontcover/RyD7cE9pMp4C?fife=w80-h100)
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
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Author: Philip Massinger
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 614
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Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 770
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Author: Hookham's library
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
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Author: Emile Legouis
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1516
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Author: Joanne Rochester
Publisher: Routledge
ISBN: 1351898183
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1124
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Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 284
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