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Author: Andrew Kimbrough
Publisher: Cambria Press
ISBN: 1621969371
Category : Voice (Philosophy)
Languages : en
Pages : 334
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Book Description
Author: Andrew Kimbrough
Publisher: Cambria Press
ISBN: 1621969371
Category : Voice (Philosophy)
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Konstantinos Thomaidis
Publisher: Bloomsbury Publishing
ISBN: 1137552514
Category : Performing Arts
Languages : en
Pages : 89
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Book Description
How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice. Using a wide range of case studies integrated with critical and philosophical frameworks, it makes audible the multiple ways in which voice contributes to how we perform identities. From opera and musical theatre to live art and immersive audio walks, Konstantinos Thomaidis presents voice as plural, elusive and ripe for reinvention.
Author: Brian McMahon
Publisher: Routledge
ISBN: 1000573362
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
This book presents a range of approaches to the study of Old Norse poetry in performance. The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
Author: Paul U. Angelini
Publisher: Fernwood Publishing
ISBN: 1773633929
Category : Social Science
Languages : en
Pages : 455
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Book Description
Rethinking Who We Are takes a non-conventional approach to understanding human difference in Canada. Contributors to this volume critically re-examine Canadian identity by rethinking who we are and what we are becoming by scrutinizing the “totality” of difference. Included are analyses on the macro differences among Canadians, such as the disparities produced from unequal treatment under Canadian law, human rights legislation and health care. Contributors also explore the diversities that are often treated in a non-traditional manner on the bases of gender, class, sexuality, disAbility and Indigeniety. Finally, the ways in which difference is treated in Canada’s legal system, literature and the media are explored with an aim to challenge existing orthodoxy and push readers to critically examine their beliefs and ideas, particularly in an age where divisive, racist and xenophobic politics and attitudes are resurfacing.
Author: Susan Bennett
Publisher: Bloomsbury Publishing
ISBN: 1474246486
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies. Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at: https://bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
Author: David Roesner
Publisher: Taylor & Francis
ISBN: 1040225373
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
Author: Erling E. Guldbrandsen
Publisher: Cambridge University Press
ISBN: 1107127211
Category : Art
Languages : en
Pages : 369
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Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Author: Sava Laura Sava
Publisher: Edinburgh University Press
ISBN: 147444590X
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou, Pedro Almodvar's All About My Mother and Charlie Kaufman's Synecdoche, New York, this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film.
Author: Daniel Jernigan
Publisher: Routledge
ISBN: 0429755678
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
Author: Serena Facci
Publisher: Routledge
ISBN: 100035265X
Category : Music
Languages : en
Pages : 157
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Book Description
By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.
