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Author: Mae J. Smethurst
Publisher: East Asia Program; Cornell University Press
ISBN:
Category : Drama
Languages : en
Pages : 202
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Book Description
This volume of five noh translations (containing an introduction, translations, short commentaries and a glossary) differs from most others in that none of the plays are of the mugenno type, but are instead genzaino, real-life noh. The plays focus on living characters rather than spirits or ghosts, and on dramatic action rather than poetry, song and dance. In addition the five noh satisfy several of the most important features of Aristotle's definition of good tragedy. That is, they all have plot, which Aristotle says in his Poetics is the imitation of action. The plot centers on characters who are related to each other or are a part of the same household. In each plot, a fatal or harmful event is either enacted or threatened, and there is an unexpected change in the direction of the action. In Shun'ei, a father, visited by his son, is pardoned from a death sentence; in Dampu, a son visits his father, who is then executed, and upon avenging his father's death, unexpectedly escapes the killer's henchmen; in Shichikiochi and Nakamitsu, a son thought to have been killed turns up alive, much to the amazement of his father; and finally, in Nishikido, a brother turns on his own brother and attacks with military force.This volume is intended to provide the reader with a translation of noh plays that either have not been previously translated into English or have not been translated for a long time. The translations are as faithful as possible to the original Japanese so that the reader can gain a close glimpse of the language and action of this particular type of noh. It is a noh filled with action compared to many that have been translated, a noh that appealed to the public at large during the medieval period. Bibliography and scholarly notes are kept to a minimum.
Author: Mae J. Smethurst
Publisher: East Asia Program; Cornell University Press
ISBN:
Category : Drama
Languages : en
Pages : 202
Get Book
Book Description
This volume of five noh translations (containing an introduction, translations, short commentaries and a glossary) differs from most others in that none of the plays are of the mugenno type, but are instead genzaino, real-life noh. The plays focus on living characters rather than spirits or ghosts, and on dramatic action rather than poetry, song and dance. In addition the five noh satisfy several of the most important features of Aristotle's definition of good tragedy. That is, they all have plot, which Aristotle says in his Poetics is the imitation of action. The plot centers on characters who are related to each other or are a part of the same household. In each plot, a fatal or harmful event is either enacted or threatened, and there is an unexpected change in the direction of the action. In Shun'ei, a father, visited by his son, is pardoned from a death sentence; in Dampu, a son visits his father, who is then executed, and upon avenging his father's death, unexpectedly escapes the killer's henchmen; in Shichikiochi and Nakamitsu, a son thought to have been killed turns up alive, much to the amazement of his father; and finally, in Nishikido, a brother turns on his own brother and attacks with military force.This volume is intended to provide the reader with a translation of noh plays that either have not been previously translated into English or have not been translated for a long time. The translations are as faithful as possible to the original Japanese so that the reader can gain a close glimpse of the language and action of this particular type of noh. It is a noh filled with action compared to many that have been translated, a noh that appealed to the public at large during the medieval period. Bibliography and scholarly notes are kept to a minimum.
Author: Alan Chan
Publisher: Routledge
ISBN: 1134328125
Category : History
Languages : en
Pages : 264
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Book Description
The phenomenon of filial piety is fundamental to our understanding of Chinese culture, and this excellent collection of essays explores its role in various areas of life throughout history. Often regarded as the key to preserving Chinese tradition and identity, its potentially vast impact on government and the development of Chinese culture makes it extremely relevant, and although invariably virtuous in its promotion of social cohesion, its ideas are often controversial. A broad range of topics are discussed chronologically including Confucianism, Buddhism and Daoism, making it essential reading for those studying Chinese culture, religion and philosophy. This is a multi-disciplinary survey that combines historical studies with philosophical analysis from an international team of respected contributors.
Author: Mae J. Smethurst
Publisher: Rowman & Littlefield
ISBN: 0739172425
Category : Drama
Languages : en
Pages : 127
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Book Description
This book explores the ramifications of understanding the similarities and differences between the tragedies of Euripides and Sophocles and realistic Japanese noh. First, it looks at the relationship of Aristotle's definition of tragedy to the tragedies he favored. Next, his definition is applied to realistic noh, in order to show how they do and do not conform to his definition. In the third and fourth chapters, the focus moves to those junctures in the dramas that Aristotle considered crucial to a complex plot - recognitions and sudden reversals -, and shows how they are presented in performance. Chapter 3 examines the climactic moments of realistic noh and demonstrates that it is at precisely these moments that a third actor becomes involved in the dialogue or that an actor in various ways steps out of character. Chapter 4 explores how plays by Euripides and Sophocles deal with critical turns in the plot, as Aristotle defined it. It is not by an actor stepping out of character, but by the playwright's involvement of the third actor in the dialogue. The argument of this book reveals a similar symbiosis between plot and performance in both dramatic forms. By looking at noh through the lens of Aristotle and two Greek tragedies that he favored, the book uncovers first an Aristotelian plot structure in realistic noh and the relationship between the crucial points in the plot and its performance; and on the Greek side, looking at the tragedies through the lens of noh suggests a hitherto unnoticed relationship between the structure of the tragedies and their performance, that is, the involvement of the third actor at the climactic moments of the plot. This observation helps to account for Aristotle's view that tragedy be limited to three actors.
Author: John Henry Ottemiller
Publisher: Scarecrow Press
ISBN: 0810877201
Category : Language Arts & Disciplines
Languages : en
Pages : 833
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Book Description
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
Author: Wai-ming Ng
Publisher: SUNY Press
ISBN: 1438473079
Category : History
Languages : en
Pages : 290
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Book Description
Pioneering study of the localization of Chinese culture in early modern Japan, using legends, classics, and historical terms as case studies. While current scholarship on Tokugawa Japan (16031868) tends to see China as either a model or the Other, Wai-ming Ngs pioneering and ambitious study offers a new perspective by suggesting that Chinese culture also functioned as a collection of cultural building blocks that were selectively introduced and then modified to fit into the Japanese tradition. Chinese terms and forms survived, but the substance and the spirit were made Japanese. This borrowing of Chinese terms and forms to express Japanese ideas and feelings could result in the same things having different meanings in China and Japan, and this process can be observed in the ways in which Tokugawa Japanese reinterpreted Chinese legends, Confucian classics, and historical terms. Ng breaks down the longstanding dichotomies between model and the Other, civilization and barbarism, as well as center and periphery that have been used to define Sino-Japanese cultural exchange. He argues that Japanese culture was by no means merely an extended version of Chinese culture, and Japans uses and interpretations of Chinese elements were not simply deviations from the original teachings. By replacing a Sinocentric perspective with a cross-cultural one, Ngs study represents a step forward in the study of Tokugawa intellectual history. What the author has done with great success is to break down the longstanding dichotomies that have been established in prior scholarship between center and margins, self and other, empire and tributary states, civilization and barbarism, and so forth, treating China and Japan on equal terms. An impressive achievement. Richard J. Smith, author of The Qing Dynasty and Traditional Chinese Culture
Author: Samuel L. Leiter
Publisher: Scarecrow Press
ISBN: 0810865149
Category : Performing Arts
Languages : en
Pages : 632
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Book Description
The Historical Dictionary of Japanese Traditional Theatre covers all four genres (nT, kyTgen, bunraku, and kabuki), providing information on nearly every aspect, including actors, theatres, companies, history, makeup, costumes, masks, biographies, theories, training, music, religion, criticism, and many more. This is done through hundreds of dictionary entries arranged alphabetically with abundant cross-references, a general introduction, a chronology, and a special glossary of all terms mentioned in the text but not provided with their own entries, all of which can be supplemented by consulting the most extensive bibliography of English-language Japanese theatre books, articles, and websites presently available.
Author: Asiatic Society of Japan
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 330
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Book Description
List of transactions, v. 1-41 in v. 41.
Author: Erin B. Mee
Publisher: Oxford University Press
ISBN: 019161811X
Category : Literary Collections
Languages : en
Pages :
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Book Description
Antigone on the Contemporary World Stage is the first book to analyse what happens to Sophocles' play as it is adapted and (re)produced around the world, and the first to focus specifically on Antigone in performance. The essays, by an international gathering of noted scholars from a wide range of disciplines, highlight the numerous ways in which social, political, historical, and cultural contexts transform the material, how artists and audiences in diverse societies including Argentina, The Congo, Finland, Haiti, India, Japan, and the United States interact with it, and the variety of issues it has been used to address.
Author: Rebecca L. Walker
Publisher: Clarendon Press
ISBN: 0191515116
Category : Philosophy
Languages : en
Pages : 330
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Book Description
Working Virtue is the first substantial collective study of virtue theory and contemporary moral problems. Leading figures in ethical theory and applied ethics discuss topics in bioethics, professional ethics, ethics of the family, law, interpersonal ethics, and the emotions. Virtue ethics is centrally concerned with character traits or virtues and vices such as courage (cowardice), kindness (heartlessness), and generosity (stinginess). These character traits must be looked to in any attempt to understand which particular actions are right or wrong and how we ought to live our lives. As a theoretical approach, virtue ethics has made an impressive comeback in relatively recent history, both posing an alternative to, and, in some ways, complementing well-known theoretical stances such as utilitarianism and deontology. Yet there is still very little material available that presents virtue-ethical approaches to practical contemporary moral problems, such as what we owe distant strangers, our parents, or even non-human animals. This book fills the gap by dealing with these and other pressing moral problems in a clear and theoretically nuanced manner. The contributors offer a variety of perspectives, including pluralistic, eudaimonistic, care-theoretical, Chinese, comparative, and stoic. This variety allows the reader to appreciate not only the wide range of topics for which a virtue-ethical approach may be fitting, but also the distinctive ways in which such an approach may be manifested.
Author: Margaret Childs
Publisher: Routledge
ISBN: 1317515439
Category : History
Languages : en
Pages : 337
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Book Description
Voices of East Asia provides significant yet accessible readings in translation chosen to stimulate interest in the long and rich cultural history of East Asia, the countries of China, Japan, and Korea. The readings range from ancient to modern, elite to popular, and include poetry, stories, essays, and drama. Each section begins with a broad but brief overview of that country’s political and cultural history. Each reading is preceded by a concise explanation of its literary and cultural context. As expertise in East Asian studies has exploded in the West in recent decades, a novice could be overwhelmed by all the materials available now. In this volume, however, the reader will find a manageable set of texts that may be read on their own, as part of a world literature course, or as supplementary readings for an East Asian history class. As economic and political news from East Asia sweeps across the world, this anthology aims to provide a taste of the enduring traditions upon which contemporary East Asia is built, a glimpse into the hopes and fears, love and sorrow in the hearts of the people behind the headlines. This anthology will be welcomed by students and scholars of Asian history, culture, society and literature.
