Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
Book Description
Dramatic Register for
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1628
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1628
Book Description
Worthy of the Cause for Which They Fight
Author: Robert Patrick Bender
Publisher: University of Arkansas Press
ISBN: 1610754859
Category : History
Languages : en
Pages : 345
Book Description
Worthy of the Cause for Which They Fight chronicles the experiences of a well-educated and articulate Confederate officer from Arkansas who witnessed the full evolution of the Civil War in the Trans-Mississippi Department and western theater. Daniel Harris Reynolds, a community leader with a thriving law practice in Chicot County, entered service in 1861 as a captain in command of Company A of the First Arkansas Mounted Rifles. Reynolds saw action at Wilson's Creek and Pea Ridge before the regiment was dismounted and transferred to the Army of Tennessee, the primary Confederate force in the western theater. As Reynolds fought through the battles of Chickamauga, Atlanta, Nashville, and Bentonville, he consistently kept a diary in which he described the harsh realities of battle, the shifting fortunes of war, and the personal and political conflicts that characterized and sometimes divided the soldiers. The result is a significant testimonial offering valuable insights into the nature of command from the company to brigade levels, expressed by a committed Southerner coming to grips with the realities of defeat and the ultimate demoralization of surrender.
Publisher: University of Arkansas Press
ISBN: 1610754859
Category : History
Languages : en
Pages : 345
Book Description
Worthy of the Cause for Which They Fight chronicles the experiences of a well-educated and articulate Confederate officer from Arkansas who witnessed the full evolution of the Civil War in the Trans-Mississippi Department and western theater. Daniel Harris Reynolds, a community leader with a thriving law practice in Chicot County, entered service in 1861 as a captain in command of Company A of the First Arkansas Mounted Rifles. Reynolds saw action at Wilson's Creek and Pea Ridge before the regiment was dismounted and transferred to the Army of Tennessee, the primary Confederate force in the western theater. As Reynolds fought through the battles of Chickamauga, Atlanta, Nashville, and Bentonville, he consistently kept a diary in which he described the harsh realities of battle, the shifting fortunes of war, and the personal and political conflicts that characterized and sometimes divided the soldiers. The result is a significant testimonial offering valuable insights into the nature of command from the company to brigade levels, expressed by a committed Southerner coming to grips with the realities of defeat and the ultimate demoralization of surrender.
Routledge Library Editions: Victorian Theatre
Author: Various
Publisher: Routledge
ISBN: 1317398920
Category : Performing Arts
Languages : en
Pages : 1626
Book Description
Reissuing works originally published between 1971 and 1981, this compact set offers an outstanding collection of scholarship devoted to 19th Century, Victorian, theatre. A small set of performance history and criticism, this set includes a biography of Henry Irving, a look at the rise of the status of a career as actor, and a consideration of the advent of dramatic criticism. These volumes present together a lively picture of the development of the contemporary theatre.
Publisher: Routledge
ISBN: 1317398920
Category : Performing Arts
Languages : en
Pages : 1626
Book Description
Reissuing works originally published between 1971 and 1981, this compact set offers an outstanding collection of scholarship devoted to 19th Century, Victorian, theatre. A small set of performance history and criticism, this set includes a biography of Henry Irving, a look at the rise of the status of a career as actor, and a consideration of the advent of dramatic criticism. These volumes present together a lively picture of the development of the contemporary theatre.
The Athenæum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1628
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1628
Book Description
Auction catalogues of books
Author: Puttick and Simpson (messrs.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1020
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1020
Book Description
Catalogue of the Printed Books in the Library of the Faculty of Advocates ...: C-Engineering. 1873
Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 804
Book Description
The collections of the Advocates Library, with the exception of its legal books and manuscripts, were given by the Advocates to the National Library of Scotland in 1925.
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 804
Book Description
The collections of the Advocates Library, with the exception of its legal books and manuscripts, were given by the Advocates to the National Library of Scotland in 1925.
The Rise of the Victorian Actor
Author: Michael Baker
Publisher: Routledge
ISBN: 1317399102
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
Publisher: Routledge
ISBN: 1317399102
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
Essays on the Drama
Author: William Bodham Donne
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 270
Book Description
Victorian Theatrical Burlesques
Author: Richard Schoch
Publisher: Routledge
ISBN: 1317242378
Category : History
Languages : en
Pages : 304
Book Description
First published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.
Publisher: Routledge
ISBN: 1317242378
Category : History
Languages : en
Pages : 304
Book Description
First published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.