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Author: Bertil H. Van Boer
Publisher:
ISBN: 9789998288096
Category : Church music
Languages : en
Pages : 457
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Book Description
Author: Bertil H. Van Boer
Publisher:
ISBN: 9789998288096
Category : Church music
Languages : en
Pages : 457
Get Book Here
Book Description
Author: Mary Sue Morrow
Publisher: Indiana University Press
ISBN: 0253072131
Category : Music
Languages : en
Pages : 918
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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
Author: Bertil H. Van Boer
Publisher: Lewiston, N.Y. ; Queenston, Ont. : E. Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 492
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Book Description
Joseph Martin Kraus (1756-1792), Kappellmeister to Gustavus III of Sweden, developed a musical style which embodied the application of Sturm und Drang principles to his works. The author of this study seeks to prove how this style infiltrated many of Kraus's other musical endeavours, creating pieces that were favourably compared to Mozart's and were far ahead of their time in technique.
Author: Julian Horton
Publisher: Cambridge University Press
ISBN: 1107469708
Category : Music
Languages : en
Pages : 469
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Book Description
Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.
Author: Bertil H. Van Boer
Publisher: Stuyvesant, NY : Pendragon Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
Offers scores of major musical themes, manuscript information, and analysis for the work of the Swedish contemporary of Mozart. Considerably revised as well as translated from the 1988 German- language edition: rectifies omissions, interpolates newly-discovered pieces, clarifies the overall number of works, and adds some of the critical study of the sources that were envisioned as part of the original project. Also entirely reformatted to place the discussions in their proper place. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Richard Will
Publisher: Cambridge University Press
ISBN: 113943375X
Category : Music
Languages : en
Pages : 343
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Book Description
Associated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples.
Author: Edwin Mellen Press
Publisher: Edwin Mellen Press
ISBN: 9780889464452
Category : Music
Languages : en
Pages : 204
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Book Description
This volume comprises papers presented at the 1988 Wagner conference in Seattle exploring this opera cycle as music, myth, theatre art, and literature, including comparisons with T. S. Eliot's The Wasteland and James Joyce's Finnegan's Wake.
Author: Margaret Andrew Scheppach
Publisher: Mellen Poetry Press
ISBN:
Category : Music
Languages : en
Pages : 246
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Book Description
An analytical study of the music of Michael Tippett's operas.
Author: Paula Boire
Publisher:
ISBN:
Category : History
Languages : en
Pages : 396
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Book Description
About 30 per cent of all prescriptions issued in the USA, Canada and Europe contain either a herb, a purified extract or an active component derived from herbs. However, medical practitioners are often confused by conflicting information available on the safety and efficacy of herbs, and herbal medicines are often co-prescribed without proper attention to adjustment of dosages.
Author: John Palmer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Jonathan Harvey's Bhakti, commissioned by Pierre Boulez in association with IRCAM, has been widely recognized as one of the most influential works of the 1980s and one of the major electroacoustic compositions ever to be produced at IRCAM, Paris. It has been performed worldwide by the most influential ensembles of contemporary music. This study provides the reader with a comprehensive platform of discussion including a rigorous analytical scrutiny of the serial techniques used by the composer, an in-depth exploration of the electroacoustic techniques employed for the realisation of the tape part, a discussion about the composer's aesthetics and the correspondence between the music and its metaphysical meaning in conjunction with the Rig Veda texts that have inspired the work, an interview with the composer, and a final forum about the work including eminent musicologists, composers and conductors such as Joel Chadabe, Arnold Whittall, James Wood, Eric De Visscher and other leading personalities of the international contemporary music circuit.
