Drama and Sermon in Late Medieval England PDF Download
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Author: Charlotte Steenbrugge
Publisher: Medieval Institute Publications
ISBN: 1580442781
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
This full-length study investigates how sermons and vernacular religious drama worked as media for public learning, how they combined this didactic aim with literary exigencies, and how plays acquired and reflected authority. The interrelation between sermons and vernacular drama, formerly assumed to be a close one, is addressed from historical connections, performative aspects, and the portrayal of penance. The work demonstrates the subtly different purposes and contents and outlines the unique ways in which they operate within late medieval England.
Author: Charlotte Steenbrugge
Publisher: Medieval Institute Publications
ISBN: 1580442781
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
This full-length study investigates how sermons and vernacular religious drama worked as media for public learning, how they combined this didactic aim with literary exigencies, and how plays acquired and reflected authority. The interrelation between sermons and vernacular drama, formerly assumed to be a close one, is addressed from historical connections, performative aspects, and the portrayal of penance. The work demonstrates the subtly different purposes and contents and outlines the unique ways in which they operate within late medieval England.
Author: Alan J. Fletcher
Publisher:
ISBN:
Category : History
Languages : en
Pages : 328
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Book Description
Between the early 14th and early 15th centur ies, England experienced momentous social and political turb ulence. This volume studies the impact of the Church during the period in question. '
Author: Pontifical Institute of Mediaeval Studies
Publisher: PIMS
ISBN: 9780888441539
Category : Religion
Languages : la
Pages : 556
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Book Description
Author: Marianne G. Briscoe
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Author: Robert S. Sturges
Publisher: Springer
ISBN: 1137073446
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
A literary reading informed by the recent temporal turn in Queer Theory, this book analyzes medieval Biblical drama for themes representing modes of power such as the body, politics, and law. Revitalizing the discussions on medieval drama, Sturges asserts that these dramas were often intended not to teach morality but to resist Christian authority.
Author: Matthew J. Smith
Publisher: University of Notre Dame Pess
ISBN: 0268104689
Category : Drama
Languages : en
Pages : 501
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Book Description
In Performance and Religion in Early Modern England, Matthew J. Smith seeks to expand our view of “the theatrical.” By revealing the creative and phenomenal ways that performances reshaped religious material in early modern England, he offers a more inclusive and integrative view of performance culture. Smith argues that early modern theatrical and religious practices are better understood through a comparative study of multiple performance types: not only commercial plays but also ballads, jigs, sermons, pageants, ceremonies, and festivals. Our definition of performance culture is augmented by the ways these events looked, sounded, felt, and even tasted to their audiences. This expanded view illustrates how the post-Reformation period utilized new capabilities brought about by religious change and continuity alike. Smith posits that theatrical practice at this time was acutely aware of its power not just to imitate but to work performatively, and to create spaces where audiences could both imaginatively comprehend and immediately enact their social, festive, ethical, and religious overtures. Each chapter in the book builds on the previous ones to form a cumulative overview of early modern performance culture. This book is unique in bringing this variety of performance types, their archives, venues, and audiences together at the crossroads of religion and theater in early modern England. Scholars, graduate and undergraduate students, and those generally interested in the Renaissance will enjoy this book.
Author: Mary Désirée Anderson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 298
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Book Description
Author: Rainer Warning
Publisher: Stanford University Press
ISBN: 9780804737913
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays.
Author: Rosemary Woolf
Publisher: Univ of California Press
ISBN: 9780520040816
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
This important new study of the English mystery plays has a twofold purpose. It is concerned to investigate the antecedents of the four extant cycles and to demonstrate the dramatic value of the plays themselves The opening and concluding chapters place the plays in their historical context by discussing on the one hand the emergence and achievements of genuine religious drama (as opposed to liturgical drama) in the twelfth century and on the other the changes in taste that threw the plays into disrepute in the sixteenth century. The man part of the book analyzes the plays in detail, considering the iconographic and theological traditions that guided the dramatists in their treatment of biblical subject-matter, and also looking at the Continental drama of the time to find out what other dramatic possibilities were open to writers in the Middle Ages. -- From publisher's description.
Author: Gabriella Mazzon
Publisher: BRILL
ISBN: 9004355588
Category : Drama
Languages : en
Pages : 326
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Book Description
Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
