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Author: Bram Stoker
Publisher:
ISBN: 9781905328147
Category : Dracula, Count (Fictitious character)
Languages : en
Pages : 426
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Book Description
Author: Bram Stoker
Publisher:
ISBN: 9781905328147
Category : Dracula, Count (Fictitious character)
Languages : en
Pages : 426
Get Book Here
Book Description
Author: Bram Stoker
Publisher: W. W. Norton & Company
ISBN: 9780393064506
Category : Fiction
Languages : en
Pages : 684
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Book Description
The bestselling author of "The New Annotated Sherlock Holmes" returns with this spectacular, lavishly illustrated homage to Bram Stoker's "Dracula." 35 color and 400 b&w illustrations.
Author: Marius-Mircea Crișan
Publisher: Springer
ISBN: 331963366X
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
This volume analyses the role of Bram Stoker’s Dracula and its sequels in the evolution of the Gothic. As well as the transformation of the Gothic location—from castles, cemeteries and churches to the modern urban gothic—this volume explores the evolution of the undead considering a range of media from the 19th century protagonist to sympathetic contemporary vampires of teen Gothic. Based on an interdisciplinary approach (literature, tourism, and film), the book argues that the development of the Dracula myth is the result of complex international influences and cultural interactions. Offering a multifarious perspective, this volume is a reference work that will be useful to both academic and general readers.
Author: Barbara Brodman
Publisher: Rowman & Littlefield
ISBN: 1611475805
Category : Literary Collections
Languages : en
Pages : 265
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Book Description
Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an "undead" creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker's 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire's beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.
Author: Jimmie E. Cain, Jr.
Publisher: McFarland
ISBN: 0786424079
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In Victorian England, a marked fear of Russia prevailed in the government and the public. As a result of the Crimean War and other Russian threats to the British empire, the English mind was haunted by a shadowy enemy of barbarous Eastern invaders. The influence of this Russophobia is evident in the works of Bram Stoker, who responded to the Russian challenge to British Imperial hegemony through the character of Dracula, a primitive and menacing Eastern figure destroyed by warriors pledged to the Crown. The text investigates the role of Russophobia in Stoker's fiction, particularly his novels Dracula and The Lady of the Shroud. It offers historical information about Russophobia and the Crimean War, considers Slavic and Balkan connections, and analyzes Stoker's vampire themes. The resulting work shows how two nations' histories intertwine in an unexpected literary avenue. Illustrations include numerous political cartoons of the era.
Author: Cameron Williams Crawford
Publisher: McFarland
ISBN: 1476680612
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
Author: Rosemary Ellen Guiley
Publisher: Visionary Living, Inc.
ISBN: 1942157908
Category : Body, Mind & Spirit
Languages : en
Pages : 276
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Book Description
Author: Carol A Senf
Publisher: University of Wales Press
ISBN: 178316431X
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This study of Bram Stoker focuses on Stoker as a Gothic writer. Identified with Dracula, Stoker is largely responsible for taking the Gothic away from medieval castles and placing it at the center of modern life. The study examines Stoker's contribution to the modern notion of Gothic and thus to the history of popular culture and demonstrates that the excess generally associated with the Gothic is Stoker's way of examining the social, economic, and political problems. His relevance today is his depiction of problems that continue to haunt us at the beginning of the twenty first century. What makes the current study unique is that it privileges Stoker's use of the Gothic but also addresses that Stoker wrote seventeen other books plus numerous articles and short stories. Since a number of these works are decidedly not Gothic, the study puts his Gothic novels and short stories into the perspective of everything that he wrote. The creator of Dracula also wrote The Duties of Clerks of Petty Sessions in Ireland, a standard reference work for clerks in the Irish civil service, as well as The Man and Lady Athlyne, two delightful romances. Furthermore, Stoker was fascinated with technological development and racial and gender development at the end of the century as well as in supernatural mystery. Indeed the study demonstrates that the tension between the things that can be explained rationally and the things that cannot is important to our understanding of Stoker as a Gothic writer.
Author: Catherine Wynne
Publisher: Springer
ISBN: 1137465042
Category : Social Science
Languages : en
Pages : 288
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Book Description
'My revenge is just begun! I spread it over centuries, and time is on my side,' warns Dracula. This statement is descriptive of the Gothic genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic's preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy castles, the novel speaks to its own time, but has also transformed the genre, a revitalization that continues to sustain the Gothic today. This collection explores the formations of the Gothic, the relationship between Stoker's work and some of his Gothic predecessors, such as Poe and Wollstonecraft, presents new readings of Stoker's fiction and probes the influences of his cultural circle, before concluding by examining aspects of Gothic transformation from Daphne du Maurier to Stoker's own 'reincarnation' in fiction and biography. Bram Stoker and the Gothic testifies to Stoker's centrality to the Gothic genre. Like Dracula, Stoker's 'revenge' shows no sign of abating.
Author: Clive Leatherdale
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
