The Pleasure and Pain of Cult Horror Films PDF Download
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Author: Bartłomiej Paszylk
Publisher: McFarland
ISBN: 0786453273
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
Author: Bartłomiej Paszylk
Publisher: McFarland
ISBN: 0786453273
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
Author: Allen A. Debus
Publisher: McFarland
ISBN: 1476624321
Category : Nature
Languages : en
Pages : 325
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Book Description
From their discovery in the 19th century to the dawn of the Nuclear Age, dinosaurs were seen in popular culture as ambassadors of the geological past and as icons of the "life through time" narrative of evolution. They took on a more foreboding character during the Cold War, serving as a warning to mankind with the advent of the hydrogen bomb. As fears of human extinction escalated during the ecological movement of the 1970s, dinosaurs communicated their metaphorical message of extinction, urging us from our destructive path. Using an eclectic variety of examples, this book outlines the three-fold "evolution" of dinosaurs and other prehistoric monsters in pop culture, from their poorly understood beginnings to the 21st century.
Author: Gina Misiroglu
Publisher: Visible Ink Press
ISBN: 1578597943
Category : Comics & Graphic Novels
Languages : en
Pages : 1329
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Book Description
Everything you ever wanted to know about the bad guys in comics, film, and television! A must-read for anyone who was ever enthralled with mythic wickedness, The Supervillain Book: The Evil Side of Comics and Hollywood exhaustively explores the extraordinary lives and careers of hundreds of overachieving evildoers. Drawing from sources in comic books, film, live-action and animated television, newspaper strips, toys, and manga and anime, it is the definitive guide to nefarious masterminds, mad scientists, and destructive dominators who have battled super- and other fictional heroes. The Supervillain Book investigates each character’s origin, modus operandi, costumes, weapons and gadgetry, secret hideouts, chief henchmen, and minions, while serving up a supersized trove of fascinating trivia. It also takes you behind the scenes, describing the creation and development of these marvelously malicious, menacing, and malevolent characters. With 350 entries on pop culture’s most malicious evildoers, this comprehensive resource also includes 125 illustrations, a helpful resource section, and an extensive index, adding to its usefulness. What would a good guy be without the bad guy? Boring. You won’t be bored with this indispensable guide to the wicked world of supervillains!
Author: Christopher M. O’Brien
Publisher: McFarland
ISBN: 0786449845
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Although he is most remembered for his vast collection of science fiction memorabilia; his influential magazine, Famous Monsters of Filmland; and his frequent sci-fi convention appearances, Forrest J Ackerman (1916-2008) also left a sizeable body of work in print. An introductory biographical section traces Ackerman's early enthusiasm for pulp magazines and film productions of a fantastic nature, his rise to prominence in "fandom," his acquisition of memorabilia, his work as a literary agent, the founding of his landmark magazine in 1958, and his friendship with a number of performers and personnel from genre films. The extensive bibliography includes listings of books, published letters, articles, fiction, verse, speeches, screenplays, comics, discography, liner notes, and periodicals edited and published by Ackerman. A thorough filmography, a selected listing of nationally televised appearances, and rare photographs of Ackerman throughout his lifetime complete this definitive catalog of one of science fiction's most interesting personalities.
Author: Thomas Mann
Publisher: McFarland
ISBN: 1476614091
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.
Author: Ariel Rogers
Publisher: Columbia University Press
ISBN: 0231548036
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.
Author: United States. Congress. House. Committee on Interstate and Foreign Commerce
Publisher:
ISBN:
Category :
Languages : en
Pages : 1542
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Book Description
Author: J. P. Telotte
Publisher: Oxford University Press
ISBN: 0190949678
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.
Author: Charles Augustus Jenkens
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 408
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Book Description
Author: Pauline Kael
Publisher: Holt Paperbacks
ISBN: 1250033578
Category : Performing Arts
Languages : en
Pages : 959
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Book Description
The intelligent person's guide to the movies, with more than 2,800 reviews Look up a movie in this guide, and chances are you'll find yourself reading on about the next movie and the next. Pauline Kael's reviews aren't just provocative---they're addictive. These brief, informative reviews, written for the "Goings On About Town" section of The New Yorker, provide an immense range of listings---a masterly critical history of American and foreign film. This is probably the only movie guide you'll want to read for the sheer pleasure of it.
