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Author: David Wills
Publisher: U of Minnesota Press
ISBN: 0816653453
Category : Philosophy
Languages : en
Pages : 282
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Book Description
In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision. With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger’s thinking from a reductionist dismissal of technology, examining different angles on Lvinas’s face-to-face relation, and tracing a politics of friendship and sexuality in Derrida and Sade. He also analyzes versions of exile in Joyce’s rewriting of Homer and Broch’s rewriting of Virgil and discusses how Freud and Rimbaud exemplify the rhetoric of soil and blood that underlies every attempt to draw lines between nations and discriminate between peoples. In closing, Wills demonstrates the political force of rhetoric in a sophisticated analysis of Nietzsche’s oft-quoted declaration that “God is dead.” Forward motion, Wills ultimately reveals, is an ideology through which we have favored the front-what can be seen-over the aspects of the human and technology that lie behind the back and in the spine-what can be sensed otherwise-and shows that this preference has had profound environmental, political, sexual, and ethical consequences. David Wills is professor of French and English at the University of Albany (SUNY). He is the author of Prosthesis and Matchbook: Essays in Deconstruction as well as the translator of works by Jacques Derrida, including The Gift of Death.
Author: David Wills
Publisher: U of Minnesota Press
ISBN: 0816653453
Category : Philosophy
Languages : en
Pages : 282
Get Book Here
Book Description
In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision. With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger’s thinking from a reductionist dismissal of technology, examining different angles on Lvinas’s face-to-face relation, and tracing a politics of friendship and sexuality in Derrida and Sade. He also analyzes versions of exile in Joyce’s rewriting of Homer and Broch’s rewriting of Virgil and discusses how Freud and Rimbaud exemplify the rhetoric of soil and blood that underlies every attempt to draw lines between nations and discriminate between peoples. In closing, Wills demonstrates the political force of rhetoric in a sophisticated analysis of Nietzsche’s oft-quoted declaration that “God is dead.” Forward motion, Wills ultimately reveals, is an ideology through which we have favored the front-what can be seen-over the aspects of the human and technology that lie behind the back and in the spine-what can be sensed otherwise-and shows that this preference has had profound environmental, political, sexual, and ethical consequences. David Wills is professor of French and English at the University of Albany (SUNY). He is the author of Prosthesis and Matchbook: Essays in Deconstruction as well as the translator of works by Jacques Derrida, including The Gift of Death.
Author: Carrie Rohman
Publisher: Oxford University Press
ISBN: 0190883197
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Choreographies of the Living explores the implications of shifting from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman reveals the aesthetic impulse itself to be profoundly trans-species, and in doing so she revises our received wisdom about the value and functions of artistic capacities. Countering the long history of aesthetic theory in the West--beginning with Plato and Aristotle, and moving up through the recent claims of "neuroaesthetics"--Rohman challenges the likening of aesthetic experience to an exclusively human form of judgment. Turning toward the animal in new frameworks for understanding aesthetic impulses, Rohman emphasizes a deep coincidence of humans' and animals' elaborations of fundamental life forces. Examining a range of literary, visual, dance, and performance works and processes by modernist and contemporary figures such as Isadora Duncan, D. H. Lawrence, Virginia Woolf, and Merce Cunningham, Rohman reconceives the aesthetic itself not as a distinction separating humans from other animals, but rather as a framework connecting embodied beings. Her view challenges our species to acknowledge the shared status of art-making, one of our most hallowed and formerly exceptional activities.
Author: Sam Ladkin
Publisher: Rowman & Littlefield
ISBN: 1783484918
Category : Social Science
Languages : en
Pages : 448
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Book Description
Against Value in the Arts and Education proposes that it is often the staunchest defenders of art who do it the most harm, by suppressing or mollifying its dissenting voice, by neutralizing its painful truths, and by instrumentalizing its ambivalence. The result is that rather than expanding the autonomy of thought and feeling of the artist and the audience, art’s defenders make art self-satisfied, or otherwise an echo-chamber for the limited and limiting self-description of people’s lives lived in an “audit culture”, a culture pervaded by the direct and indirect excrescence of practices of accountability. This book diagnoses the counter-intuitive effects of the rhetoric of value. It posits that the auditing of values pervades the fabric of people’s work-lives, their education, and increasingly their everyday experience. The book uncovers figures of resentment, disenchantment and alienation fostered by the dogma of value. It argues instead that value judgments can behave insidiously, and incorporate aesthetic, ethical or ideological values fundamentally opposed to the “value” they purportedly name and describe. The collection contains contributions from leading scholars in the UK and US with contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.
Author: Lynn Turner
Publisher: Edinburgh University Press
ISBN: 1399539760
Category :
Languages : en
Pages : 429
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Book Description
Erotics of Deconstruction takes advantage of over a decade of publications from Derrida's seminars to creatively demonstrate the deep material range of deconstruction and emphasise its under-recognised erotic nature. It activates psychoanalysis without the long-embedded philosophical trajectory that forged the human, psychic life and sexuality as categorically distinct from 'the animal' (inherent to dialectics and psychoanalysis). It generates new conversations with Derrida's feminist contemporaries as they encounter pressing questions in current critical thought. From the larger frame of 'life death' and the broadest auto-affective relation of inside to outside, to the difficult to grasp interface of conceptual and sensible, Erotics of Deconstruction does not retreat to a reparative life force or erotics of the good, but includes the unsettling friction of an originary relation to violence. Parsed by means of case studies from literature, philosophy and vis ual culture, erotics in this volume lap at every edge.
Author: Didier L. Goyvaerts
Publisher: John Benjamins Publishing
ISBN: 9027270856
Category : Language Arts & Disciplines
Languages : en
Pages : 657
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Book Description
This volume brings together a number of ground-breaking papers in the theory of phonology.
Author: Dawne McCance
Publisher: SUNY Press
ISBN: 1438445342
Category : Nature
Languages : en
Pages : 210
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Book Description
Comprehensive overview of key theoretical approaches and issues in the field.
Author: Thangam Ravindranathan
Publisher: Northwestern University Press
ISBN: 081014073X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
As animals recede from our world, what tale is being told by literature’s creatures? Behold an Animal: Four Exorbitant Readings examines incongruous animals in the works of four major contemporary French writers: an airborne horse in a novel by Jean-Philippe Toussaint, extinct orangutans in Éric Chevillard, stray dogs in Marie NDiaye, vanishing (bits of) hedgehogs in Marie Darrieussecq. Resisting naturalist assumptions that an animal in a story is simply—literally or metaphorically—an animal, Thangam Ravindranathan understands it rather as the location of something missing. The animal is a lure: an unfinished figure fleeing the frame, crossing bounds of period, genre, even medium and language. Its flight traces an exorbitant (self-)portrait in which thinking admits to its commerce with life and flesh. It is in its animals, at the same time unbearably real and exquisitely unreal, that literature may today be closest to philosophy. This book’s primary focus is the contemporary French novel and continental philosophy. In addition to Toussaint, Chevillard, NDiaye, and Darrieussecq, it engages the work of Jean de La Fontaine, Eadweard Muybridge, Edgar Allan Poe, Lewis Carroll, Samuel Beckett, and Francis Ponge.
Author: Joseph T. Bagnara
Publisher: Wheatmark, Inc.
ISBN: 1604949821
Category : Biography & Autobiography
Languages : en
Pages : 279
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Book Description
During his fifty-year career as a biologist at the University of Arizona, Joseph T. Bagnara investigated subjects he was passionate about, traveled abroad, made lasting friendships, and earned international recognition. Now retired, he leaves behind a legacy of discovery and knowledge. And yet, as in any life, there is unfinished business. Embark on a journey through time as Joe recounts his scientific and cultural adventures. Through his eyes you will witness the profound changes that occurred in academia following World War II. The road is winding, with many detours and a few promising trails abandoned. But these trails remain for future generations to rediscover and explore.
Author: Christian Uffmann
Publisher: Walter de Gruyter
ISBN: 3110934825
Category : Language Arts & Disciplines
Languages : en
Pages : 258
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Book Description
While it is commonly assumed that languages epenthesize context-free default vowels, this book shows that in loanword adaptation, several strategies are found which interact intricately. Large loanword corpora in Shona, Sranan, Samoan and Kinyarwanda are analyzed statistically, and the patterns are modeled in a version of Optimality Theory which introduces constraints on autosegmental representations. The focus of this book is on English loans in Shona, providing an in-depth empirical and formal analysis of epenthesis in this language. The analysis of additional languages allows for solid typological generalizations. In addition, a diachronic study of epenthesis in Sranan provides insight into how insertion patterns develop historically. In all languages analyzed, default epenthesis exists alongside vowel harmony and spreading from adjacent consonants. While different languages prefer different strategies, these strategies are subject to the same set of constraints, however. In spreading, feature markedness plays an important role alongside sonority. We suggest universal markedness scales which combine with constraints on autosegmental configurations to model the patterns found in individual languages and at the same time to constrain the range of possible crosslinguistic variation.
Author: Thomas Deane Tucker
Publisher: Edinburgh University Press
ISBN: 147440930X
Category : Art
Languages : en
Pages : 169
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Book Description
From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps - breaking new ground in motion studies and providing a bold new perspective on film history.
