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Author: Emma Sadleir
Publisher: Penguin Random House South Africa
ISBN: 0143531425
Category : Self-Help
Languages : en
Pages : 195
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Book Description
In the digital age you can get into serious legal trouble at the click of a button. The shift from passive Internet user to active digital citizen has brought about unprecedented levels of online interaction, creation and connecting. But as people begin to share more and more about themselves and their lives on social media, they are finding themselves getting into trouble for what they say and do online. Emma Sadleir and Tamsyn de Beer, who together run one of South Africa's leading social media law consultancies, point out the social traps and legal tangles that you could find yourself facing as you navigate the murky waters of the digital age. In a fun, witty and easily accessible way, this ground-breaking book details the legal, disciplinary and reputational risks that you, your company and your children face online. By outlining the laws and rules applicable to what you do and say on social media, and providing practical and common-sense advice, Don't Film Yourself Having Sex ultimately shows you that in order to reap the extraordinary benefits of digital technology without succumbing to its risks, you need to start practising responsible digital citizenship.
Author: Emma Sadleir
Publisher: Penguin Random House South Africa
ISBN: 0143531425
Category : Self-Help
Languages : en
Pages : 195
Get Book Here
Book Description
In the digital age you can get into serious legal trouble at the click of a button. The shift from passive Internet user to active digital citizen has brought about unprecedented levels of online interaction, creation and connecting. But as people begin to share more and more about themselves and their lives on social media, they are finding themselves getting into trouble for what they say and do online. Emma Sadleir and Tamsyn de Beer, who together run one of South Africa's leading social media law consultancies, point out the social traps and legal tangles that you could find yourself facing as you navigate the murky waters of the digital age. In a fun, witty and easily accessible way, this ground-breaking book details the legal, disciplinary and reputational risks that you, your company and your children face online. By outlining the laws and rules applicable to what you do and say on social media, and providing practical and common-sense advice, Don't Film Yourself Having Sex ultimately shows you that in order to reap the extraordinary benefits of digital technology without succumbing to its risks, you need to start practising responsible digital citizenship.
Author: Emma Sadleir
Publisher:
ISBN: 9780143538943
Category : Digital media
Languages : en
Pages : 195
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Book Description
By outlining the laws and rules applicable to what you do and say on social media, and providing practical and common sense advice, Don't film yourself having sex ultimately shows you that in order to reap the extraordinary benefits of digital technology without succumbing to its risks, you need to start practising responsible digital citizenship.
Author: Suzanne Ferriss
Publisher: Routledge
ISBN: 1135895945
Category : Performing Arts
Languages : en
Pages : 514
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Book Description
From An Affair to Remember to Legally Blonde, "chick flicks" have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of "chick culture," which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-class—and frequently college-educated—women, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. On the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life. A companion to the successful anthology Chick Lit: The New Woman’s Fiction, this edited volume consists of 11 original essays, prefaced by an introduction situating chick flicks within the larger context of chick culture as well as women’s cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality (heterosexual and homosexual), femininity, female friendship, age, race, ethnicity, class, consumerism, spectatorship, pleasure and gender definition. An afterword by feminist film theorist Karen Hollinger considers the chick flick’s transformation from the woman’s films of the ’40s to the friendship films of the ’80s and those of the "return to the classics" trend of the ’90s, while highlighting the value of the volume’s contributions to contemporary debates and sketching possibilities for further study.
Author: jimi izrael
Publisher: St. Martin's Press
ISBN: 1429957107
Category : Family & Relationships
Languages : en
Pages : 321
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Book Description
"Sisters decry the shortage of good men and say there is no way she is settling for less than a good Black man. Not just a good one, but the BEST one: Denzel Washington. She, of course, has no idea what that means, what she wants or what a good Black man truly looks like." –from The Denzel Principle The Denzel Principle is the belief that the perfect man—in the form of Denzel Washington—actually exists off screen and that all Black women can snag a Denzel of their very own. So what does your very own Denzel look like? Well, he's rich but earthy, handsome but not pretty, doting but not docile, tough but vulnerable, political but not radical, passionate but not hysterical, ambitious but not overbearing, well-read but not nerdy, manly but not macho, gentle but not feminine, Black but not militant, sexy but not solicitous, flirtatious but particular...and all that on cue and in proper measure. Award winning reporter and cultural critic, jimi izrael offers to set the record straight – from a regular guy's point of view. The Denzel Principle is straight talk on everything from "Ways Women Can Break the Hold of the Dizzle," "Ways to Attract Mr. Right," to "Ten Reasons to Love Ordinary Black Men" and so much more.
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 1449406181
Category : Performing Arts
Languages : en
Pages : 1152
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Book Description
"Roger Ebert's "criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range." --New York Times Pulitzer Prize-winning film critic Roger Ebert presents more than 500 full-length critical movie reviews, along with interviews, essays, tributes, journal entries, and Q and As from "Questions for the Movie Answer Man" inside Roger Ebert's Movie Yearbook 2011. From Inglourious Basterds and Crazy Heart to Avatar, Fantastic Mr. Fox, and the South Korean sensation The Chaser, Roger Ebert's Movie Yearbook 2011. includes every movie review Ebert has written from January 2008 to July 2010. Also included in the Yearbook are: * In-depth interviews with newsmakers such as Muhammad Ali and Jason Reitman. * Tributes to Eric Rohmer, Roy Disney, John Hughes, and Walter Cronkite. * Essays on the Oscars, reports from the Cannes Film Festival, and entries into Ebert's Little Movie Glossary.
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 348
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Book Description
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 1449423442
Category : Art
Languages : en
Pages : 802
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Book Description
Reviews originally appeared in the Chicago sun-times.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Author:
Publisher: iUniverse
ISBN: 0595297439
Category :
Languages : en
Pages : 195
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Book Description
Author: Max Jive
Publisher: IPBooks
ISBN: 0954841190
Category : Performing Arts
Languages : en
Pages : 171
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Book Description
In January 2020 a revolution in partner dance emerged. Normally men lead the women, but we can share the lead, swapping mid dance. I set out to do something about the sexist nature of dancing and discovered that lead sharing makes dancing much more fun. More fun, more enjoyable, more interesting. This is the story of how it came about and the remarkable result.
