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Author: Richard Will
Publisher: University of Chicago Press
ISBN: 0226815412
Category : Music
Languages : en
Pages : 315
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Book Description
Part I. Clouds of feeling: excerpt audio recordings. Imagining excerpts; Rhetorics of seduction; Demons and dandies; All too human -- Part II. Invented works : complete audio records. The visual stage; Cruel laughter; Dancing in time -- Part III. Partial visions : video recordings. Zooming in, gazing back; Trauma retold; Libertines punished.
Author: Richard Will
Publisher: University of Chicago Press
ISBN: 0226815412
Category : Music
Languages : en
Pages : 315
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Book Description
Part I. Clouds of feeling: excerpt audio recordings. Imagining excerpts; Rhetorics of seduction; Demons and dandies; All too human -- Part II. Invented works : complete audio records. The visual stage; Cruel laughter; Dancing in time -- Part III. Partial visions : video recordings. Zooming in, gazing back; Trauma retold; Libertines punished.
Author: Wye Jamison Allanbrook
Publisher: University of Chicago Press
ISBN: 022643771X
Category : Biography & Autobiography
Languages : en
Pages : 409
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Book Description
Wye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
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Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Emilio Sala
Publisher: Bloomsbury Publishing USA
ISBN: 1501391216
Category : Music
Languages : en
Pages : 249
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Book Description
Vincenzo Bellini on Stage and Screen, 1935–2020 offers nine case studies of the history of Vincenzo Bellini's operas on stage, on screen, and in sound, video and performance art. This investigation begins in 1935, the hundredth anniversary of the composer's death and the year when his first biopic was released, and ends in 2020, when performance artist Marina Abramovic's 'opera project' 7 Deaths of Maria Callas, whose final scene is accompanied by Bellini's famous aria 'Casta Diva,' was premiered. In Part One, several recent productions of La sonnambula, Norma and I Puritani are discussed from different perspectives, but the common focus is on the possible meanings of these works for contemporary spectators. Part Two, centered on cinema, includes chapters on biopics of Bellini that make extensive use of his music, as well as on the presence of this music in soundtracks of films from the last half century. Part Three turns to other media or mixtures of stage and screen, and focuses on Bellini in sound and video art of the last few decades, on YouTube and its fandom, and on 7 Deaths of Maria Callas. The volume offers an expansive view of the many ways in which Bellini's operas have been visualized and conceptualized over the past century, and of what they may have meant, and may still mean, for twentieth- and twenty-first-century culture.
Author: Christopher Morris
Publisher: University of Chicago Press
ISBN: 0226831299
Category : Music
Languages : en
Pages : 269
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Book Description
"From the early days of radio broadcast to today's recorded simulcasts and live online productions, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera's engagement with screen media. Foregrounding a playful exchange and self-awareness between stage and screen, Screening the Operatic Stage analyzes how opera sees itself on video. Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. These screen cultures reveal how inherently "technological" opera is as a medium, begging the question of whether it can be understood independently of technology. Ultimately, Screening the Operatic Stage shows how the technologies of televisual representation employed in opera reinforce its audience's expectations for the genre"--
Author: Joakim Garff
Publisher: Princeton University Press
ISBN: 1400849608
Category : Biography & Autobiography
Languages : en
Pages : 897
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Book Description
"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come.
Author: Rodney Bolt
Publisher: Bloomsbury Publishing USA
ISBN: 1596919825
Category : Biography & Autobiography
Languages : en
Pages : 460
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Book Description
In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream. In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.
Author: Nikki Giovanni
Publisher: HarperCollins
ISBN: 0062995308
Category : Poetry
Languages : en
Pages : 134
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Book Description
One of America’s most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart. For more than fifty years, Nikki Giovanni’s poetry has dazzled and inspired readers. As sharp and outspoken as ever, she returns with this profound book of poetry in which she continues to call attention to injustice and racism, celebrate Black culture and Black lives, and and give readers an unfiltered look into her own experiences. In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her Black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “”When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life. Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul.
Author: Francesca Vella
Publisher: University of Chicago Press
ISBN: 0226815706
Category : Music
Languages : en
Pages : 262
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Book Description
A study of the networks of opera production and critical discourse that shaped Italian cultural identity during and after Unification. Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts. In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.
Author: Louise Marley
Publisher: Kensington Books
ISBN: 0758261047
Category : Fiction
Languages : en
Pages : 432
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Book Description
Award winning author Louise Marley's compelling, intricately layered story of a beautiful soprano who shares an everlasting bond with the world's most notorious musical genius. . . Mozart's Blood Octavia Voss is an ethereal singer whose poise and talent belie her young age. In truth, she is a centuries-old vampire who once "shared the tooth" with Mozart himself. To protect her secret, Octavia's even more ancient friend Ugo stalks the streets to find the elixir that feeds his muse's soul. With Mozart's musical prowess coursing through her veins, the ageless Octavia reinvents herself with each new generation. But just as she prepares to take the stage at La Scala, Ugo inexplicably disappears, leaving Octavia alone--and dangerously unprotected. . . Octavia vows to find Ugo, but his fate is in the hands of forces much darker than she could ever imagine. And when she learns the truth behind his disappearance, Octavia realizes too late that the life hanging most in the balance is her own. . . "Riveting, original. . .filled with the emotional power and intricate twists and turns of a Mozart opera." --Tracy Grant, author of Beneath a Silent Moon
