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Author: RP Collado
Publisher: Xlibris Corporation
ISBN: 1984531778
Category : Poetry
Languages : en
Pages : 34
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Book Description
given time the young we find breaks through its outer shell and as we usher in the new we bid the old a fond farewell
Author: RP Collado
Publisher: Xlibris Corporation
ISBN: 1984531778
Category : Poetry
Languages : en
Pages : 34
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Book Description
given time the young we find breaks through its outer shell and as we usher in the new we bid the old a fond farewell
Author:
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 598
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Book Description
Author: David Toop
Publisher: Bloomsbury Publishing USA
ISBN: 1628927690
Category : Music
Languages : en
Pages : 337
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Book Description
In this first installment of acclaimed music writer David Toop's interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisation's connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Brötzmann in Berlin and Han Bennink and Misha Mengelberg in Amsterdam.
Author: Kris Needs
Publisher: Omnibus Press
ISBN: 1783235357
Category : Music
Languages : en
Pages : 462
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Book Description
“We were living through the realities of war and bringing the war onto the stage... Everybody hated us, man” Alan Vega Born out of the city's vibrant artistic underground as a counter-cultural performance art statement, opposing the war by mirroring its turmoil, Suicide became the most terrifyingly iconoclastic band in history, and also one of the most influential. By the time the punk scene they're usually associated with came out of CBGBs in the mid-seventies, Suicide had already been causing havoc in New York’s clubs for several years. Working closely with the author, Rev and Vega explain the influences and events which led to the birth of Suicide and their early struggles. They invoke another world and era, peppered with smoky jazz clubs, Iggy Pop in his new-born Stooge persona and even suffer an attack from beat guru Allen Ginsberg. Along with interviewing major figures in the Suicide story, the author reaches back into 40 years chronicling and interviewing major players in New York’s musical history, including Blondie, Jayne County, James Chance and the New York Dolls. While the city changes around them, it all adds up to the definitive account of the lives and times of this unique duo.
Author: Dan DiPiero
Publisher: University of Michigan Press
ISBN: 047290311X
Category : Music
Languages : en
Pages : 261
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Book Description
Contingent Encounters offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scholarship and public discourse. Taking seriously the claim that improvisation is the same thing as living, Contingent Encounters overturns long-standing assumptions about the aesthetic and political implications of this notoriously slippery term.
Author: Gene Santoro
Publisher: Oxford University Press
ISBN: 0190287241
Category : Music
Languages : en
Pages : 480
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Book Description
Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.
Author: Catherine Hapka
Publisher: Scholastic Inc.
ISBN: 1338136437
Category : Juvenile Fiction
Languages : en
Pages : 181
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Book Description
A secret cove, a special dolphin, and two girls with dolphin dreams . . . Avery comes to the cove to imagine swimming with dolphins -- and to avoid thinking about her parents' divorce. Maria comes to draw pictures of the special creatures. Pictures she'll never show to anyone.When a sweet dolphin brings two girls from very different worlds together, it looks like they might make their dreams come true . . . together. Maria helps Avery battle her fear of the ocean. And Avery encourages Maria to share her art with the world. But family expectations could tear their new friendship apart. Then the girls discover their special dolphin is in trouble. Can they overcome their differences to help the dolphin -- and each other -- before it's too late?
Author:
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 288
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Book Description
Author:
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 598
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Book Description
Author: Jessica Hagedorn
Publisher: Penguin
ISBN: 0142001090
Category : Fiction
Languages : en
Pages : 337
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Book Description
One of Jessica Hagedorn's most daring novels—“a deft and complex tale of corruption, fealty, and integrity” (The Baltimore Sun) In a Philippines of desperate beauty and rank corruption, two seemingly unrelated events occur: the discovery of an ancient lost tribe living in a remote mountainous area and the arrival of a celebrity-studded, American film crew, there to make an epic Vietnam War movie. But the lost tribe may be a clever hoax and the Hollywood movie seems doomed as the cast and crew continue to self-destruct in a cloud of drugs and ego. As the consequences of these events play out, four unforgettable characters—a wealthy, iconoclastic playboy; a woman ensnared in the sex industry; a Filipino-American writer; and a jaded actor—find themselves drawn irrevocably together in this lavish, sensual portrait of a nation in crisis.
