Author: G. Roy Levin
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Documentary films
Languages : en
Pages : 468

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Book Description

Author: Paula Willoquet-Maricondi
Publisher: University of Virginia Press
ISBN: 0813930057
Category : Literary Criticism
Languages : en
Pages : 280

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Book Description
films. --Book Jacket.

Author: Robin Wood
Publisher: Wayne State University Press
ISBN: 9780814332788
Category : Performing Arts
Languages : en
Pages : 444

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Book Description
A reissue of a significant and hard-to-find text in film studies with a new introduction and three additional essays included. Robin Wood, the renowned scholarly critic and writer on film, has prepared a new introduction and added three essays to his classic text Personal Views. This important book contains essays on a wide range of films and filmmakers and considers questions of the nature of film criticism and the critic. Wood, the proud "unreconstructed humanist," offers in this collection persuasive arguments for the importance of art, creativity, and personal response and also demonstrates these values in his analyses. Personal Views is the only book on cinema by Wood never to have been published in the United States. It contains essays on popular Hollywood directors such as Howard Hawks, Vincente Minnelli, and Leo McCarey; as well as pieces on recognized auteurs like Max Ophuls, Orson Welles, Fritz Lang, and Josef von Sternberg; and essays on art-film icons Jean-Luc Godard, Michelangelo Antonioni, and Kenji Mizoguchi. The writings that make up Personal Views appeared duing a pivotal time in both film studies-during its academic institutionalization-and in the author's life. Throughout this period of change, Wood remained a stalwart anchor of the critical discipline, using theory without being used by it and always staying attentive to textual detail. Wood's overall critical project is to combine aesthetics and ideology in understanding films for the ultimate goal of enriching our lives individually and together. This is a major work to be read and reread not just by film scholars and students of film but by anyone with an interest in twentieth-century culture.

Author: Brian Winston
Publisher: Bloomsbury Publishing
ISBN: 1838718745
Category : Performing Arts
Languages : en
Pages : 893

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Book Description
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

Author: James Leo Cahill
Publisher: Routledge
ISBN: 042989032X
Category : Performing Arts
Languages : en
Pages : 310

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Book Description
Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. This is the first anthology dedicated to analysing cinema’s relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing on insights from science and technology studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes not only cinema’s implication in imperial conquest but also its cutting-edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts and films made in or about peoples in South America, Asia, Africa, Indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau alongside amateur and scientific filmmakers. The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields.

Author: Michael Renov
Publisher: Routledge
ISBN: 1135213097
Category : Social Science
Languages : en
Pages : 276

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Book Description
A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include `What is documentary?' and `How fictional is nonfiction?'

Author: Ron Burnett
Publisher: Indiana University Press
ISBN: 9780253206121
Category : Performing Arts
Languages : en
Pages : 324

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Book Description
Book on philosophy and theory of the cinema.

Author: Robert Coles
Publisher: Oxford University Press
ISBN: 9780195124958
Category : Language Arts & Disciplines
Languages : en
Pages : 292

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Book Description
Investigates the nature of documentary work, arguing that the work of an observer is not only to represent, but also to interpret reality, and uses examples from literature and photography to show how the observers' personal frame of reference has influenced his or her work.

Author: Erik Barnouw
Publisher: Oxford University Press, USA
ISBN: 9780195078985
Category : Performing Arts
Languages : en
Pages : 414

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Book Description
Presents a history of the documentary film

Author: Jonathan Kahana
Publisher: Oxford University Press
ISBN: 019973965X
Category : Art
Languages : en
Pages : 1057

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Book Description
The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.