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Author: Bruce W. Ferguson
Publisher: Routledge
ISBN: 113482002X
Category : Art
Languages : en
Pages : 365
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Book Description
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.
Author: Bruce W. Ferguson
Publisher: Routledge
ISBN: 113482002X
Category : Art
Languages : en
Pages : 365
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Book Description
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1362
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Book Description
Author: Eva-Maria Troelenberg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110341360
Category : Art
Languages : en
Pages : 384
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Book Description
In recent years, the emerging field of museum studies has seen rapid expansion in the critical study of museums and scholars started to question the institution and its functions. To contribute differentiated viewpoints to the currently evolving meta-discourse on the museum, this volume aims to investigate how the institution of the museum has been visualized and translated into different kinds of images and how these images have affected our perception of these institutions. In this interdisciplinary collection, scholars from a variety of academic backgrounds, including art history, heritage, museums studies and architectural history, explore a broad range of case studies stretching across the globe. The volume opens up debate about the epistemological and historiographical significance of a variety of different images and representations of the Art Museum, including the transformation or adaptation of the image of the art museum across periods and cultures. In this context, this volume aims to develop a new theoretical framework while proposing new methodological tools and resources for the analysis of museological representations on a global scale.
Author: Daniel J. Sherman
Publisher:
ISBN: 9780816619511
Category : Art
Languages : en
Pages : 326
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Book Description
Museums display much more than artifacts; Museum Culture makes us on a tour through the complex of ideas, values and symbols that pervade and shape the practice of exhibiting today. Bringing together a broad range of perspectives from history, art history, critical theory and sociology, the contributors to this new collection argue that museums have become a central institution and metaphor in contemporary society. Discussing exhibition histories and practice in Western Europe, the former Soviet Union, Israel and the United States, the authors explore the ways in which museums assign meaning to art through various kinds of exhibitions and display strategies, examining the political implications of these strategies and the forms of knowledge they invoke and construct. The collection also discusses alternative exhibition forms, the involvement of some museums with the more spectacular practices of mass media culture, and looks at how museums construct their public.
Author: Armin Medosch
Publisher: MIT Press
ISBN: 0262546639
Category : Art
Languages : en
Pages : 407
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Book Description
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art. Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other “new art practices” including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.
Author: Panagiotis Athanasopoulos
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677083
Category : History
Languages : en
Pages : 628
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Book Description
During the late Byzantine period (1261-1453), a significant number of texts were translated from Latin, but also from Arabic and other languages, into Greek. Most of them are still unedited or available in editions that do not meet the modern academic criteria. Nowadays, these translations are attracting scholarly attention, as it is widely recognized that, besides their philological importance per se, they can shed light on the cultural interactions between late Byzantines and their neighbours or predecessors. To address this desideratum, this volume focuses on the cultural context, the translators and the texts produced during the Palaeologan era, extending as well till the end of 15th c. in ex-Byzantine territories. By shedding light on the translation activity of late Byzantine scholars, this volume aims at revealing the cultural aspect of late Byzantine openness to its neighbours.
Author: Nina Schallenberg
Publisher: Hatje Cantz Verlag
ISBN: 377575038X
Category : Art
Languages : en
Pages : 208
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Book Description
1985 äußerte Joseph Beuys in der Reihe »Reden über das eigene Land: Deutschland« an den Münchner Kammerspielen, dass er sein Werk »von der Sprache aus« entwickelt habe. Er verstand die Sprache – den bildnerischen Gestaltungsmitteln ebenbürtig – als plastisches Material, durch das jede Einzelne und jeder Einzelne körperlich, intellektuell und kommunikativ an der Neuordnung der Gesellschaft teilhaben könne. Seine Auseinandersetzung mit Sprache reicht vom Schweigen bis zur stundenlangen Diskussion, von animalisch klingenden Lauten bis zu präzisen Begriffserörterungen und verrätselten Schriften. Entsprechend gliedern sich die Kapitel in die Themen Schweigen, Laute, Begriffe, Schrift, Geheimnis, Legende und Sprechen. Ausstellung und Katalog versammeln Skulpturen, Zeichnungen, Installationen, Filme, Plakate und Dokumente aus den Beständen der Nationalgalerie, der Sammlung Marx, des Kupferstichkabinetts und der Kunstbibliothek der SMB.
Author:
Publisher:
ISBN:
Category : Germany
Languages : en
Pages : 354
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Book Description
Author: H. R. Luard
Publisher: Cambridge University Press
ISBN: 1108034381
Category : Antiques & Collectibles
Languages : en
Pages : 187
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Book Description
The first published catalogue of manuscripts held by Cambridge University Library, first published between 1856 and 1867.
Author: Andrew Mitchell
Publisher: Stanford University Press
ISBN: 0804775761
Category : Philosophy
Languages : en
Pages : 142
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Book Description
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject—a catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillida—he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contribution to the philosophy of sculpture.
