Document concernant le film "la Belle vie", 1932

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Document concernant le film "la Belle vie", 1932

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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Book Description


Rediscovering French Film

Rediscovering French Film PDF Author: Mary Lea Bandy
Publisher: Bulfinch
ISBN:
Category : Performing Arts
Languages : en
Pages : 230

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The Encyclopedia of Film

The Encyclopedia of Film PDF Author: James Monaco
Publisher: Perigee Trade
ISBN:
Category : Performing Arts
Languages : en
Pages : 616

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Book Description
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR

The Film Encyclopedia

The Film Encyclopedia PDF Author: Ephraim Katz
Publisher: New York : HarperCollins Publishers
ISBN: 9780062730893
Category : Performing Arts
Languages : en
Pages : 1528

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Book Description
Gay and Lesbian Cinema: p. 513-514.

Documents concernant le film "le Chemin de la vie", 1932

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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Magazines and Modern Identities

Magazines and Modern Identities PDF Author: Tim Satterthwaite
Publisher: Bloomsbury Publishing
ISBN: 1350278653
Category : Photography
Languages : en
Pages : 265

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Book Description
In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity. Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.

The International Film Index, 1895-1990: Directors' filmography and indexes

The International Film Index, 1895-1990: Directors' filmography and indexes PDF Author: Alan Goble
Publisher: London ; New Jersey : Bowker-Saur
ISBN: 9780862916336
Category : Performing Arts
Languages : en
Pages : 744

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Document concernant le film "la Belle marinière", 1932

Document concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2

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The International Film Index, 1895-1990: Film titles

The International Film Index, 1895-1990: Film titles PDF Author: Alan Goble
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 998

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The Belle Époque

The Belle Époque PDF Author: Dominique Kalifa
Publisher: Columbia University Press
ISBN: 0231554389
Category : History
Languages : en
Pages : 167

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Book Description
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.