Author: John Parris Springer
Publisher: McFarland
ISBN: 1476610495
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of “reality” in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.
Author: Tatiana Prorokova
Publisher: U of Nebraska Press
ISBN: 1496214447
Category : Social Science
Languages : en
Pages : 378
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Book Description
Historical writing and fiction are not the same thing, though historians often creatively manipulate material in imposing plot structures, selecting starting and ending points, and fashioning compelling literary characters from historical figures. In Docu-Fictions of War, Tatiana Prorokova argues that the opposite is also true--war fiction offers a kind of history that both documents its subjects and provides a snapshot of the cultural representation of the United States' most recent military involvements. She covers a largely neglected body of cinematic and literary texts about the First Gulf War, the Balkan War, the Afghanistan War, and the Iraq War to open a fresh analysis of cultural texts on war. Prorokova contends that these texts are not pure fiction, but "docu-fictions"--works of imagination that can document their subjects while disclosing the social, political, and historical link between war and culture during the last three decades. Docu-Fictions of War analyzes how these representational narratives have highlighted a humanitarian rationale behind American involvement in each war, whether the stated goals were to free the oppressed from tyranny, stop genocide, or rid the world of terrorism. The book explores the gap between history--what allegedly happened--and the cultural mythology that is both true and inexact, tangible and sensed, recognized and undocumented.
Author: Daniel Marcus
Publisher: Routledge
ISBN: 1317534166
Category : Social Science
Languages : en
Pages : 210
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Book Description
Contemporary Documentary offers a rich survey of the rapidly expanding landscape of documentary film, television, video, and new media. The collection of original essays addresses the emerging forms, popular genres, and innovative approaches of the digital era. The anthology highlights geographically and thematically diverse examples of documentaries that have expanded the scope and impact of non-fiction cinema and captured the attention of global audiences over the past three decades. It also explores the experience of documentary today, with its changing dynamics of production, collaboration, distribution, and exhibition, and its renewed political and cultural relevance. The twelve chapters - featuring engaging case studies and written from a wide range of perspectives including film theory, social theory, ethics, new media, and experience design - invite students to think critically about documentary as a vibrant field, unrestricted in its imagination and quick in its response to new forms of filmmaking. Offering a methodical exploration of the expansive reach of documentary as a creative force in the media and society of the twenty-first century, Contemporary Documentary is an ideal collection for students of film, media, and communication who are studying documentary film.
Author: Christophe Corbin
Publisher: Rowman & Littlefield
ISBN: 1498582060
Category : Social Science
Languages : en
Pages : 251
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Book Description
Revisiting the French Resistance in Cinema, Literature, Bande Dessinée, and Television (1942–2012) examines how fictional works have contributed to shaping the image of the French Resistance, and offers a key to understanding France’s national psyche. Christophe Corbin explores themes including the making of the myth of an honorable country united against a common enemy, comedies gently poking fun at it and fictional works debunking it straightforwardly, the invisibility and resurfacing of women in films and novels, as well as contemporary depictions of the Resistance on television. Case studies include sometimes forgotten or lesser-known works such as Aragon’s wartime poetry, early films such as Le Père tranquille or Casablanca-inspired Fortunat, iconic films and novels such as Le Silence de la mer or La Grande Vadrouille, but also contemporary fictional works such as Effroyables jardins and Un Héros très discret, or the popular TV series Un Village français. It will be of interest to scholars and students in cultural studies, film studies, French studies, history, and media studies.
Author: Patsy J. Prince
Publisher: Simon and Schuster
ISBN: 1506271871
Category : Study Aids
Languages : en
Pages : 1016
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Book Description
Barron’s 6 ACT Practice Tests helps students learn by doing with detailed answer analyses and practice that simulates the actual ACT. The third edition features: Six full-length practice tests similar to the actual ACT in length, structure, question types, and degree of difficulty Detailed analyses explaining why each correct answer is the right one Tips and strategies geared toward each section of the test--English, Math, Reading, Science, and the optional Writing
Author: Harold Jaffe
Publisher: Raw Dog Screaming Press
ISBN: 9780974503103
Category : Fiction
Languages : en
Pages : 184
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Book Description
Exploring dangerous territory, Jafee uses illustrations, letters, monologues, interviews, and "unsituated dialogues" to bring to life some of the most infamous serial killers of all time.
Author: Daniel Marcus
Publisher: Routledge
ISBN: 1317534158
Category : Social Science
Languages : en
Pages : 235
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Book Description
Contemporary Documentary offers a rich survey of the rapidly expanding landscape of documentary film, television, video, and new media. The collection of original essays addresses the emerging forms, popular genres, and innovative approaches of the digital era. The anthology highlights geographically and thematically diverse examples of documentaries that have expanded the scope and impact of non-fiction cinema and captured the attention of global audiences over the past three decades. It also explores the experience of documentary today, with its changing dynamics of production, collaboration, distribution, and exhibition, and its renewed political and cultural relevance. The twelve chapters - featuring engaging case studies and written from a wide range of perspectives including film theory, social theory, ethics, new media, and experience design - invite students to think critically about documentary as a vibrant field, unrestricted in its imagination and quick in its response to new forms of filmmaking. Offering a methodical exploration of the expansive reach of documentary as a creative force in the media and society of the twenty-first century, Contemporary Documentary is an ideal collection for students of film, media, and communication who are studying documentary film.
Author: Jeffrey R. Di Leo
Publisher: Texas A&M University Press
ISBN: 1937875520
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
American Book Review is not just a book review—it is also the heart and soul of writerly writing and small press publishing. In 2006, the publication was relocated to Victoria, Texas, where cultural critic and philosopher Jeffrey R. Di Leo became editor and publisher. Turning the Page collects Di Leo’s contributions to American Book Review from his more recent “Page 2” entries on “social reading” and book bannings in Arizona to his early engagements with the work of Raymond Federman and Harold Jaffe. The common themes are book and publishing culture, and how they intersect with current problems in the humanities, including the rise of neoliberalism. “There is no dimension of contemporary book culture that Jeffrey Di Leo doesn’t examine beautifully in Turning the Page. These essays are essential reading for everyone who cares about the state of literature today.”—Charles Johnson, author, Middle Passage “For the past decade, Jeffrey Di Leo, the editor of American Book Review, has been a witty, genial, super-well-informed, and incisive guide to what’s been happening on the literary scene as well as the public world beyond it.”—Marjorie Perloff, Sadie Dernham Patek Professor of Humanities Emerita, Stanford University “Literary culture is going through convulsions not seen since the emergence of the printing press, which is exactly why Jeffrey Di Leo’s Turning the Page is such necessary reading.”—Steve Tomasula, author, TOC: A New-Media Novel
Author: Igor Krstic
Publisher: Edinburgh University Press
ISBN: 1474406874
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.
Author: Karen Redrobe
Publisher: U of Minnesota Press
ISBN: 1452962944
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
The preoccupation with “depth” and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.
