Doctoral Dissertations by 150 Recipients of Fellowship Grants from the Southern Fellowships Fund, 1955-58 PDF Download
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Author: Council of Southern Universities, Inc. Southern Fellowships Fund
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 50
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Book Description
Author: Council of Southern Universities, Inc. Southern Fellowships Fund
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 50
Get Book Here
Book Description
Author: Southern Fellowships Fund
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 72
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Book Description
Author: Council of Southern Universities, Inc. Southern Fellowships Fund
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 28
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Book Description
Author: Robert MacDonald Lester
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Council of Southern Universities. Southern Fellowship Fund
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 216
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Book Description
Author: Robert MacDonald Lester
Publisher:
ISBN:
Category : Scholarships
Languages : en
Pages : 32
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 632
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Book Description
Includes entries for maps and atlases.
Author: Council of Southern Universities. Southern Fellowship Fund
Publisher:
ISBN:
Category : Scholarships
Languages : en
Pages : 52
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Fabio Barry
Publisher: Yale University Press
ISBN: 0300248164
Category : Architecture
Languages : en
Pages : 449
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Book Description
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
