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Author: Don Mee Choi
Publisher:
ISBN: 9781940696966
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
"A new book by Don Mee Choi that includes poems, prose, and images" --
Author: Don Mee Choi
Publisher:
ISBN: 9781940696966
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
"A new book by Don Mee Choi that includes poems, prose, and images" --
Author: Don Mee Choi
Publisher:
ISBN: 9781940696218
Category : Poetry
Languages : en
Pages : 0
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Book Description
Documents of war by Choi's father fuel her second collection of poetry, a passionate and personal defiance of nationalism.
Author: Kim Hyesoon
Publisher: New Directions Publishing
ISBN: 0811227359
Category : Poetry
Languages : en
Pages : 127
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Book Description
Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.
Author: Brandon Shimoda
Publisher: City Lights Books
ISBN: 0872867935
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
Winner of the 2020 PEN Open Book Award Best of 2019: Nonfiction - Entropy Magazine A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer "It's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love."—Zachary Schomburg, Willamette Week
Author: Don Mee Choi
Publisher:
ISBN: 9781937027971
Category : Poetry
Languages : en
Pages : 0
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Book Description
"Don Mee Choi is the author of three books of poetry and hybrid essays, and an award-winning translator of contemporary Korean women's poetry. In this pamphlet, Translation is a Mode=Translation is an Anti-neocolonial Mode, she explores translation and language in the context of US imperialism--through the eyes of a "foreigner;" a translator; a child in Timoka, the made-up city of Ingmar Bergman's The Silence; a child from a neocolony."--Publisher's website (viewed 2021 February 10)
Author: Don Mee Choi
Publisher:
ISBN: 9780979975561
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poems.
Author: E. J. Koh
Publisher: Tin House Books
ISBN: 1947793470
Category : Biography & Autobiography
Languages : en
Pages : 143
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Book Description
Winner of the Pacific Northwest Booksellers Association Award and the Washington State Book Award in Biography/Memoir Named One of the Best Books by Asian American Writers by Oprah Daily Longlisted for the PEN Open Book Award The Magical Language of Others is a powerful and aching love story in letters, from mother to daughter. After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters in Korean over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box. As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the loss and destruction her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.
Author: Roald Maliangkay
Publisher: University of Hawaii Press
ISBN: 0824866657
Category : Music
Languages : en
Pages : 265
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Book Description
Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres. As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome, but imperative.
Author: Daniel Suarez
Publisher: Penguin
ISBN: 0451417704
Category : Fiction
Languages : en
Pages : 514
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Book Description
A scientist and a soldier must join forces when combat drones zero in on targets on American soil in this gripping technological thriller from New York Times bestselling author Daniel Suarez. Linda McKinney studies the social behavior of insects—which leaves her entirely unprepared for the day her research is conscripted to help run an unmanned and automated drone army. Odin is the secretive Special Ops soldier with a unique insight into a faceless enemy who has begun to attack the American homeland with drones programmed to seek, identify, and execute targets without human intervention. Together, McKinney and Odin must slow this advance long enough for the world to recognize its destructive power. But as enigmatic forces press the advantage, and death rains down from above, it may already be too late to save mankind from destruction.
Author: Minnie Bruce Pratt
Publisher: Wesleyan University Press
ISBN: 0819580074
Category : Poetry
Languages : en
Pages : 113
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Book Description
Finalist for Audre Lorde Award for Lesbian Poetry, given by The Publishing Triangle, 2022 This collection of love poems draws us into the sacred liminal space that surrounds death. With her beloved gravely ill, poet and activist Minnie Bruce Pratt turns to daily walks and writing to find a way to go on in a world where injustice brings so much loss and death. Each poem is a pocket lens "to swivel out and magnify" the beauty in "the little glints, insignificant" that catch her eye: "The first flowers, smaller than this s." She also chronicles the quiet rooms of "pain and the body's memory," bringing the reader carefully into moments that will be familiar to anyone who has suffered similar loss. Even as she asks, "What's the use of poetry? Not one word comes back to talk me out of pain," the book delivers a vision of love that is boldly political and laced with a tumultuous hope that promises: "Revolution is bigger than both of us, revolution is a science that infers the future presence of us." This lucid poetry is a testimony to the radical act of being present and offers this balm: that the generative power of love continues after death. Oh Death Someone sang, Oh death! Oh death! Won't you pass me over for another day? Someone said, I dreamed of you last night. I dreamed you were telling me your whole life story. Whole. Whorled. Welkin, winkle, wrinkle. The loop of time holds us all together. The pile of laundry on the bed. You folding socks one inside the other. We have had this day, and now this night. The clothes are put away, and from the bed we see the moon folding light into darkness, not death.
