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Author: Jeff Schwartz
Publisher: State University of New York Press
ISBN: 1438490321
Category : Music
Languages : en
Pages : 208
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Book Description
In the late 1950s, free jazz broke all the rules, liberating musicians both to create completely spontaneous and unplanned performances and to develop unique personal musical systems. This genre emerged alongside the radical changes of the 1960s, particularly the Civil Rights, Black Arts, and Black Power movements. Free Jazz is a new and accessible introduction to this exciting, controversial, and often misunderstood music, drawing on extensive research, close listening, and the author’s experience as a performer. More than a catalog of artists and albums, the book explores the conceptual areas they opened: freedom, spirituality, energy, experimentalism, and self-determination. These are discussed in relation to both the political and artistic currents of the times and to specific musical techniques, explained in language clear to ordinary readers but also useful for musicians.
Author: Jeff Schwartz
Publisher: State University of New York Press
ISBN: 1438490321
Category : Music
Languages : en
Pages : 208
Get Book Here
Book Description
In the late 1950s, free jazz broke all the rules, liberating musicians both to create completely spontaneous and unplanned performances and to develop unique personal musical systems. This genre emerged alongside the radical changes of the 1960s, particularly the Civil Rights, Black Arts, and Black Power movements. Free Jazz is a new and accessible introduction to this exciting, controversial, and often misunderstood music, drawing on extensive research, close listening, and the author’s experience as a performer. More than a catalog of artists and albums, the book explores the conceptual areas they opened: freedom, spirituality, energy, experimentalism, and self-determination. These are discussed in relation to both the political and artistic currents of the times and to specific musical techniques, explained in language clear to ordinary readers but also useful for musicians.
Author: Danielle Goldman
Publisher: University of Michigan Press
ISBN: 0472026615
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
"Danielle Goldman's contribution to the theory and history of improvisation in dance is rich, beautiful and extraordinary. In her careful, rigorously imaginative analysis of the discipline of choreography in real time, Goldman both compels and allows us to become initiates in the mysteries of flight and preparation. She studies the massive volitional resources that one unleashes in giving oneself over to being unleashed. It is customary to say of such a text that it is 'long-awaited' or 'much anticipated'; because of Goldman's work we now know something about the potenza, the kinetic explosion, those terms carry. Reader, get ready to move and be moved." ---Fred Moten, Duke University "In this careful, intelligent, and theoretically rigorous book, Danielle Goldman attends to the 'tight spaces' within which improvised dance explores both its limitations and its capacity to press back against them. While doing this, Goldman also allows herself---and us---to be moved by dance itself. The poignant conclusion, evoking specific moments of embodied elegance, vulnerability, and courage, asks the reader: 'Does it make you feel like dancing?' Whether taken literally or figuratively, I can't imagine any other response to this beautiful book." ---Barbara Browning, New York University "This book will become the single most important reflection on the question of improvisation, a question which has become foundational to dance itself. The achievement of I Want to Be Ready lies not simply in its mastery of the relevant literature within dance, but in its capacity to engage dance in a deep and abiding dialogue with other expressive forms, to think improvisation through myriad sites and a rich vein of cultural diversity, and to join improvisation in dance with its manifestations in life so as to consider what constitutes dance's own politics." ---Randy Martin, Tisch School of Arts at New York University I Want To Be Ready draws on original archival research, careful readings of individual performances, and a thorough knowledge of dance scholarship to offer an understanding of the "freedom" of improvisational dance. While scholars often celebrate the freedom of improvised performances, they are generally focusing on freedom from formal constraints. Drawing on the work of Michel Foucault and Houston Baker, among others, Danielle Goldman argues that this negative idea of freedom elides improvisation's greatest power. Far from representing an escape from the necessities of genre, gender, class, and race, the most skillful improvisations negotiate an ever shifting landscape of constraints. This work will appeal to those interested in dance history and criticism and also interdisciplinary audiences in the fields of American and cultural studies. Danielle Goldman is Assistant Professor of Dance at The New School and a professional dancer in New York City, where she recently has danced for DD Dorvillier and Beth Gill. Cover art: Still from Ghostcatching, 1999, by Bill T. Jones, Paul Kaiser, and Shelley Eshkar. Image courtesy of Kaiser/Eshkar.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0190450657
Category : Music
Languages : en
Pages : 304
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Book Description
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Author: Jonathan Gawne
Publisher: Casemate
ISBN: 193514992X
Category : History
Languages : en
Pages : 335
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Book Description
“An excellent, balanced history of the 23rd Special Troops . . . may be one of the most important books to come out of World War II.” —Engineer Magazine No history of the war in Europe has ever taken into account the actions of the men of the US 23rd Special Troops. These men took part in over twenty-two deception operations against the German army. Some of these operations had tremendous impact upon how the battles in Europe were fought. The men who participated in these actions were sworn to secrecy for fifty years and are only now willing to talk about their role. The 23rd was composed of four main units. A signal deception unit to broadcast fake radio signals, an engineer camouflage unit to set up rubber dummies of tanks and trucks, a combat engineer unit to construct emplacements and provide local security, and a sonic deception company. The sonic unit was developed to fool German listening posts by playing audio recordings of various sounds, such as tanks moving up or bridges being built. The 23rd was the only tactical deception unit of the American Army in World War II combining all aspects of deception. This book also covers the birthplace of sonic deception, the Army Experimental Station at Pine Camp, and the 23rd’s smaller sister unit, the 3133rd Sonic Deception company that saw action for fourteen days in Italy. “Highly recommended reading as being a simply fascinating military history of a hidden aspect of World War II that would have a profound and lasting influence on military strategy and tactics.” —Midwest Book Review
Author: Max K. Hecht
Publisher: Springer Science & Business Media
ISBN: 1461310431
Category : Science
Languages : en
Pages : 417
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Book Description
Evolutionary Biology, of which this is the twenty-second volume, continues to offer its readers a wide range of original articles, reviews, and commentaries on evolution, in the broadest sense of that term. The topics of the reviews range from anthropology, molecular evolution, and paleobiology to principles of systematics. In recent volumes, a broad spectrum of articles have appeared on such subjects as asymmetric sexual isolation, biochemical systematics in plants, species selection, DNA hybridization and phylogenetics, modes of evolution in Pleistocene rodents, and development and evolution of the vertebrate limb. We have also attempted to provide a forum for conƯ flicting ideas. Articles such as these, often too long for standard journals, are the material for Evolutionary Biology. The editors continue to solicit manuscripts on an international scale in an effort to see that everyone ofthe many facets of biological evolution is covered. Manuscripts should be sent to anyone of the following: Max K. Hecht, Department of Biology, Queens College of the City University of New York, Flushing, New York 11367; Bruce Wallace, Department of Biology, Virginia Polytechnic Institute and State University, BlacksƯ burg, Virginia 24061; GhilleanT. Prance, New York Botanical Garden, Bronx, New York 10458. The Editors vii Contents 1. Phylogeny of Early Vertebrate Skeletal Induction and Ossification Patterns ... 1 John G. Maisey Introduction: The Fossil Record.. .. .. ... .. .. .. .. .. .. .. .. .. .. .. 1.
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Category : Entomology
Languages : en
Pages : 488
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Author: United States. Congress. Senate. Committee on Appropriations
Publisher:
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Category :
Languages : en
Pages : 2040
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Author: United States. Congress. Senate. Committee on Appropriations
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Category :
Languages : en
Pages : 2066
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Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Agriculture--Environmental and Consumer Protection Appropriations
Publisher:
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Category :
Languages : en
Pages : 2042
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Author: United States. Congress. Senate. Committee on Appropriations
Publisher:
ISBN:
Category :
Languages : en
Pages : 2042
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