Author: Jennifer M. Dixon
Publisher: Cornell University Press
ISBN: 1501730266
Category : Political Science
Languages : en
Pages : 186
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Book Description
In Dark Pasts, Jennifer M. Dixon asks why states deny past atrocities, and when and why they change the stories they tell about them. In recent decades, states have been called on to acknowledge and apologize for historic wrongs. Some have apologized, while others have silenced, denied, and relativized past crimes. Dark Pasts unravels the complex and fraught processes through which state narratives of past atrocities are constructed, contested, and defended. Focusing on Turkey's narrative of the Armenian Genocide and Japan's narrative of the Nanjing Massacre, Dixon shows that international pressures increase the likelihood of change in states' narratives of their own dark pasts, even as domestic considerations determine their content. Combining historical richness and analytical rigor, Dark Pasts is a revelatory study of the persistent presence of the past and the politics that shape narratives of state wrongdoing.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Steve Dixon
Publisher: MIT Press
ISBN: 0262303329
Category : Performing Arts
Languages : en
Pages : 1027
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Book Description
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
Author: Charles Mason
Publisher:
ISBN:
Category : History
Languages : en
Pages : 248
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Author: James Veech
Publisher:
ISBN:
Category : Mason-Dixon Line
Languages : en
Pages : 64
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Author:
Publisher:
ISBN:
Category : Iowa
Languages : en
Pages : 688
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Author: Lenies Talbert Buck
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Author: Wyndham Mason Southgate
Publisher: Harvard University Press
ISBN: 9780674477506
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
John Jewel, Bishop of Salisbury, was, after Archbishop Parker, the most important English churchman in the decisive Elizabethan era. His organizational work and voluminous doctrinal writings contributed largely to the stabilization of the Anglican Church in the early years of Elizabeth's reign. Among the most effective apologists in an age noted for them, an eminent humanist and patristic scholar, Bishop jewel brought the spirit of the new enlightenment to bear on the problem of authority which naturally arose after the Reformation's initial years of rupture and polemics. A thorough knowledge of Christian tradition and scriptural interpretation enabled Jewel to find a solution that avoided authoritarianism on the one hand and its opposite extreme of total dependence on individual inspiration on the other. The English Church of his time, strengthened by this solid basis for a continuing via media and by the brilliance of Bishop jewel's exposition of it, took cognizance of its own identity, and the Establishment emerged a reality. A later generation of Anglican apologists, faced with the challenge of Puritanism, also leaned heavily on the theories Jewel developed. This study of his work and character thus holds a key to the understanding of several of the most important ideas and institutions to evolve during these formative periods of modern civilization.
Author: Mandell Creighton
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 868
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Author: Providence Public Library (R.I.)
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 322
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