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Author: Glenn Stanfield Holland
Publisher: Susquehanna University Press
ISBN: 9781575910321
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Ultimately, irony appears to be a term with no definitive meaning, the product of a critical enterprise that over time identified particular literary devices and perspectives a irony."--BOOK JACKET.
Author: Glenn Stanfield Holland
Publisher: Susquehanna University Press
ISBN: 9781575910321
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Ultimately, irony appears to be a term with no definitive meaning, the product of a critical enterprise that over time identified particular literary devices and perspectives a irony."--BOOK JACKET.
Author: Jonathan A. Kruschwitz
Publisher: Wipf and Stock Publishers
ISBN: 1725260778
Category : Religion
Languages : en
Pages : 272
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Book Description
The stories of Hagar, Dinah, and Tamar stand out as strangers in the ancestral narrative. They deviate from the main plot and draw attention to the interests and fates of characters who are not a part of the ancestral family. Readers have traditionally domesticated these strange stories. They have made them “familiar”—all about the ancestral family. Thus Hagar’s story becomes a drama of deselection, Shechem and the Hivites become emblematic for ancestral conflict with the people of the land, and Tamar becomes a lens by which to read providence in the story of Joseph. This study resurrects the question of these stories’ strangeness. Rather than allow the ancestral narrative to determine their significance, it attends to each interlude’s particularity and detects ironic gestures made toward the ancestral narrative. These stories contain within them the potential to defamiliarize key themes of ancestral identity: the ancestral-divine relationship, ancestral relations to the land and its inhabitants, and ancestral self-identity. Perhaps the ancestral family are not the only privileged partners of God, the only heirs to the land, or the only bloodline fit to bear the next generation.
Author: InHee C. Berg
Publisher: Fortress Press
ISBN: 1451484321
Category : Religion
Languages : en
Pages : 222
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Book Description
Irony (as used here) is a rhetorical and literary device for revealing “what is hidden behind what is seen.” It thus offers the reader a superior understanding by means of the distinction between reality and its shadow. The book provides a history of different definitions of irony, from Aristophanes to Booth; discusses the constitutive formal elements of irony and the functions of irony; then studies particular aspects of the Matthean Passion Narrative that require the reader to recognize a deeper truth beneath the surface of the narrative.
Author: Matthew Pawlak
Publisher: Cambridge University Press
ISBN: 1009271911
Category : Language Arts & Disciplines
Languages : en
Pages : 293
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Book Description
Provides an extensive analysis of sarcasm in Paul's letters, illuminated by case studies on Septuagint Job, the prophets, and Lucian of Samosata.
Author: Frederick Garber
Publisher: John Benjamins Publishing
ISBN: 9630548445
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding syntheses treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: Lange, John Peter
Publisher: Delmarva Publications, Inc.
ISBN:
Category :
Languages : en
Pages : 4733
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Book Description
All sixty-three of the original volumes are included in a nine volumes set. There are two linked indexes in this volume, a main index at the front of this volume that will take you to the beginning each of the books of the bible and another index at the beginning of each book there is a linked scripture index leading to the particular subject. Lange’s Commentary on the Old and New Testaments, translated, revised, edited and enlarged from the German editions of John Peter Lange and many contributors, and edited by Philip Schaff. Lange’s Commentary on the entire Bible has remained one of the most useful and valuable work of its kind. It is conservative in theology and universal in hermeneutics. Delmarva Publications is proud to make it available in digital format. The original work was completed in 63 volumes, but we have made it available in 9 volumes they are: Volume 1 - Genesis to Ruth Volume 2 -1 Samuel to Esther Volume 3 - Job to Ecclesiastes Volume 4 - Song of Songs to Lamentations Volume 5 - Ezekiel to Malachi Volume 6 - Matthew to John Volume 7 - Acts to 2 Corinthians Volume 8 - Galatians to 2 Timothy Volume 9 -Titus to Revelation
Author: Juliane Rebentisch
Publisher: John Wiley & Sons
ISBN: 0745693148
Category : Philosophy
Languages : en
Pages : 328
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Book Description
The concept of democratic freedom refers to more than the kind of freedom embodied by political institutions and procedures. Democratic freedom can only be properly understood if it is grasped as the expression of a culture of freedom that encompasses an entire form of life. Juliane Rebentisch’s systematic and historical approach demonstrates that we can learn a great deal about the democratic culture of freedom from its philosophical critics. From Plato to Carl Schmitt, the critique of democratic culture has always been articulated as a critique of its ãaestheticization“. Rebentisch defends various phenomena of aestheticization Ð from the irony typical of democratic citizens to the theatricality of the political Ð as constitutive elements of democratic culture and the notion of freedom at the heart of its ethical and political self-conception. This work will be of particular interest to students of Political Theory, Philosophy and Aesthetics.
Author: Terence E. Fretheim
Publisher: Penn State Press
ISBN: 1575067226
Category : History
Languages : en
Pages : 433
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Book Description
Terence E. Fretheim has long been a leading voice in Old Testament theology. In this volume, thirty of his classic studies have been gathered together for the first time under the rubrics “God and the World”, “God and Suffering”, “God, Wrath, and Divine Violence”, “God and the Pentateuch”, “God and the Prophets”, and “God and the Church’s Book”. Here readers can find a compelling answer to the question that has motivated Fretheim’s work for more than forty years—namely, what kind of God is the God of Scripture? The studies are introduced by a critical overview of Fretheim’s career and theology by the editors and a retrospective by Fretheim himself.
Author: Georg Wilhelm Friedrich Hegel
Publisher: LP
ISBN:
Category : Philosophy
Languages : en
Pages : 669
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Book Description
A new Translation with Afterword of Hegel's Monumental work Lectures on Aesthetics/ Vorlesungen über die Ästhetik (1818 -1829) Over a decade, G.W.F. Hegel delivered a series of "Lectures on Aesthetics," which delved deep into the nature and significance of art in human experience. Hegel contends that art, like religion and philosophy, is a means through which the human spirit expresses its understanding of itself and its place in the world. Analyzing various art forms – from architecture and sculpture to painting and music – Hegel traces the historical evolution of artistic expression, culminating in the idea that in modern times, art, while still valuable, has been superseded by philosophy as the highest form of spiritual expression.
Author: Milton Spenser Terry
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 582
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Book Description
