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Author: Georges Bataille
Publisher:
ISBN: 9780982046401
Category : Fiction
Languages : en
Pages : 0
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Book Description
A collection of Bataille's long-overlooked erotic prose and scatological fragments, rivalled only by his most well-known work 'Story of the Eye' for pure pornographic content that transcends the limits of literature and the self. The prose section comprises two intensely erogenous evocations of the postmodern psyche, while the poetic fragments come straight from Bataille's private notebooks. Never before has such profanity risen to the level of the sacred and sublime. Translated for the first time into English by Mark Spitzer.
Author: Georges Bataille
Publisher:
ISBN: 9780982046401
Category : Fiction
Languages : en
Pages : 0
Get Book Here
Book Description
A collection of Bataille's long-overlooked erotic prose and scatological fragments, rivalled only by his most well-known work 'Story of the Eye' for pure pornographic content that transcends the limits of literature and the self. The prose section comprises two intensely erogenous evocations of the postmodern psyche, while the poetic fragments come straight from Bataille's private notebooks. Never before has such profanity risen to the level of the sacred and sublime. Translated for the first time into English by Mark Spitzer.
Author: Jacqui Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1443866466
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
This book forms part of the multi-disciplinary Studies in Ethics Series from Liverpool Hope University. It explores the slipperiness of ethics as a concept and demonstrates the multiplicity of intellectual inquiry within contemporary Film Studies. At first glance, ‘ethics’ is not necessarily a subject conventionally associated with film. Film is often regarded as a form of ‘lowbrow’ popular culture, either offering bland entertainment or deliberately setting out to shock – or, more cynically, generate box office revenue – through gratuitous inclusion of sex and violence. Certainly, there have always been a minority of films based on the stereotypically ‘ethical’ subject of religion, but these have often generated the most controversy, from the studio system decree that it was blasphemous to represent the corporeal body of Christ to the furore surrounding Martin Scorsese’s The Last Temptation of Christ (1988). This book shows that from the silent era to the present day, film has been inherently concerned with ethical issues. In this light, the definition of ethics that informs the volume and is taken as the starting point of each of the chapters is the notion of personal or institutional motivation; most usually because a character or industry figure makes a decision or choice based on their own moral – or ethical – code. Once this is defined, the ethical dimension to films is immediately evident. This book takes as its central theme the difficulty of decisions refracted through personal ethical codes, and thus recognises that what counts as ethics, or morality, is always subjective. Some of the chapters explore films which take conventionally ‘good’ ethical standpoints, others investigate why ‘bad’ decisions were made; at least one explores the celebration of practices invoking popular disgust, but all the contributions study ethical decisions within film that represent the strongly felt convictions of those involved and, moreover, address aspects of filmmaking which force the spectator to be an active and reciprocal participant in the creation of meaning, thus implicitly acknowledging that ethics are subjective and in perpetual flux rather than fixed, objective truths.
Author: Cynthia J. Miller
Publisher: Bloomsbury Publishing USA
ISBN: 1501322389
Category : Performing Arts
Languages : en
Pages : 383
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Book Description
Explores the horrific side of consumption, as it is portrayed in film and television—from what (and whom) we eat to food that “bites back.”
Author: David Gordon White
Publisher: University of Chicago Press
ISBN: 022671490X
Category : Religion
Languages : en
Pages : 350
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Book Description
A richly illustrated tapestry of interwoven studies spanning some six thousand years of history, Dæmons Are Forever is at once a record of archaic contacts and transactions between humans and protean spirit beings—dæmons—and an account of exchanges, among human populations, of the science of spirit beings: dæmonology. Since the time of the Indo-European migrations, and especially following the opening of the Silk Road, a common dæmonological vernacular has been shared among populations ranging from East and South Asia to Northern Europe. In this virtuoso work of historical sleuthing, David Gordon White recovers the trajectories of both the “inner demons” cohabiting the bodies of their human hosts and the “outer dæmons” that those same humans recognized each time they encountered them in their enchanted haunts: sylvan pools, sites of geothermal eruptions, and dark forest groves. Along the way, he invites his readers to reconsider the potential and promise of the historical method in religious studies, suggesting that a “connected histories” approach to Eurasian dæmonology may serve as a model for restoring history to its proper place at the heart of the discipline of the history of religions.
Author: John Waters
Publisher: Corsair
ISBN: 9781472155207
Category :
Languages : en
Pages : 384
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Book Description
Author: Fintan Walsh
Publisher: Routledge
ISBN: 113615485X
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
This book stages a timely discussion about the centrality of identity politics to theatre and performance studies. It acknowledges the important close relationship between the discourses and practices historically while maintaining that theatre and performance can enlighten ways of being with others that are not limited by conventional identitarian languages. The essays engage contemporary theatre and performance practices that pose challenging questions about identity, as well as subjectivity, relationality, and the politics of aesthetics, responding to neo-liberal constructions and exploitations of identity by seeking to discern, describe, or imagine a new political subject. Chapters by leading international scholars look to visual arts practice, digital culture, music, public events, experimental theatre, and performance to investigate questions about representation, metaphysics, and politics. The collections seeks to foreground shared, universalist connections that unite rather than divide, visiting metaphysical questions of being and becoming, and the possibilities of producing alternate realities and relationalities. The book asks what is at stake in thinking about a subject, a time, a place, and a performing arts practice that would come ‘after’ identity, and explores how theatre and performance pose and interrogate these questions.
Author: Benedetta Cappellini
Publisher: Routledge
ISBN: 1317595645
Category : Business & Economics
Languages : en
Pages : 294
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Book Description
Reflecting a growing interest in consumption practices, and particularly relating to food, this cross disciplinary volume brings together diverse perspectives on our (often taken for granted) domestic mealtimes. By unpacking the meal as a set of practices - acquisition, appropriation, appreciation and disposal - it shows the role of the market in such processes by looking at how consumers make sense of marketplace discourses, whether this is how brand discourses influence shopping habits, or how consumers interact with the various spaces of the market. Revealing food consumption through both material and symbolic aspects, and the role that marketplace institutions, discourses and places play in shaping, perpetuating or transforming them, this holistic approach reveals how consumer practices of ‘the meal’, and the attendant meaning-making processes which surround them, are shaped. This wide-ranging collection will be of great interest to a wide range of scholars interested in marketing, consumer behaviour and food studies, as well as the sociology of both families and food.
Author: Victor Vitanza
Publisher: punctum books
ISBN: 0692541551
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in "chaste" ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is "base materialism" (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a "product" of rape and torture? He works with Jean-Paul Sartre and Page duBois's suggestion that the "product" is a new "species." Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of "Extras" (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza's first "Extra" studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander's documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser's video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé's Irréversible. In the Easter Eggs, he considers Dominique Laporte's "the Irreparable," as the object of loss and Giorgio Agamben's "the Irreparable," as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics. Victor J. Vitanza is Professor of English and Rhetorics and is the founding Director of the Ph.D. program in Rhetorics, Communication, and Information Design in the College of Architecture, Art, and Humanities, at Clemson University. He is also Professor of Rhetoric and Philosophy, as well as the holder of the Jean-François Lyotard Chair in the Media and Communication Division at the European Graduate School in Switzerland. He is the Editor of PRE/TEXT: A Journal of Rhetorical Theory. His books include Sexual Violence in Western Thought and Writing: Chaste Rape (Palgrave, 2011), Negation, Subjectivity, and The History of Rhetoric (SUNY, 1997), Writing Histories of Rhetoric (Southern Illinois, 1993); and PRE/TEXT: A Retrospective (Pittsburgh, 1993).
Author: Clive Cazeaux
Publisher: Routledge
ISBN: 1351226363
Category : Philosophy
Languages : en
Pages : 1560
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Book Description
The Continental Aesthetics Reader brings together classic and contemporary writings on art and aesthetics from the major figures in continental thought. The second edition is clearly divided into seven sections: Nineteenth-Century German Aesthetics Phenomenology and Hermeneutics Marxism and Critical Theory Excess and Affect Embodiment and Technology Poststructuralism and Postmodernism Aesthetic Ontologies. Each section is clearly placed in its historical and philosophical context, and each philosopher has an introduction by Clive Cazeaux. An updated list of readings for this edition includes selections from Agamben, Butler, Guattari, Nancy, Virilio, and iek. Suggestions for further reading are given, and there is a glossary of over fifty key terms. Ideal for introductory courses in aesthetics, continental philosophy, art, and visual studies, The Continental Aesthetics Reader provides a thorough introduction to some of the most influential writings on art and aesthetics from Kant and Hegel to Badiou and Ranci.
Author: D. A. Barker
Publisher: Lulu.com
ISBN: 1291797688
Category : Fiction
Languages : en
Pages : 266
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Book Description
Late December in Northern England. A man, warped to his soul, waits to kill in the hope of erasing a life time of evil. A porn entrepreneur plans to flee with his mistress and embezzled millions. An Asian youth is at war with his conscience, torn between his love for a one time whore and his duty to honour a family arranged betrothal. A lonely policeman, pining for his wayward wife, becomes inveigled in the web of a female executive, hungry for sex but also hungry for power. And David Bane, a convicted killer, released from jail, haunted by his butchered wife and mesmerized by a girl so like his wife she might be her twin and yet is twenty years younger. A girl who calls herself Midnight, who sells her flesh on the net and has no shortage of buyers; a girl who is chained to an oversized pimp, as mean as a mule and as strong as a mountain gorilla. All are linked, all are drawn in; all collide and explode in a super nova. This is "Killing For Christmas."
