Divertimento B-dur für Oboe, Fagott, Violine, Viola und Contrabass (Perger Nr. 92). PDF Download
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Author: Michael Haydn
Publisher:
ISBN:
Category : Quintettes (Basson, hautbois, violon, alto, contrebasse)
Languages : en
Pages : 46
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Book Description
Author: Michael Haydn
Publisher:
ISBN:
Category : Quintettes (Basson, hautbois, violon, alto, contrebasse)
Languages : en
Pages : 46
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Book Description
Author: Michael Haydn
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 24
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714545295
Category : Music
Languages : en
Pages : 113
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Book Description
These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original.This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. 'Hardly', as Michael F. Robinson notes, 'one's usual idea of a "e;comic"e; subject!' So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the 'libertine librettist' who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York - 'revered as the father of Italian studies in America'. The full original text is given, with a pointed modern translation.
Author: Michael Haydn
Publisher:
ISBN:
Category : Suites (Bassoons (2), Horns (2), Oboes (2))
Languages : en
Pages : 86
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Octets
Languages : en
Pages : 104
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Book Description
Author: Marian Paradeiser
Publisher:
ISBN:
Category : String trios (Violins (2), cello)
Languages : en
Pages : 18
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 516
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Book Description
Author: Antonio Baldassarre
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125044
Category : Music
Languages : en
Pages : 813
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Book Description
"Music cultures in sounds, words and images", edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM - Répertoire International de Littérature Musicale, and since 1998 director of the RCMI - Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, "Music in Art", in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic's very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.
Author: Christina K. Lindeman
Publisher: Routledge
ISBN: 1351768050
Category : Art
Languages : en
Pages : 288
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Book Description
The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
