Avant-garde Painting and Sculpture (1890-1955) in Italy PDF Download
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Author: Raffaele Carrieri
Publisher:
ISBN:
Category : Heykeltraşlık, İtalyan
Languages : en
Pages : 402
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Author: Raffaele Carrieri
Publisher:
ISBN:
Category : Heykeltraşlık, İtalyan
Languages : en
Pages : 402
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Author: Francesco Arcangeli
Publisher:
ISBN:
Category :
Languages : it
Pages : 630
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Author: Giorgio Morandi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 472
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![Giorgio Morandi : on the occasion of the exhibition at: Tate Modern, London, 22 May to 12 August 2001 ...] PDF](https://books.google.com/books/content/images/frontcover/HuRQAAAAMAAJ?fife=w80-h100)
Author: Giorgio Morandi
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Published to accompany an exhibition at Tate Modern, London, 22 May - 12 August 2001 and Musee de l'Art Moderne de la Ville de Paris, 4 October 2001 - 6 January 2002.
Author: Andrea Bruciati
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 342
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Author: John Berger
Publisher: Vintage
ISBN: 030749084X
Category : Art
Languages : en
Pages : 274
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Book Description
From Booker Prize-winning author John Berger, a collection of essays that explores the relationship of art and artists and includes examinations of the work of Brancusi, Degas, Michelangelo, and Frida Kahlo, among others. The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the New World Economic Order. The people coming together are the reader, me, and those the essays are about–Rembrandt, Paleolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of a certain hotel bedroom, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening in the world today is wrong, and that what is often said about it is a lie. I’ve never written a book with a greater sense of urgency. –John Berger
Author: Ida Gianelli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
First exhibited in the late 1970s, the Transavanguardia seemed to oppose radical experimental media in a return to expressive practices in painting and sculpture. The Transavanguardia first achieved notice with an exhibition held at the Kunsthalle, Basel, and participated in the 1982 Documenta 7. These five artists--Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria and Mimmo Paladino--were quickly recognized as a distinct movement and have exhibited both individually and as Transavanguardia including at the Guggenheim New York. This catalog of the Fall 2002 exhibition at Castello di Rivoli examines the spontaneous emergence of this group in 80 works with English/Italian essays by Jean-Christophe Ammann, Achille Bonito Oliva, Carolyn Christov-Bakargiev and John Yau.
Author: Giuseppe Ripa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
Giuseppe Ripa's "Moondance" is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Author: Roberto Podda
Publisher: Taylor & Francis
ISBN: 1040091032
Category : Architecture
Languages : en
Pages : 320
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Book Description
Luigi Moretti: Lessons of SPAZIO focuses on the theoretical work of the Italian architect Luigi Moretti (Rome, 1906–1973). It does so selectively, focusing on the editorials he published between 1950 and 1953 as editor-in-chief of the magazine SPAZIO, as well as a further essay on parametric architecture, published in 1971–1972, in the first issue of the magazine MOEBIUS, directed by his friend Giulio Roisecco. This book rediscovers Moretti's personal impact on international architectural theory through thoughtful comments that shed light on the architect's modernity and original approach. Although Moretti is an architect renowned for his projects and buildings, his theoretical essays are less well-known. The aim of this book is therefore to explore Moretti's theoretical work, which covers many topics, including pictorial art, sculpture, architecture, urban planning, music, cinema, poetry, mathematics, computer science, parametricity. In addition to the translation from Italian to English, the book contains reproductions of the original articles, accompanied by a series of essays of critical commentary and updated interpretations that show new ways of approaching, reading, and understanding the foundations of current architectural theory and its progress over the last 50 years. This book approaches Moretti's thought from a new perspective, with the aim of reconsidering the originality of this brilliant and visionary architect who was intellectually ostracised for many years due to political and ideological contingencies, even though he personified the ideal of the 'Renaissance man' in modern times. A re-reading of Moretti's work is more justified today than has ever been before, both to reconnect the threads with contemporaneity and to make his intensity and farsightedness of vision known to researchers, teachers, and students working in the areas of architecture and design theory, technology, and art today.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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