Author: David Walsh
Publisher: Cambridge University Press
ISBN: 9781107669659
Category : Art
Languages : en
Pages : 0
Book Description
This book examines Greek vase-paintings that depict humorous, burlesque, and irreverent images of Greek mythology and the gods. Many of the images present the gods and heroes as ridiculous and ugly. While the narrative content of some images may appear to be trivial, others address issues that are deeply serious. When placed against the background of the religious beliefs and social frameworks from which they spring, these images allow us to explore questions relating to their meaning in particular communities. Throughout, we see indications that Greek vase-painters developed their own comedic narratives and visual jokes. The images enhance our understanding of Greek society in just the same way as their more sober siblings in "serious" art. David Walsh is a Visiting Research Scholar in the School of Arts, Histories and Cultures at The University of Manchester.
Distorted Ideals in Greek Vase-Painting
Author: David Walsh
Publisher: Cambridge University Press
ISBN: 9781107669659
Category : Art
Languages : en
Pages : 0
Book Description
This book examines Greek vase-paintings that depict humorous, burlesque, and irreverent images of Greek mythology and the gods. Many of the images present the gods and heroes as ridiculous and ugly. While the narrative content of some images may appear to be trivial, others address issues that are deeply serious. When placed against the background of the religious beliefs and social frameworks from which they spring, these images allow us to explore questions relating to their meaning in particular communities. Throughout, we see indications that Greek vase-painters developed their own comedic narratives and visual jokes. The images enhance our understanding of Greek society in just the same way as their more sober siblings in "serious" art. David Walsh is a Visiting Research Scholar in the School of Arts, Histories and Cultures at The University of Manchester.
Publisher: Cambridge University Press
ISBN: 9781107669659
Category : Art
Languages : en
Pages : 0
Book Description
This book examines Greek vase-paintings that depict humorous, burlesque, and irreverent images of Greek mythology and the gods. Many of the images present the gods and heroes as ridiculous and ugly. While the narrative content of some images may appear to be trivial, others address issues that are deeply serious. When placed against the background of the religious beliefs and social frameworks from which they spring, these images allow us to explore questions relating to their meaning in particular communities. Throughout, we see indications that Greek vase-painters developed their own comedic narratives and visual jokes. The images enhance our understanding of Greek society in just the same way as their more sober siblings in "serious" art. David Walsh is a Visiting Research Scholar in the School of Arts, Histories and Cultures at The University of Manchester.
Greek Vase-Painting and the Origins of Visual Humour
Author: Alexandre G. Mitchell
Publisher: Cambridge University Press
ISBN: 0521513707
Category : Art
Languages : en
Pages : 399
Book Description
This richly illustrated book is a comprehensive study of visual humour in ancient Greece, emphasising works created in Athens and Boeotia.
Publisher: Cambridge University Press
ISBN: 0521513707
Category : Art
Languages : en
Pages : 399
Book Description
This richly illustrated book is a comprehensive study of visual humour in ancient Greece, emphasising works created in Athens and Boeotia.
The Art of Vase-Painting in Classical Athens
Author: Martin Robertson
Publisher: Cambridge University Press
ISBN: 9780521338813
Category : Art
Languages : en
Pages : 372
Book Description
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
Publisher: Cambridge University Press
ISBN: 9780521338813
Category : Art
Languages : en
Pages : 372
Book Description
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
The So-called Nonsense Inscriptions on Ancient Greek Vases
Author: Sara Chiarini
Publisher: BRILL
ISBN: 9004371206
Category : Literary Criticism
Languages : en
Pages : 557
Book Description
As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.
Publisher: BRILL
ISBN: 9004371206
Category : Literary Criticism
Languages : en
Pages : 557
Book Description
As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.
Pots & Plays
Author: Oliver Taplin
Publisher: Getty Publications
ISBN: 0892368071
Category : Greek drama (Tragedy)
Languages : en
Pages : 322
Book Description
This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.
Publisher: Getty Publications
ISBN: 0892368071
Category : Greek drama (Tragedy)
Languages : en
Pages : 322
Book Description
This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.
The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Gods and Heroes in Late Archaic Greek Art
Author: Karl Schefold
Publisher: Cambridge University Press
ISBN: 9780521327183
Category : Art
Languages : en
Pages : 404
Book Description
This volume is the sequel to Karl Schefold's Myth and Legend in Early Greek Art, and the second in his ambitious project to trace the representation of the Greek myths in Greek art from the beginnings down to the Hellenistic period.
Publisher: Cambridge University Press
ISBN: 9780521327183
Category : Art
Languages : en
Pages : 404
Book Description
This volume is the sequel to Karl Schefold's Myth and Legend in Early Greek Art, and the second in his ambitious project to trace the representation of the Greek myths in Greek art from the beginnings down to the Hellenistic period.
Body, Dress, and Identity in Ancient Greece
Author: Mireille M. Lee
Publisher: Cambridge University Press
ISBN: 1107055369
Category : Art
Languages : en
Pages : 383
Book Description
This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society.
Publisher: Cambridge University Press
ISBN: 1107055369
Category : Art
Languages : en
Pages : 383
Book Description
This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society.
Looking at Greek Art
Author: Mark Stansbury-O'Donnell
Publisher: Cambridge University Press
ISBN: 0521110386
Category : Art
Languages : en
Pages : 269
Book Description
Looking at Greek Art, by Mark D. Stansbury-O'Donnell, offers a practical guide to the methods for approaching, analyzing, and contextualizing an unfamiliar piece of Greek art. It demonstrates how objects are dated and assigned to an artist or region; how to interpret the subject matter and narrative; how to reconstruct the context for which an object was made, distributed, and used; and how we can explore broader cultural perspectives by looking at questions of identity, gender, and relationships to surrounding cultures. Each section focuses on different theoretical approaches, providing an overview of the theories, key terms, and required evidence. Case studies serve to demonstrate each process and some key issues to consider when using a given approach. This book explores a variety of media, including terracotta, metalwork, and jewelry, in addition to works found in major museum collections in the United States and Europe.
Publisher: Cambridge University Press
ISBN: 0521110386
Category : Art
Languages : en
Pages : 269
Book Description
Looking at Greek Art, by Mark D. Stansbury-O'Donnell, offers a practical guide to the methods for approaching, analyzing, and contextualizing an unfamiliar piece of Greek art. It demonstrates how objects are dated and assigned to an artist or region; how to interpret the subject matter and narrative; how to reconstruct the context for which an object was made, distributed, and used; and how we can explore broader cultural perspectives by looking at questions of identity, gender, and relationships to surrounding cultures. Each section focuses on different theoretical approaches, providing an overview of the theories, key terms, and required evidence. Case studies serve to demonstrate each process and some key issues to consider when using a given approach. This book explores a variety of media, including terracotta, metalwork, and jewelry, in addition to works found in major museum collections in the United States and Europe.
Aesthetic Experiences and Classical Antiquity
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 110719265X
Category : Art
Languages : en
Pages : 317
Book Description
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.
Publisher: Cambridge University Press
ISBN: 110719265X
Category : Art
Languages : en
Pages : 317
Book Description
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.