Author: Irene Gómez-Castellano
Publisher: University of North Carolina at Chapel Hill Department of Romance Studies
ISBN: 9781469651927
Category : Consonance (Music)
Languages : en
Pages : 0
Book Description
Orchestrating war: burlesque musical pieces on the war of Africa (1859-1860) / Ana Rueda -- Massive harmonies / Aurélie Vialette -- Lands without a song: autonomous communities' quest for an anthem / Jorge Marí -- Remaking the ready-made Espagnolade: Carmen in Spanish cinema / José Colmeiro -- Enric Granados and his Catalan literary associations / Walter Clark -- Music, text, and performing cultural identity in Francisco Barbieri's (1823-1894) El barberillo de Lavapiés (1874) / Yuri Porras -- “Philarmonic furor” and the dual role of music in nineteenth-century Spain / David T. Gies -- Social typology and costumbrismo in the tonadilla escénica / Lucy D. Harney -- Falla's Harpsichord concerto and Lorca's Don Perlimplín / Nelson R. Orringer -- The mute muse / Lou Charnon-Deutsch -- Between sublime performance and filthy lucre: the voice of Serafina Gorgheggi in Su único hijo by Leopoldo Alas / Margot Versteeg -- Galdós's Gloria: tweaking the paradigm of Wagner's Der fliegende Holländer / Thomas R. Franz -- The blind street singer in the novels of Galdós and the short stories of his contemporaries / Vernon Chamberlin.