Dissertation on Musical Taste, Or, General Principles of Taste Applied to the Art of Music PDF Download
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Author: Thomas Hastings
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 236
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Book Description
Author: Thomas Hastings
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 236
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Book Description
Author: Thomas Hastings
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
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Book Description
Author: Thomas HASTINGS (of New York.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Book Description
Author: Bonny H. Miller
Publisher: Eastman Studies in Music
ISBN: 1580469728
Category : Biography & Autobiography
Languages : en
Pages : 469
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Book Description
The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern.
Author: Jared Sparks
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 510
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Book Description
Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
Author: Marcell Silva Steuernagel
Publisher: Routledge
ISBN: 1000344789
Category : Religion
Languages : en
Pages : 287
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Book Description
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
Author: Julia J. Chybowski
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
Author: Ann Ostendorf
Publisher: University of Georgia Press
ISBN: 0820341363
Category : History
Languages : en
Pages : 273
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Book Description
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
Author:
Publisher:
ISBN:
Category : Philadelphia (Pa.)
Languages : en
Pages : 540
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
