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Author: Allyson C. DeMaagd
Publisher: University Press of Florida
ISBN: 0813070023
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, this book shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing.
Author: Allyson C. DeMaagd
Publisher: University Press of Florida
ISBN: 0813070023
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, this book shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing.
Author: Erica Gene Delsandro
Publisher: University Press of Florida
ISBN: 0813057302
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies.
Author: Geetha Ramanathan
Publisher: BRILL
ISBN: 9004541152
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
An investigation about the way how contemporary post-colonial intertexts take colonialism and euro-modernism to trial.
Author: Katie Baker
Publisher: Taylor & Francis
ISBN: 1000859460
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
This collection explores how nineteenth and twentieth-century women writers incorporated the idea of ‘place’ into their writing. Whether writing from a specific location or focusing upon a particular geographical or imaginary place, women writers working between 1850 and 1950 valued ‘a space of their own’ in which to work. The period on which this collection focuses straddles two main areas of study, nineteenth century writing and early twentieth century/modernist writing, so it enables discussion of how ideas of space progressed alongside changes in styles of writing. It looks to the many ways women writers explored concepts of space and place and how they expressed these through their writings, for example how they interpreted both urban and rural landscapes and how they presented domestic spaces. A Space of Their Own will be of interest to those studying Victorian literature and modernist works as it covers a period of immense change for women’s rights in society. It is also not limited to just one type or definition of ‘space’. Therefore, it may also be of interest to academics outside of literature – for example, in gender studies, cultural geography, place writing and digital humanities.
Author: Rebecca Walsh
Publisher: University Press of Florida
ISBN: 0813055148
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The Geopoetics of Modernism is the first book to illuminate the links between American modernism and the geographic discourse of the time. Rebecca Walsh explores Walt Whitman, Gertrude Stein, Langston Hughes, and H.D.’s engagements with contemporary geographic theories and sources—including the cosmological geography of Alexander von Humboldt and Mary Somerville, the environmental determinism of Ellen Churchill Semple, and mainstream textbooks and periodicals—which informed the formal and political dimensions of their work. Walsh argues that the dominant geographic paradigms of the nineteenth and twentieth centuries gave authority to experimental writers who were breaking with other forms of authority, enabling them to create transnational forms of belonging on the exhilarating landscape of nations, continents, and the globe. By examining modernism alongside environmental determinist geography, she maps a poetic terrain where binaries such as west versus non-west or imperial center versus colonial periphery are destabilized. The Geopoetics of Modernism reveals the geographic terms through which American modernist poetry interrogated prevailing ideas of orientalism, primitivism, and American exceptionalism.
Author: Jessica Martell
Publisher: University Press of Florida
ISBN: 0813052491
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Transnational in scope, this much-needed volume explores how modernist writers and artists address and critique the dramatic changes to food systems that took place in the early twentieth century. During this period, small farms were being replaced with industrial agriculture, political upheavals exacerbated food scarcity in many countries, and globalization opened up new modes of distributing culinary commodities. Looking at a unique variety of art forms by authors, painters, filmmakers, and chefs from Ireland, Italy, France, the United States, India, the former Soviet Union, and New Zealand, contributors draw attention to modernist representations of food, from production to distribution and consumption. They consider Oscar Wilde’s aestheticization of food, Katherine Mansfield’s use of eggs as a feminist symbol, Langston Hughes’s use of chocolate as a redemptive metaphor for blackness, hospitality in William Faulkner’s Sanctuary, Ernest Hemingway’s struggles with gender and sexuality as expressed through food and culinary objects, Futurist cuisine, avant-garde cookbooks, and the impact of national famines on the work of James Joyce, Viktor Shklovsky, and Tarashankar Bandyopadhyay. Less celebrated topics of putrefaction and waste are analyzed in discussions of food as both a technology of control and a tool for resistance. The diverse themes and methodologies assembled here underscore the importance of food studies not only for the literary and visual arts but also for social transformation. The cultural work around food, the editors argue, determines what is produced, who has access to it, and what can or will change. A milestone volume, this collection uncovers new links between seemingly disparate spaces, cultures, and artistic media and demystifies the connection between modernist aesthetics and the emerging food cultures of a globalizing world. Contributors: Giles Whiteley | Aimee Gasston | Randall Wilhelm | Bradford Taylor | Sean Mark | Céline Mansanti | Shannon Finck
Author: Kara Watts
Publisher: University Press of Florida
ISBN: 0813057078
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Affective Materialities reexamines modernist theorizations of the body and opens up the artistic, political, and ethical possibilities at the intersection of affect theory and ecocriticism, two recent directions in literary studies not typically brought into conversation. Modernist creativity, the volume proposes, may return to us notions of the feeling, material body that contemporary scholarship has lost touch with, bodies that suggest alternative relations to others and to the world. Contributors argue that modernist writers frequently bridge the dichotomy between body and world by portraying bodies that merge with or are re-created by their surroundings into an amalgam of self and place. Chapters focus on this treatment of the body through works by canonical modernists including William Carlos Williams, Virginia Woolf, and E. M. Forster alongside lesser-studied writers Janet Frame, Herbert Read, and Nella Larsen. Showing the ways the body in literature can be a lens for understanding the fluidities of race, gender, and sexuality, as well as species and subjectivity, this volume maps the connections among modernist aesthetics, histories of the twentieth-century body, and the concerns of modernism that can also speak to urgent concerns of today.
Author: Barbara Lounsberry
Publisher: University Press of Florida
ISBN: 0813065062
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Choice Outstanding Academic Title In this second volume of her acclaimed study of Virginia Woolf 's diaries, Barbara Lounsberry traces the English writer's life through the thirteen diaries she kept from 1918 to 1929--what is often considered Woolf’s modernist "golden age." During these interwar years, Woolf penned many of her most famous works, including Mrs. Dalloway, To the Lighthouse, Orlando, and A Room of One's Own. Lounsberry shows how Woolf's writing at this time was influenced by other diarists--Anton Chekhov, Katherine Mansfield, Jonathan Swift, and Stendhal among them--and how she continued to use her diaries as a way to experiment with form and as a practice ground for her evolving modernist style. Through close readings of Woolf 's journaling style and an examination of the diaries she read, Lounsberry tracks Woolf 's development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time. Virginia Woolf's Modernist Path offers a new approach to Woolf 's biography: her life as she marked it in her diary from ages 36 to 46.
Author: P. Caughie
Publisher: Springer
ISBN: 0230274293
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.
Author: Kurt Heinzelman
Publisher: University of Texas Press
ISBN: 0292702841
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, it was also celebrative. This book is a response to the exhibition of the same name that opened at the Harry Ransom Center in October 2003. It includes original essays by such noted writers and artists as Russell Banks, Anita Desai, David Douglas Duncan, Elizabeth Hardwick, and Penelope Lively, which offer fresh perspectives on important Modernist figures, including William Gaddis, Ezra Pound, William Faulkner, E. M. Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier. In addition, essays by leading scholars in literature and art history focus on specific artifacts included in the exhibit. As the Center's Director, Thomas F. Staley, puts it in the Foreword, "Ours is an attempt not of definition but of discovery and rediscovery." Book and exhibition permit both reader and viewer to experience the textures, structures, and resonances which made the first part of the twentieth century so innovative that its art is still virtually synonymous with what "newness" means.
