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Author: Allyson C. DeMaagd
Publisher: University Press of Florida
ISBN: 0813070023
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, this book shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing.
Author: Allyson C. DeMaagd
Publisher: University Press of Florida
ISBN: 0813070023
Category : Literary Criticism
Languages : en
Pages : 201
Get Book Here
Book Description
Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, this book shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing.
Author: Allyson C. DeMaagd
Publisher:
ISBN: 9780813069166
Category : English literature
Languages : en
Pages : 202
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Book Description
Placing women writers at the center of the sensory and technological experimentation that characterized the modernist movement, Dissensuous Modernism shows how women of the era challenged gendered narratives that limited their power and agency and waged dissent through their radical sensuous writing. Allyson DeMaagd critiques an overemphasis among modernist writers and generations of researchers on the "masculine" senses of sight and sound, shifting the conversation toward the "feminine" senses of smell, taste, and touch. These senses, long considered "lower," were explored by writers such as H.D., Mina Loy, Virginia Woolf, and Elizabeth Bowen, as DeMaagd demonstrates through detailed close readings of their lesser-studied novels. DeMaagd's analysis shows how these women incorporated technology in their work to reunify the senses or to draw attention to the destructive disunity of the senses, highlighting the subversive potential of sensory integration. Dissensuous Modernism illuminates how modernist women writers breached the sensory borders society erects between men and women, heteronormativity and queerness, ability and disability, technology and nature, and human and nonhuman. It elevates diverse embodied experiences and illuminates the pivotal role of women in modernist sensory thought.
Author: Geetha Ramanathan
Publisher: BRILL
ISBN: 9004541152
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
An investigation about the way how contemporary post-colonial intertexts take colonialism and euro-modernism to trial.
Author: Erica Gene Delsandro
Publisher: University Press of Florida
ISBN: 0813057302
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies.
Author: Katie Baker
Publisher: Taylor & Francis
ISBN: 1000859460
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
This collection explores how nineteenth and twentieth-century women writers incorporated the idea of ‘place’ into their writing. Whether writing from a specific location or focusing upon a particular geographical or imaginary place, women writers working between 1850 and 1950 valued ‘a space of their own’ in which to work. The period on which this collection focuses straddles two main areas of study, nineteenth century writing and early twentieth century/modernist writing, so it enables discussion of how ideas of space progressed alongside changes in styles of writing. It looks to the many ways women writers explored concepts of space and place and how they expressed these through their writings, for example how they interpreted both urban and rural landscapes and how they presented domestic spaces. A Space of Their Own will be of interest to those studying Victorian literature and modernist works as it covers a period of immense change for women’s rights in society. It is also not limited to just one type or definition of ‘space’. Therefore, it may also be of interest to academics outside of literature – for example, in gender studies, cultural geography, place writing and digital humanities.
Author: Kara Watts
Publisher: University Press of Florida
ISBN: 0813057078
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Affective Materialities reexamines modernist theorizations of the body and opens up the artistic, political, and ethical possibilities at the intersection of affect theory and ecocriticism, two recent directions in literary studies not typically brought into conversation. Modernist creativity, the volume proposes, may return to us notions of the feeling, material body that contemporary scholarship has lost touch with, bodies that suggest alternative relations to others and to the world. Contributors argue that modernist writers frequently bridge the dichotomy between body and world by portraying bodies that merge with or are re-created by their surroundings into an amalgam of self and place. Chapters focus on this treatment of the body through works by canonical modernists including William Carlos Williams, Virginia Woolf, and E. M. Forster alongside lesser-studied writers Janet Frame, Herbert Read, and Nella Larsen. Showing the ways the body in literature can be a lens for understanding the fluidities of race, gender, and sexuality, as well as species and subjectivity, this volume maps the connections among modernist aesthetics, histories of the twentieth-century body, and the concerns of modernism that can also speak to urgent concerns of today.
Author: Rebecca Walsh
Publisher: University Press of Florida
ISBN: 0813055148
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The Geopoetics of Modernism is the first book to illuminate the links between American modernism and the geographic discourse of the time. Rebecca Walsh explores Walt Whitman, Gertrude Stein, Langston Hughes, and H.D.’s engagements with contemporary geographic theories and sources—including the cosmological geography of Alexander von Humboldt and Mary Somerville, the environmental determinism of Ellen Churchill Semple, and mainstream textbooks and periodicals—which informed the formal and political dimensions of their work. Walsh argues that the dominant geographic paradigms of the nineteenth and twentieth centuries gave authority to experimental writers who were breaking with other forms of authority, enabling them to create transnational forms of belonging on the exhilarating landscape of nations, continents, and the globe. By examining modernism alongside environmental determinist geography, she maps a poetic terrain where binaries such as west versus non-west or imperial center versus colonial periphery are destabilized. The Geopoetics of Modernism reveals the geographic terms through which American modernist poetry interrogated prevailing ideas of orientalism, primitivism, and American exceptionalism.
Author: Jessica Martell
Publisher:
ISBN: 9780813056159
Category : Food
Languages : en
Pages : 0
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Book Description
As the first book-length study to bring the fields of modernism and food studies together, Modernism and Food Studies anchors the burgeoning field of modernist food studies. This volume collects theoretically and methodologically diverse essays that investigate modernist representations of food, broadly treated in phases from production to distribution and consumption. By exploring the profound relationship between modernist aesthetics and the new food cultures of modernity, Modernism and Food Studies uncovers new links between seemingly disparate spaces, cultures, and artistic media in a globalizing world.
Author: Barbara Lounsberry
Publisher: University Press of Florida
ISBN: 0813065062
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Choice Outstanding Academic Title In this second volume of her acclaimed study of Virginia Woolf 's diaries, Barbara Lounsberry traces the English writer's life through the thirteen diaries she kept from 1918 to 1929--what is often considered Woolf’s modernist "golden age." During these interwar years, Woolf penned many of her most famous works, including Mrs. Dalloway, To the Lighthouse, Orlando, and A Room of One's Own. Lounsberry shows how Woolf's writing at this time was influenced by other diarists--Anton Chekhov, Katherine Mansfield, Jonathan Swift, and Stendhal among them--and how she continued to use her diaries as a way to experiment with form and as a practice ground for her evolving modernist style. Through close readings of Woolf 's journaling style and an examination of the diaries she read, Lounsberry tracks Woolf 's development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time. Virginia Woolf's Modernist Path offers a new approach to Woolf 's biography: her life as she marked it in her diary from ages 36 to 46.
Author: Melanie V. Dawson
Publisher: University Press of Florida
ISBN: 0813057418
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
Providing a counterpoint to readings of modern American culture that focus on the cult of youth, Edith Wharton and the Modern Privileges of Age interrogates early twentieth-century literature’s obsessions with aging past early youth. Exploring the ways in which the aging process was understood as generating unequal privileges and as inciting intergenerational contests, this study situates constructions of age at the center of modern narrative conflicts. Dawson examines how representations of aging connect the work of Edith Wharton to writings by a number of modern authors, including Willa Cather, Marjorie Kinnan Rawlings, Zora Neale Hurston, F. Scott Fitzgerald, Floyd Dell, Eugene O’Neill, and Gertrude Atherton. For these writers, age-based ideologies filter through narratives of mourning for youth lost in the Great War, the trauma connected to personal change, the contested self-determination of the aged, the perceived problem of middle-aged sexuality, fantasies of rejuvenation, and persistent patterns of patriarchal authority. The work of these writers shows that as the generational ascendancy of some groups was imagined to operate in tandem with disempowerment of others, the charged dynamics of age gave rise to contests about property and authority. Constructions of age-based values also reinforced gender norms, producing questions about personal value that were directed toward women of all ages. By interpreting Edith Wharton’s and her contemporaries’ works in relation to age-based anxieties, Dawson sets Wharton’s work at the center of a vital debate about the contested privileges associated with age in contemporary culture.
