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Author: Michael Moon
Publisher: Harvard University Press
ISBN: 9780674212459
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
An introduction to the study of local history. Contains a 30 page bibliography. Acidic paper. Moon (English, Duke U.) radically reassess the through close analysis of the first four revisions of Leaves of grass--not to discover which is better, but to glean insight from the pattern and content of the modifications, to show how they intersect with the poet's representation of male-male desire throughout his writing. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Michael Moon
Publisher: Harvard University Press
ISBN: 9780674212459
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
An introduction to the study of local history. Contains a 30 page bibliography. Acidic paper. Moon (English, Duke U.) radically reassess the through close analysis of the first four revisions of Leaves of grass--not to discover which is better, but to glean insight from the pattern and content of the modifications, to show how they intersect with the poet's representation of male-male desire throughout his writing. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Matt Cohen
Publisher: University of Iowa Press
ISBN: 1609384776
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
The American nineteenth century witnessed a media explosion unprecedented in human history. New communications technologies seemed to be everywhere, offering opportunities and threats that seem powerfully familiar to us as we experience today’s digital revolution. Walt Whitman’s poetry reveled in the potentials of his time: “See, the many-cylinder’d steam printing-press,” he wrote, “See, the electric telegraph, stretching across the Continent, from the Western Sea to Manhattan.” Still, as the budding poet learned, books neither sell themselves nor move themselves: without an efficient set of connections to get books to readers, the democratic media-saturated future Whitman imagined would have remained warehoused. Whitman’s works sometimes ran through the “many-cylinder’d steam printing press” and were carried in bulk on “the strong and quick locomotive.” Yet during his career, his publications did not follow a progressive path toward mass production and distribution. Even at the end of his life, in the 1890s as his fame was growing, the poet was selling copies of his latest works by hand to visitors at his small house in Camden, New Jersey. Mass media and centralization were only one part of the rich media world that Whitman embraced. Whitman’s Drift asks how the many options for distributing books and newspapers shaped the way writers wrote and readers read. Writers like Whitman spoke to the imagination inspired by media transformations by calling attention to connectedness, to how literature not only moves us emotionally, but moves around in the world among people and places. Studying that literature and how it circulated can help us understand not just how to read Whitman’s works and times, but how to understand what is happening to our imaginations now, in the midst of the twenty-first century media explosion.
Author: David S. Reynolds
Publisher: Vintage
ISBN: 0679767096
Category : Biography & Autobiography
Languages : en
Pages : 705
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Book Description
Winner of the Bancroft Prize and the Ambassador Book Award and Finalist for the National for the Book Critics Circle Award In his poetry Walt Whitman set out to encompass all of America and in so doing heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age. Combing through the full range of Whitman's writing, David Reynolds shows how Whitman gathered inspiration from every stratum of nineteenth-century American life: the convulsions of slavery and depression; the raffish dandyism of the Bowery "b'hoys"; the exuberant rhetoric of actors, orators, and divines. We see how Whitman reconciled his own sexuality with contemporary social mores and how his energetic courtship of the public presaged the vogues of advertising and celebrity. Brilliantly researched, captivatingly told, Walt Whitman's America is a triumphant work of scholarship that breathes new life into the biographical genre.
Author: Michael Sowder
Publisher: Routledge
ISBN: 1135470316
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
First Published in 2005. Whitman's Ecstatic Union rereads the first three editions of Leaves of Grass within the context of a nineteenth-century antebellum evangelical culture of conversion. Though Whitman intended to write a new American Bible and inaugurate a religion, contemporary scholarship has often ignored the religious element in his poetry. But just as evangelists sought the redemption of America through the reconstruction of individual subjects in conversion, Leaves of Grass sought to redeem the nation by inducing ecstatic, regenerating experiences in its readers. Whitman's Ecstatic Union explores the ecstasy of conversion as a liminal moment outside of language and culture, and-employing Althusser's model of ideological interpellation and anthropological models of religious ritual-shows how evangelicalism remade subjects by inducing ecstasy and instilling new narratives of identity. The book analyzes Whitman's historical relationship to preaching and conversion and reads the 1855 Song of Myself as a conversion narrative. A focus on the 1856 edition and the poem To You explores the sacred seductions at the heart of Whitman's poetry. Crossing Brooklyn Ferry and Whitman's vision of a world of perfect miracles are then connected to a conception of universal affection, uncannily paralleling Jonathan Edward's ideal of love to being in general. A conclusion looks toward the transformations of Whitman's vision in the 1860 edition.
Author: Abby L. Goode
Publisher: UNC Press Books
ISBN: 1469669838
Category : Social Science
Languages : en
Pages : 295
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Book Description
In this book, Abby L. Goode reveals the foundations of American environmentalism and the enduring partnership between racism, eugenics, and agrarian ideals in the United States. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode uncovers an early sustainability rhetoric interested in shaping, just as much as sustaining, the American population. Showing how ideas about race and reproduction were central to early sustainability thinking, Goode unearths an alternative environmental archive that ranges from gothic novels to Black nationalist manifestos, from Waco, Texas, to the West Indies, from city tenements to White House kitchen gardens. Exposing the eugenic foundations of some of our most well-regarded environmental traditions, this book compels us to reexamine the benevolence of American environmental thought.
Author: T. Austin Graham
Publisher: Oxford University Press
ISBN: 0199862125
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
In the late nineteenth and early twentieth centuries, American authors pioneered a mode of musical writing that quite literally resounded beyond the printed page. Novels gained soundtracks, poetry compelled its audiences to sing, and the ostensibly silent act of reading became anything but. The Great American Songbooks is the story of this literature, at once an overview of musical and authorial practice at the century's turn, an investigation into the sensory dimensions of reading, and a meditation on the effects that the popular arts have had on literary modernism. The writings of John Dos Passos, Theodore Dreiser, T.S. Eliot, F. Scott Fitzgerald, Langston Hughes, Jean Toomer, and Walt Whitman are heard in a new key; the performers and tunesmiths who inspired them have their stories told; and the music of the past, long out of print and fashion, is recapitulated and made available in digital form. A work of criticism situated at the crossroads of literary analysis, musicology, and cultural history, The Great American Songbooks demonstrates the importance of studying fiction and poetry from interdisciplinary perspectives, and it suggests new avenues for research in the dawning age of the digital humanities.
Author: Benjamin Kahan
Publisher: Cambridge University Press
ISBN: 1108911331
Category : Literary Criticism
Languages : en
Pages : 1037
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Book Description
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.
Author: Carolyn Sorisio
Publisher: University of Georgia Press
ISBN: 0820323578
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Can we work through the imaginative space of literature to combat the divisive nature of the politics of the body? That is the central question asked of the writings Carolyn Sorisio investigates in Fleshing Out America. The first half of the nineteenth century ushered in an era of powerful scientific and quasi-scientific disciplines that assumed innate differences between the "types" of humankind. Some proponents of slavery and Indian Removal, as well as opponents of women's rights, supplanted the Declaration of Independence's higher law of inborn equality with a new set of "laws" proclaiming the physical inferiority of women, "Negroes," and "Aboriginals." Fleshing Out America explores the representation of the body in the work of seven authors, all of whom were involved with their era's reform movements: Lydia Maria Child, Frances E. W. Harper, Ralph Waldo Emerson, Margaret Fuller, Walt Whitman, Harriet Jacobs, and Martin R. Delany. For such American writers, who connected the individual body symbolically with the body politic, the new science was fraught with possibility and peril. Covering topics from representation, spectatorship, and essentialism to difference, power, and authority, Carolyn Sorisio places these writers' works in historical context and in relation to contemporary theories of corporeality. She shows how these authors struggled, in diverse and divergent ways, to flesh out America--to define, even defend, the nation's body in a tumultuous period. Drawing on Euro- and African American authors of both genders who are notable for their aesthetic and political differences, Fleshing Out America demonstrates the surprisingly diverse literary conversation taking place as American authors attempted to reshape the politics of the body, which shaped the politics of the time.
Author: Bryan K. Garman
Publisher: UNC Press Books
ISBN: 1469643774
Category : Music
Languages : en
Pages : 356
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Book Description
When Walt Whitman published Leaves of Grass in 1855, he dreamed of inspiring a "race of singers" who would celebrate the working class and realize the promise of American democracy. By examining how singers such as Woody Guthrie, Bob Dylan, and Bruce Springsteen both embraced and reconfigured Whitman's vision, Bryan Garman shows that Whitman succeeded. In doing so, Garman celebrates the triumphs yet also exposes the limitations of Whitman's legacy. While Whitman's verse propounded notions of sexual freedom and renounced the competitiveness of capitalism, it also safeguarded the interests of the white workingman, often at the expense of women and people of color. Garman describes how each of Whitman's successors adopted the mantle of the working-class hero while adapting the role to his own generation's concerns: Guthrie condemned racism in the 1930s, Dylan addressed race and war in the 1960s, and Springsteen explored sexism, racism, and homophobia in the 1980s and 1990s. But as Garman points out, even the Boss, like his forebears, tends to represent solidarity in terms of white male bonding and homosocial allegiance. We can hear America singing in the voices of these artists, Garman says, but it is still the song of a white, male America.
Author: Ivy G. Wilson
Publisher: Oxford University Press
ISBN: 0199714045
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Specters of Democracy examines how figurations of blackness were used to illuminate the fraught relationship between citizenship, equality, and democracy in the antebellum U.S. Through close readings of Frederick Douglass, William Wells Brown, Frances Ellen Watkins Harper, and Walt Whitman (on aurality), and Herman Melville, William J. Wilson, and a host of genre painters (on visuality), the book reveals how the difficult tasks of representing African Americans-both enslaved and free-in imaginative expression was part of a larger dilemma concerning representative democracy itself.
