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Author: Jane Desmond
Publisher: University of Chicago Press
ISBN: 0226144062
Category : Nature
Languages : en
Pages : 344
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Book Description
The day isn t far off when no college student can graduate without having given serious thought to our relations with animals, and to how to make our relations with animals less detrimental for them. Animal studies, clearly, is a burgeoning field. Jane Desmond has been a pioneer in the field for years, conducting research onsite at major museums, taxidermy conventions, pet cemeteries, a professional conference for pet obituary writers, attending primatology meetings, and many behind-the-scenes visits to zoos as well as hands-on work with veterinary medicine, in which she has recently earned a degree. In this book, we accompany the author as she meets Kanzi the bonobo, watches an elephant paint, attends a weeklong training session on how to enrich the lives of animals in confinement, and helps prepare animal-made art for auction. Desmond focuses on the ways we relate to animals that underscore and highlight real animals with real individuality, and with their own subjectivities. The book plunges us into the world of museums (taxidermy), of pet cemeteries, of animal obituaries, of mourning and not mourning (including roadkill as objects), and also of art markets in animal-generated art. She is committed to preserving and informing our sense of (once) living, breathing, sweaty, noisy, moving animals active on the page. This is the inaugural volume in our new Animal Lives series, of which Desmond is the Directing Editor. This book beautifully exemplifies the series goal of bridging disciplines and reaching across divisions among the humanities and social sciences to chart new territories of investigation. "
Author: Jane Desmond
Publisher: University of Chicago Press
ISBN: 0226144062
Category : Nature
Languages : en
Pages : 344
Get Book Here
Book Description
The day isn t far off when no college student can graduate without having given serious thought to our relations with animals, and to how to make our relations with animals less detrimental for them. Animal studies, clearly, is a burgeoning field. Jane Desmond has been a pioneer in the field for years, conducting research onsite at major museums, taxidermy conventions, pet cemeteries, a professional conference for pet obituary writers, attending primatology meetings, and many behind-the-scenes visits to zoos as well as hands-on work with veterinary medicine, in which she has recently earned a degree. In this book, we accompany the author as she meets Kanzi the bonobo, watches an elephant paint, attends a weeklong training session on how to enrich the lives of animals in confinement, and helps prepare animal-made art for auction. Desmond focuses on the ways we relate to animals that underscore and highlight real animals with real individuality, and with their own subjectivities. The book plunges us into the world of museums (taxidermy), of pet cemeteries, of animal obituaries, of mourning and not mourning (including roadkill as objects), and also of art markets in animal-generated art. She is committed to preserving and informing our sense of (once) living, breathing, sweaty, noisy, moving animals active on the page. This is the inaugural volume in our new Animal Lives series, of which Desmond is the Directing Editor. This book beautifully exemplifies the series goal of bridging disciplines and reaching across divisions among the humanities and social sciences to chart new territories of investigation. "
Author: Jane C. Desmond
Publisher: University of Chicago Press
ISBN: 022637551X
Category : Nature
Languages : en
Pages : 344
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Book Description
The number of ways in which humans interact with animals is almost incalculable. From beloved household pets to the steak on our dinner tables, the fur in our closets to the Babar books on our shelves, taxidermy exhibits to local zoos, humans have complex, deep, and dependent relationships with the animals in our ecosystems. In Displaying Death and Animating Life, Jane C. Desmond puts those human-animal relationships under a multidisciplinary lens, focusing on the less obvious, and revealing the individualities and subjectivities of the real animals in our everyday lives. Desmond, a pioneer in the field of animal studies, builds the book on a number of case studies. She conducts research on-site at major museums, taxidermy conventions, pet cemeteries, and even at a professional conference for writers of obituaries. She goes behind the scenes at zoos, wildlife clinics, and meetings of pet cemetery professionals. We journey with her as she meets Kanzi, the bonobo artist, and a host of other animal-artists—all of whom are preparing their artwork for auction. Throughout, Desmond moves from a consideration of the visual display of unindividuated animals, to mourning for known animals, and finally to the marketing of artwork by individual animals. The first book in the new Animal Lives series, Displaying Death and Animating Life is a landmark study, bridging disciplines and reaching across divisions from the humanities and social sciences to chart new territories of investigation.
Author: Nigel Rothfels
Publisher: Indiana University Press
ISBN: 9780253109590
Category : Literary Criticism & Collections
Languages : en
Pages : 262
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Book Description
Representing Animals explores the complex and often surprising connections between our imagining of animals and our cultural environment. The contributors -- historians, literary critics, anthropologists, artists, art historians, and scholars of cultural studies -- examine the ways we talk, write, photograph, imagine, and otherwise represent animals. The book includes topics such as pet cloning, fox hunting, animatronic characters, and how we displace our fear of aging onto our dogs. Representing Animals demonstrates the deep connections between the way we think about animals and the way we have thought about ourselves and our cultures in different times and places. Its publication marks a formative moment in the emerging field of animal studies. Contributors: Steve Baker, Marcus Bullock, Jane Desmond, Erica Fudge, Andrew Isenberg, Kathleen Kete, Akira Mizuta Lippit, Teresa Mangum, Garry Marvin, Susan McHugh, and Nigel Rothfels.
Author: Nigel Rothfels
Publisher: Indiana University Press
ISBN: 9780253215512
Category : Nature
Languages : en
Pages : 256
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Book Description
There are complex & often surprising connections between our imagining of animals & our cultural environment. Topics discussed in this collection include fox hunting, pet cloning, animatronic characters & how we displace our fear of aging onto our dogs.
Author: Natalie Porter
Publisher: Cornell University Press
ISBN: 1501724835
Category : History
Languages : en
Pages : 279
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Book Description
No detailed description available for "Living with Animals".
Author: Radhika Govindrajan
Publisher: University of Chicago Press
ISBN: 022656004X
Category : Social Science
Languages : en
Pages : 235
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Book Description
“A delightful read [and] an important addition to human-animal relations studies.” —Anthropology Matters What does it mean to live and die in relation to other animals? Animal Intimacies posits this central question alongside the intimate—and intense—moments of care, kinship, violence, politics, indifference, and desire that occur between human and non-human animals. Built on extensive ethnographic fieldwork in the mountain villages of India’s Central Himalayas, Radhika Govindrajan’s book explores the number of ways that human and animal interact to cultivate relationships as interconnected, related beings. Whether it is through the study of the affect and ethics of ritual animal sacrifice, analysis of the right-wing political project of cow-protection, or examination of villagers’ talk about bears who abduct women and have sex with them, Govindrajan illustrates that multispecies relatedness relies on both difference and ineffable affinity between animals. Animal Intimacies breaks substantial new ground in animal studies, and Govindrajan’s detailed portrait of the social, political and religious life of the region will be of interest to cultural anthropologists and scholars of South Asia as well. “Immerses us in passionate case studies on the multiple relationships between Kumaoni villagers and animals in Uttarakhand.” —European Bulletin of Himalayan Research “A memorable and innovative ethnography.” —Piers Locke, University of Canterbury
Author: Don Bluth
Publisher: BenBella Books
ISBN: 1637740549
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
After more than five decades in Hollywood, Don Bluth, the man behind some of the most iconic animated films ever made, tells his story. Don Bluth never felt like a Donald. So people have always called him Don. A matinee of Snow White and the Seven Dwarfs awakened something within him. Despite growing up in rural Texas and Utah, he practiced and worked hard to become an Hollywood animator. And after working alongside his idol Walt Disney, and on films including Sleeping Beauty, The Sword in the Stone, Robin Hood, Winne the Pooh, The Rescuers, and Pete’s Dragon, he realized that the company had changed into something he didn’t necessarily believe in. So made the industry-shocking decision to start his own animation studio. It was from that studio—Don’s studio—that came such award-winning, generation-defining films as The Secret of NIMH, An American Tail, The Land Before Time, All Dogs Go to Heaven, Anastasia, and the video game Dragon’s Lair. Now, after more than half a century in the movie business, Don is ready to tell the story of his life. How his passions for artistry, integrity, and his Mormon faith shaped him into the beloved icon whose creativity, entrepreneurship, and deeply-held beliefs entertained, enthralled, and inspired millions across the globe. Exclusive original art makes this book perfect for fans, cineasts, and anyone looking “somewhere out there” for inspiration and motivation.
Author: Daniel E. Bender
Publisher: Harvard University Press
ISBN: 0674972767
Category : History
Languages : en
Pages : 400
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Book Description
The spread of empires in the nineteenth century brought more than new territories and populations under Western sway. Animals were also swept up in the net of imperialism, as jungles and veldts became colonial ranches and plantations. A booming trade in animals turned many strange and dangerous species into prized commodities. Tigers from India, pythons from Malaya, and gorillas from the Congo found their way—sometimes by shady means—to the zoos of major U.S. cities, where they created a sensation. Zoos were among the most popular attractions in the United States for much of the twentieth century. Stoking the public’s fascination, savvy zookeepers, animal traders, and zoo directors regaled visitors with stories of the fierce behavior of these creatures in their native habitats, as well as daring tales of their capture. Yet as tropical animals became increasingly familiar to the American public, they became ever more rare in the wild. Tracing the history of U.S. zoos and the global trade and trafficking in animals that supplied them, Daniel Bender examines how Americans learned to view faraway places and peoples through the lens of the exotic creatures on display. Over time, as the zoo’s mission shifted from offering entertainment to providing a refuge for endangered species, conservation parks replaced pens and cages. The Animal Game recounts Americans’ ongoing, often conflicted relationship with zoos, decried as anachronistic prisons by animal rights activists even as they remain popular centers of education and preservation.
Author: Lori Gruen
Publisher: University of Chicago Press
ISBN: 022635556X
Category : Science
Languages : en
Pages : 479
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Book Description
Alexandra Horowitz, Peter Singer, Barbara King, Christine Korsgaard, and others explore the core concepts of this interdisciplinary field: “Recommended.” —Choice Animal Studies is a rapidly growing interdisciplinary field devoted to examining, understanding, and critically evaluating the complex relationships between humans and other animals. Scholarship in Animal Studies draws on a variety of methodologies to explore these multi-faceted relationships in order to help us understand the ways in which other animals figure in our lives and we in theirs. Bringing together the work of a group of internationally distinguished scholars, Critical Terms for Animal Studies offers distinct voices and diverse perspectives, exploring significant concepts and asking important questions. What do we mean by anthropocentrism, captivity, empathy, sanctuary, and vulnerability, and what work do these and other critical terms do in Animal Studies? How do we take non-human animals seriously, not simply as metaphors for human endeavors, but as subjects themselves? Sure to become an indispensable reference for the field, Critical Terms for Animal Studies not only provides a framework for thinking about animals as subjects of their own experiences, but also serves as a touchstone to help us think differently about our conceptions of what it means to be human, and the impact human activities have on the more than human world. “The subject of animal studies is at a crucial stage, still being mapped out and defining itself, and this volume is very useful, given its conciseness, its all-star cast of contributors, and its breadth in providing a guide to some of the key ideas.” —Colin Jerolmack, New York University
Author: Jane Desmond
Publisher: University of Chicago Press
ISBN: 9780226143767
Category : Business & Economics
Languages : en
Pages : 408
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Book Description
From Shamu the dancing whale at Sea World to Hawaiian lu'au shows, Staging Tourism analyzes issues of performance in a wide range of tourist venues. Jane C. Desmond argues that the public display of bodies—how they look, what they do, where they do it, who watches, and under what conditions—is profoundly important in structuring identity categories of race, gender, and cultural affiliation. These fantastic spectacles of corporeality form the basis of hugely profitable tourist industries, which in turn form crucial arenas of public culture where embodied notions of identity are sold, enacted, and debated. Gathering together written accounts, postcards, photographs, advertisements, films, and oral histories as well as her own interpretations of these displays, Desmond gives us a vibrant account of U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes cultural tourism with "animal tourism" in the United States, which takes place at zoos, aquariums, and animal theme parks. In each case, Desmond argues, the relationship between the viewer and the viewed is ultimately based on concepts of physical difference harking back to the nineteenth century.
