Dispaying Russian Art in Fin-de-siècle Vienna PDF Download
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Author: Leonie Bockelmann
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 300
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Book Description
Author: Leonie Bockelmann
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 300
Get Book Here
Book Description
Author: John O. Norman
Publisher: Springer
ISBN: 1349231908
Category : Art
Languages : en
Pages : 204
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Book Description
Author: Jinyi Chu
Publisher: Oxford University Press
ISBN: 0198920415
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Many are familiar with European modernists' interest in Chinese art and poetry, however less well known is that Russian literature and art at the turn of 20th century also flourished in a sustained dialogue with China. In Fin-de-siècle Russia and Chinese Aesthetics, Jinyi Chu reconsiders the place of Russia in the genealogy of global modernism by exploring the enduring impact of China on pre-revolutionary Russian culture. This book argues that fin-de-siècle Russian ideas about increasing global cultural and socioeconomic interconnectedness emerged from their unsettling encounters with China. Drawing on literary texts, paintings, advertisements, official documents, and archival work in Russia, China, France, and the United States, Chu reconstructs surprising stories about cultural interactions. From Innokenty Annensky's encounter with a Tibetan monk in Paris, Aleksei Remizov's adaptations of Chinese ghost stories, and Lev Tolstoy's translations of the Daoist canon, to Ilya Mashkov's fauvist painting of a Chinese fairy, this book presents a new cultural history of fin-de-siècle Russia in relation to the East. Fin-de-siècle Russia and Chinese Aesthetics casts new light on the intricate relationships between geopolitics and transnational aesthetics. It moves beyond the idea that Russian literary and artistic representations of China were simply manifestations of Russia's imperial ideology and Eurasian cultural identity. Instead, Chu shows that literature and art actively renegotiate and destabilize the preconceived world order at a time of intensifying geopolitical and cultural transformation when China shifted from Russia's rival in Inner Asia to a target in the competition of global imperialist powers.
Author: Charlotte Ashby
Publisher: Berghahn Books
ISBN: 0857457659
Category : History
Languages : en
Pages : 256
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Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Author: Pavel Vasilyev
Publisher: GRIN Verlag
ISBN: 3640783611
Category : History
Languages : en
Pages : 13
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Book Description
Essay from the year 2010 in the subject History of Europe - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities – in Europe or overseas alike. In fact, as Rudolf Klein put it, “the Jews were seldom in a position – save in ancient and modern Israel – to impose architecture on others”; partially because they “moved so many times in history that they lacked the preconditions for a continuous architectural evolution”. Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city – and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th – early 20th centuries) and on the two capital cities of Vienna and St. Petersburg – and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions – and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes “Jewish space” in fin-de-siècle capitals – and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions, images and representations of the “Jewish space” in the two imperial capitals that were struggling through modernity. I am particularly interested in residential, occupational and religious aspects of the “Jewish space” as these were the factors that determined the everyday life cycle of particular Jews. Additionally, I want to trace the potential influence that the Jewish patterns of space organization may have exercised upon Gentile ones around turn of the century.
Author: Michael Saler
Publisher: Routledge
ISBN: 1317604814
Category : History
Languages : en
Pages : 784
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Book Description
This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history, the Fin de Siècle. Featuring contributions from over forty international scholars, this book takes a thematic approach to a period of huge upheaval across all walks of life, and is truly innovative in examining the Fin de Siècle from a global perspective. The volume includes pathbreaking essays on how the period was experienced not only in Europe and North America, but also in China, Japan, the Middle East, Latin America, Africa, India, and elsewhere across the globe. Thematic topics covered include new concepts of time and space, globalization, the city, and new political movements including nationalism, the "New Liberalism", and socialism and communism. The volume also looks at the development of mass media over this period and emerging trends in culture, such as advertising and consumption, film and publishing, as well as the technological and scientific changes that shaped the world at the turn of the nineteenth century, such as the invention of the telephone, new transport systems, eugenics and physics. The Fin-de-Siècle World also considers issues such as selfhood through chapters looking at gender, sexuality, adolescence, race and class, and considers the importance of different religions, both old and new, at the turn of the century. Finally the volume examines significant and emerging trends in art, music and literature alongside movements such as realism and aestheticism. This volume conveys a vivid picture of how politics, religion, popular and artistic culture, social practices and scientific endeavours fitted together in an exciting world of change. It will be invaluable reading for all students and scholars of the Fin-de-Siècle period.
Author: Temma Balducci
Publisher: Routledge
ISBN: 1351536583
Category : Art
Languages : en
Pages : 385
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Book Description
Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-?is the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and Fran?s G?rd as well as understudied women artists including Louise Abb? and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.
Author: Julie M. Johnson
Publisher: Purdue University Press
ISBN: 1612492037
Category : History
Languages : en
Pages : 738
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Book Description
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists' associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Bronica Koller, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group.
Author: Natalia Murray
Publisher: BRILL
ISBN: 9004355685
Category : Art
Languages : en
Pages : 325
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Book Description
Art for the workers explores the mythology and reality of post-revolutionary proletarian art in Russia as well as its expression in the festive decorations of Petrograd between 1917 and 1920. It covers this brief period chronologically, and so permits a close inspection of the development of artistic policies in Russia under the Provisional Government followed by the Bolsheviks. Specifically, this book focuses on the pre-and post-revolutionary debate about the nature of proletarian art and its role in the new Socialist society, particularly focusing on festive decorations, parades and mass performances as expressions of proletarian art and forms of propaganda.
Author: Dr Temma Balducci
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465721
Category : Art
Languages : en
Pages : 337
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Book Description
Focusing on images of or produced by nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-à-vis the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By considering works in a range of media by an array of canonical and understudied women artists, they demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting.
