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Author: Greg Lawson
Publisher: Blurb
ISBN: 9781366062895
Category : Fiction
Languages : en
Pages : 320
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Book Description
Deputy Mental Health Investigator Adam Thompson had worked hard for his position, but he soon discovers with increased responsibilities comes increased risk. A week before Christmas Adam faces a law enforcement officer's nightmare, the murder of his partner. Prevented from participating in the murder investigation and tracking down the killer, Adam is forced to carry on as usual. The following week brings a series of bizarre mental health investigations that pushes him to his limits.
Author: Greg Lawson
Publisher: Blurb
ISBN: 9781366062895
Category : Fiction
Languages : en
Pages : 320
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Book Description
Deputy Mental Health Investigator Adam Thompson had worked hard for his position, but he soon discovers with increased responsibilities comes increased risk. A week before Christmas Adam faces a law enforcement officer's nightmare, the murder of his partner. Prevented from participating in the murder investigation and tracking down the killer, Adam is forced to carry on as usual. The following week brings a series of bizarre mental health investigations that pushes him to his limits.
Author: Ian Williams
Publisher: Europa Editions
ISBN: 1609457404
Category : Biography & Autobiography
Languages : en
Pages : 173
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Book Description
A Boston Globe Best Book of 2021: “Lyrical, closely observed” essays on being Black in the US, Canada, and Trinidad, and how those experiences differed (Kirkus Reviews). Finalist for the 2021 Hilary Weston Writers’ Trust Prize for Nonfiction With that one eloquent word, disorientation, Scotiabank Giller Award winner Ian Williams captures the impact of racial encounters on racialized people—the whiplash of race that occurs while minding one’s own business. Sometimes the consequences are only irritating, but sometimes they are deadly. Spurred by the police killings and street protests of 2020, Williams offers a perspective that is distinct from that of US writers addressing similar themes. Williams has lived in Trinidad (where he was never the only Black person in the room), in Canada (where he often was), and in the United States (where as a Black man from the Caribbean, he was a different kind of “only”). He brings these formative experiences fruitfully to bear on his theme in Disorientation. Inspired by the essays of James Baldwin, in which the personal becomes the gateway to larger ideas, Williams explores such matters as the unmistakable moment when a child realizes they are Black; the ten characteristics of institutional whiteness; how friendship forms a bulwark against being a target of racism; the meaning and uses of a Black person’s smile; and blame culture—or how do we make meaningful change when no one feels responsible for the systemic structures of the past. Disorientation is a book for all readers who believe that civil conversation on even the most charged subjects is possible. Employing his wit, his empathy for all, and his vast and astonishing gift for language, Ian Williams gives readers an open, candid, and personal perspective on an undeniably important subject. “Honest, vulnerable, courageous and funny.” —Lawrence Hill, author of The Book of Negroes
Author: Elaine Hsieh Chou
Publisher: Pan Macmillan
ISBN: 1529080681
Category : Fiction
Languages : en
Pages : 389
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Book Description
'The funniest, most poignant novel of the year' - Vogue For fans of Yellowface by Rebecca F Kuang, Disorientation is an uproarious and big-hearted satire – alive with sharp edges, immense warmth, and a cast of unforgettable characters – that asks: who gets to tell our stories? Ingrid Yang is desperate to finish her PhD dissertation on the much-lauded poet Xiao-Wen Chou and never read about ‘Chinese-y’ things again, when she accidentally stumbles upon a strange note in the Chou archives that she thinks may be her ticket out of academic hell. But Ingrid has no idea that the note will lead to an explosive secret, upending her entire life and the lives of those around her. Her clumsy exploits to discover the truth set off a rollercoaster of mishaps and misadventures, from campus protests and over-the-counter drug hallucinations, to book burnings and a movement that stinks of Yellow Peril propaganda. In the aftermath, she’ll have to question everything, from her relationship with her fiancé to the kind of person she dares to be. 'The funniest novel I’ve read all year' - Aravind Adiga, author of The White Tiger 'Fearless' - Observer 'Elaine Hsieh Chou's pen is a scalpel' - Raven Leilani, author of Luster
Author: James Buzard
Publisher: Princeton University Press
ISBN: 1400826675
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
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Category : American literature
Languages : en
Pages : 108
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Book Description
Author: Peter Pomerantsev
Publisher: Faber & Faber
ISBN: 0571338658
Category : History
Languages : en
Pages : 194
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Book Description
**WINNER OF THE GORDON BURN PRIZE 2020*** A TIMES and GUARDIAN BOOK OF THE YEAR *'Quietly frightening.' Guardian'Essential reading.' Irish Times'Consistently chilling.' Herald'Shocking and entertaining.' Daily Telegraph When information is a weapon, everyone is at war. We live in a world of influence operations run amok, a world of dark ads, psy-ops, hacks, bots, soft facts, ISIS, Putin, trolls, Trump. We've lost not only our sense of peace and democracy - but our sense of what those words even mean. As Peter Pomerantsev seeks to make sense of the disinformation age, he meets Twitter revolutionaries and pop-up populists, 'behavioural change' salesmen, Jihadi fan-boys, Identitarians, truth cops, and much more. Forty years after his dissident parents were pursued by the KGB, he finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia - but the answers he finds there are surprising. 'The world's most powerful people are lying like never before, and no one understands the art of their lies like Peter Pomerantsev.' Oliver Bullough 'Through our current smog of smouldering bullshit, This is Not Propaganda shines a necessary, humane and dissident light.' Nick Rankin 'Far more than just another take on today's chaotic information wars, this book argues that we will have to understand how propaganda seeks to shape our deepest thoughts before we can confront it.' Anne Applebaum
Author: Négar Djavadi
Publisher: Europa Editions
ISBN: 1609454529
Category : Fiction
Languages : en
Pages : 282
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Book Description
National Book Award Finalist: “A multigenerational epic of the Sadr family’s life in Iran and their eventual exile . . . Full of surprises” (The Globe and Mail). Winner of the 2019 Albertine Prize and Lambda Literary Award Kimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five and facing the future she has built for herself, as well as the prospect of a new generation, Kimiâ is inundated by her own memories and the stories of her ancestors, which come to her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them. It is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel, recipient of numerous literary honors. “Where initially Disoriental seems focused on Kimiâ’s father and his pro-democracy activism—first against the Shah, then the Ayatollah Khomeini—this is truly Kimiâ’s story of disorientation—national, familial and sexual—and finding herself again.” —The Globe and Mail “A tour de force of storytelling . . . Djavadi deftly weaves together the history of 20th-century Iran [and] the spellbinding chronicle of her own ancestors. . . . Perfectly blends historical fact with contemporary themes.” —Library Journal “Riveting . . . Djavadi is an immensely gifted storyteller, and Kimiâ’s tale is especially compelling.” —Booklist (starred review) “A wonder and a pleasure to read.” —Rivka Galchen, author of Atmospheric Disturbances WINNER 2019 ALBERTINE PRIZE WINNER 2019 LAMBDA LITERARY AWARD FINALIST 2018 NATIONAL BOOK AWARD FINALIST 2019 CLMP FIRECRACKER AWARD FINALIST 2019 BEST TRANSLATED BOOK AWARD WINNER LE PRIX DU ROMAN NEWS WINNER STYLE PRIZE WINNER 2016 LIRE BEST DEBUT NOVEL WINNER LA PORTE DORÉE PRIZE ONE OF THE GLOBE & MAIL’S BEST BOOKS OF 2018
Author: Kristin Dickinson
Publisher: Penn State Press
ISBN: 0271090294
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
The fields of comparative and world literature tend to have a unidirectional, Eurocentric focus, with attention to concepts of “origin” and “arrival.” DisOrientations challenges this viewpoint. Kristin Dickinson employs a unique multilingual archive of German and Turkish translated texts from the early nineteenth through the mid-twentieth century. In this analysis, she reveals the omnidirectional and transtemporal movements of translations, which, she argues, harbor the disorienting potential to reconfigure the relationships of original to translation, past to present, and West to East. Through the work of three key figures—Johann Wolfgang von Goethe, Friedrich Schrader, and Sabahattin Ali—Dickinson develops a concept of translational orientation as a mode of omnidirectional encounter. She sheds light on translations that are not bound by the terms of economic imperialism, Orientalism, or Westernization, focusing on case studies that work against the basic premises of containment and originality that undergird Orientalism’s system of discursive knowledge production. By linking literary traditions across retroactively applied periodizations, the translations examined in this book act as points of connection that produce new directionalities and open new configurations of a future German-Turkish relationship. Groundbreaking and erudite, DisOrientations examines literary translation as a complex mode of cultural, political, and linguistic orientation. This book will appeal to scholars and students of translation theory, comparative literature, Orientalism, and the history of German-Turkish cultural relations.
Author: Lawrence D. Rosenblum
Publisher: W. W. Norton & Company
ISBN: 0393077292
Category : Psychology
Languages : en
Pages : 369
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Book Description
"Eye-opening…memorable…Rosenblum's enthusiasm is contagious and his prose accessible." —Kirkus Reviews In this revealing romp through the mysteries of human perception, University of California psychologist Lawrence D. Rosenblum explores the astonishing abilities of the five senses—skills of which most of us are unaware. Drawing on groundbreaking insights into the brain's plasticity and integrative powers, Rosenblum examines how our brains use the subtlest information to perceive the world. A blind person, for example, can "see" through bat-like echolocation, wine connoisseurs can actually taste the vintage of an obscure wine, and pheromones can signal a lover's compatibility. Bringing us into the world of a blind detective, a sound engineer, a former supermodel, and other unforgettable characters, Rosenblum not only illuminates the science behind our sensory abilities but also demonstrates how awareness of these abilities can enhance their power.
Author: Megan Craig
Publisher: Indiana University Press
ISBN: 0253355346
Category : Phenomenology
Languages : en
Pages : 277
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Book Description
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas's philosophy and the ethical implications of James's pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm's length. Revealing the pragmatic minimalism in Levinas's work and the centrality of imagery in James's prose, she suggests that aesthetic links are crucial to understanding what they share. Craig's suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers.
