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Author: Catherine Flood
Publisher: Victoria & Albert Museum
ISBN: 9781851777976
Category : Design
Languages : en
Pages : 0
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Book Description
'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.
Author: Catherine Flood
Publisher: Victoria & Albert Museum
ISBN: 9781851777976
Category : Design
Languages : en
Pages : 0
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Book Description
'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.
Author: JW Anderson (Firm)
Publisher:
ISBN: 9780993223822
Category : Arts, Modern
Languages : en
Pages : 122
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Book Description
Disobedient Bodies: JW Anderson at The Hepworth Wakefield' has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book? made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM? acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth?s galleries come in to play with images from Anderson?s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson?s own collections.00Exhibition: The Hepworth Wakefield, West Yorkshire, United Kingdom (18.03.-18.06.2017).
Author: Kylie Message
Publisher: Routledge
ISBN: 1315294117
Category : Social Science
Languages : en
Pages : 163
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Book Description
The Disobedient Museum: Writing at the Edge aims to motivate disciplinary thinking to reimagine writing about museums as an activity where resistant forms of thinking, seeing, feeling, and acting can be produced, and to theorize this process as a form of protest against disciplinary stagnation. Drawing on a range of cultural, theoretical, and political approaches, Kylie Message examines potential links between methods of critique today and moments of historical and disciplinary crisis, and asks what contribution museums might make to these, either as direct actors or through activities that sit more comfortably within their institutional remit. Identifying the process of writing about museums as a form of activism, that brings together and elaborates on cultural and political agendas for change, the book explores how a process of engaged critique might benefit museum studies, what this critique might look like, and how museum studies might make a contribution to discourses of social and political change. The Disobedient Museum is the first volume in Routledge’s innovative ‘Museums in Focus’ series and will be of great interest to scholars and students in the fields of Museum, Heritage, Public History, and Cultural Studies. It should also be essential reading for museum practitioners, particularly those engaged with questions about the role of museums in regard to social activism and contentious contemporary challenges.
Author: Anna Feigenbaum
Publisher: Bloomsbury Publishing
ISBN: 1780323573
Category : Political Science
Languages : en
Pages : 274
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Book Description
From Tahrir Square to Occupy, from the Red Shirts in Thailand to the Teachers in Oaxaca, protest camps are a highly visible feature of social movements' activism across the world. They are spaces where people come together to imagine alternative worlds and articulate contentious politics, often in confrontation with the state. Drawing on over fifty different protest camps from around the world over the past fifty years, this book offers a ground-breaking and detailed investigation into protest camps from a global perspective - a story that, until now, has remained untold. Taking the reader on a journey across different cultural, political and geographical landscapes of protest, and drawing on a wealth of original interview material, the authors demonstrate that protest camps are unique spaces in which activists can enact radical and often experiential forms of democratic politics.
Author: Dionne Searcey
Publisher:
ISBN: 0399179852
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
When a reporter becomes the West Africa bureau chief for The New York Times, she uproots her life--and her family--to a part of the world off the radar for much of Western society. In 2015, Dionne Searcey was covering the economy for The New York Times, living in Brooklyn with her husband and three young children. Saddled with the demands of a dual-career household and motherhood in an urban setting, her life was in a rut. She decided to pursue a job as the paper's West Africa bureau chief, landing with her family in Dakar, Senegal, where she found their lives turned upside down. They struggled to figure out how they fit into this new region, and their new family dynamic where she became the main breadwinner flying off to work as her husband stayed behind to manage the home front. In Pursuit of Disobedient Women follows Searcey's sometimes harrowing, sometimes rollicking experiences as she works to get Americans to pay attention to the region during the rise of Trump. She is gone from her family for sometimes weeks at a time, often risking her safety while covering stories like Boko Haram-conscripted teen girl suicide bombers or young women in small villages shaking up social norms by getting out of bad marriages. Ultimately, Searcey returns home to reconcile with skinned knees and school plays that happen without her and a begrudging husband thrown into the role of primary parent. Life, for Searcey, as with most of us, is a balancing act. She weaves a tapestry of women living at the crossroads of old-fashioned patriarchy and an increasingly globalized and connected world. The result is a deeply personal and highly compelling look into a modern-day marriage and a world most of us have barely considered.
Author: Henry David Thoreau
Publisher: The Floating Press
ISBN: 1775412466
Category : Political Science
Languages : en
Pages : 41
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Book Description
Thoreau wrote Civil Disobedience in 1849. It argues the superiority of the individual conscience over acquiescence to government. Thoreau was inspired to write in response to slavery and the Mexican-American war. He believed that people could not be made agents of injustice if they were governed by their own consciences.
Author: Anthony Stagliano
Publisher: University of Alabama Press
ISBN: 0817361359
Category : Language Arts & Disciplines
Languages : en
Pages : 195
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Book Description
"Disobedient Aesthetics examines emergent forms of creative civil disobedience that have arisen in response to digital tools of surveillance and control. Analyzing activities that defy-by hacking, subverting, or otherwise thwarting efforts to use the interface of our bodies and networked technologies-Disobedient Aesthetics theorizes the rhetorical and aesthetic character of such disobedient acts and the possibilities, limitations, and risks they pose for democratic participation. In recent decades, new tools of surveillance and control have become ubiquitous, among them security cameras, data mining in social media spaces, and biometric scanning. As such, we all now dwell in spaces of public, everyday life that entangle networked levers of control with the facticity of having bodies, DNA, or even faces in public. Each chapter probes a different aspect of our embodied experience as sites of data exploitation. The first chapter examines tactical interventions into the thermal vision systems used on military drones. Human body heat itself is transformed into a media object and a source of data for lethal drone systems. In the following chapter, we encounter extraordinarily sophisticated facial recognition platforms that are turning our very faces into actionable data mines. The next chapter examines two kinds of on-demand DNA analysis, at-home testing, like that used by 23andMe, and a related police practice, to show what's at stake when the hunger for personal data dives all the way into our genetic makeup. The next chapter considers how surveillance and control has come to change urban governance, and with it the physical space of publicness itself. Data-driven governance, paired with home "sharing" platforms like AirBNB apply even more pressure on populations, and have engendered new predictive forms of policing and new architectural forms, such as anti-homeless spikes in public spaces. The final chapter examines several different creative, critical, and collective efforts to democratize access to the technical knowledge needed to intervene in the control systems addressed in the prior chapters. A concluding epilogue revisits current theories and manifestations of "control," and offers an alternative reading of Gilles Deleuze's oft-cited thesis on control societies-namely, that with control, it is not a matter of escaping it, but a matter of "finding new weapons" to undermine its functions. All of the projects and activities surveyed here do indeed attempt that, but the epilogue meditates on an alternative to finding new "weapons," in the search for new "tactics." Ultimately, Disobedient Aesthetics theorizes control and the possibilities of creative, disobedient intervention into it, as at once an aesthetic and rhetorical phenomenon, with the creative disruptions of control surveyed here standing as potent models for productive paths for democratizing technology now"--
Author: David England
Publisher: Springer
ISBN: 3319287222
Category : Computers
Languages : en
Pages : 205
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Book Description
This book combines work from curators, digital artists, human computer interaction researchers and computer scientists to examine the mutual benefits and challenges posed when working together to support digital art works in their many forms. In Curating the Digital we explore how we can work together to make space for art and interaction. We look at the various challenges such as the dynamic nature of our media, the problems posed in preserving digital art works and the thorny problems of how we assess and measure audience’s reactions to interactive digital work. Curating the Digital is an outcome of a multi-disciplinary workshop that took place at SICHI2014 in Toronto. The participants from the workshop reflected on the theme of Curating the Digital via a series of presentations and rapid prototyping exercises to develop a catalogue for the future digital art gallery. The results produce a variety of insights both around the theory and philosophy of curating digital works, and also around the practical and technical possibilities and challenges. We present these complimentary chapters so that other researchers and practitioners in related fields will find motivation and imagination for their own work.
Author: Julia Bryan-Wilson
Publisher: University of Chicago Press
ISBN: 0226077829
Category : Art
Languages : en
Pages : 335
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Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author: Clive Hamilton
Publisher: John Wiley & Sons
ISBN: 1509519785
Category : Political Science
Languages : en
Pages : 200
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Book Description
Humans have become so powerful that we have disrupted the functioning of the Earth System as a whole, bringing on a new geological epoch – the Anthropocene – one in which the serene and clement conditions that allowed civilisation to flourish are disappearing and we quail before 'the wakened giant'. The emergence of a conscious creature capable of using technology to bring about a rupture in the Earth's geochronology is an event of monumental significance, on a par with the arrival of civilisation itself. What does it mean to have arrived at this point, where human history and Earth history collide? Some interpret the Anthropocene as no more than a development of what they already know, obscuring and deflating its profound significance. But the Anthropocene demands that we rethink everything. The modern belief in the free, reflexive being making its own future by taking control of its environment – even to the point of geoengineering – is now impossible because we have rendered the Earth more unpredictable and less controllable, a disobedient planet. At the same time, all attempts by progressives to cut humans down to size by attacking anthropocentrism come up against the insurmountable fact that human beings now possess enough power to change the Earth's course. It's too late to turn back the geological clock, and there is no going back to premodern ways of thinking. We must face the fact that humans are at the centre of the world, even if we must give the idea that we can control the planet. These truths call for a new kind of anthropocentrism, a philosophy by which we might use our power responsibly and find a way to live on a defiant Earth.
