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Author: Tomáš Jirsa
Publisher: Bloomsbury Publishing USA
ISBN: 1501362321
Category : Social Science
Languages : en
Pages : 169
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Book Description
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomáš Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments-the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan Šerých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa's innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.
Author: Tomáš Jirsa
Publisher: Bloomsbury Publishing USA
ISBN: 1501362321
Category : Social Science
Languages : en
Pages : 169
Get Book Here
Book Description
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomáš Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments-the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan Šerých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa's innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.
Author: Marcus Rothkirch
Publisher: Frontiers Media SA
ISBN: 2889454312
Category :
Languages : en
Pages : 219
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Book Description
Over the last years, a large body of experimental data have been generated in the attempt to understand consciousness and its neural underpinnings. In this respect, particular interest has been paid to the attempt to distinguish between conscious experience and unconscious states which however may still be considered as mental states (e.g., in virtue of their representational nature). This is of course not without reason. A deep understanding of that which specifically characterizes conscious states, including neural correlates and cognitive functions, may crucially inform the ambition of understanding the relation between experience and the physical world. Nevertheless, the question has historically been challenged by the fact that consciousness is available in the first person only – not to other people, including scientists. Different methodological traditions and choices have led to quite different understandings of how conscious and unconscious states relate, and diverse empirical work has been inspired and guided by various cognitive and neurobiological theories of consciousness. The very diverse viewpoints include such different positions as the idea that unconscious states are associated with the very same functional characteristics as conscious states, and the idea that no informational state that is available for action can be completely unconscious. The Research Topic “Transitions between consciousness and unconsciousness” is therefore devoted to this particular question, how to understand the relation and transition between consciousness and unconsciousness. We hope that the reader will find the collected articles both informative and thought-provoking, and that this Research Topic will stimulate the scientific debate.
Author: Francesco Bajardi
Publisher: Cambridge University Press
ISBN: 100920873X
Category : Science
Languages : en
Pages : 452
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Book Description
This volume summarizes the many alternatives and extensions to Einstein's General Theory of Relativity, and shows how symmetry principles can be applied to identify physically viable models. The first part of the book establishes the foundations of classical field theory, providing an introduction to symmetry groups and the Noether theorems. A quick overview of general relativity is provided, including discussion of its successes and shortcomings, then several theories of gravity are presented and their main features are summarized. In the second part, the 'Noether Symmetry Approach' is applied to theories of gravity to identify those which contain symmetries. In the third part of the book these selected models are tested through comparison with the latest experiments and observations. This constrains the free parameters in the selected models to fit the current data, demonstrating a useful approach that will allow researchers to construct and constrain modified gravity models for further applications.
Author: Alexandra-Ecaterina Irimia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111150585
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Although post-structuralism has highlighted the importance of what is offstage, lost, forgotten, hidden or discarded, silent or silenced, the poetics and politics of absence (much like its ethics and aesthetics) have rarely been discussed across media or disciplines. The book conceptualizes 'radical absence' to describe a certain tradition of resistance to ontology, predication, and representation, contesting their reliance on a metaphysics of presence. Apophatic speech, empty signifiers, and figural voids are some of the figures through which radical absence becomes apparent, with unprecedented intensity, in 20th-century theory, literature, film, and the arts. Phantasmatic and outrageous, such figures play with creative strategies of de-materialization, irony, and other forms of discursive undoing. Therefore, absence becomes more than a simple theme; it reflects back on the medium and the meaning-making conditions under which it operates. Elusive and imprecise as an object of study, absence is in need of more subtle and flexible epistemological frameworks. The author proposes to think it not only as a counter-concept for presence, but also - perhaps more productively - as infinite spacing, deferral, fragmentation, and displacement.
Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 586
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Book Description
Author: Sir James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1256
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Book Description
Author:
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 848
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Book Description
Author: Songül Gündoğdu
Publisher: University of Bamberg Press
ISBN: 386309686X
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
Current Issues in Kurdish Linguistics contains ten contributions which span the field of Kurdish linguistics, both in terms of geography and in terms of the range of topics. Along with several works on Kurmanji (Northern Kurdish) and Sorani (Central Kurdish), two chapters shed light on the lesser-known Southern Kurdish language area. Other studies are comparative, and treat the Kurdish language area in its entirety. The linguistic approaches of the authors are a mix of formal and typological perspectives, and cover topics ranging from geographical distribution and variation to phonology, morphosyntax, discourse structure, historical morphology, and sociolinguistics. The present volume is the first of its kind in bringing together contributions from a relatively large number of linguists, working in a diverse range of frameworks and on different aspects and varieties of Kurdish. As such, it attests to the increasing breadth and sophistication now evident in Kurdish linguistics, and is a worthy launch for the new series Bamberg Studies in Kurdish Linguistics (BSKL).
Author: Jiri Anger
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
Author: W. Lance Bennett
Publisher: Cambridge University Press
ISBN: 1108843050
Category : Business & Economics
Languages : en
Pages : 323
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Book Description
This book shows how disinformation spread by partisan organizations and media platforms undermines institutional legitimacy on which authoritative information depends.
