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Author: Tomá Jirsa
Publisher: Bloomsbury Publishing USA
ISBN: 1501362321
Category : Social Science
Languages : en
Pages : 168
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Book Description
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomá Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments-the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan erých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa's innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.
Author: Tomá Jirsa
Publisher: Bloomsbury Publishing USA
ISBN: 1501362321
Category : Social Science
Languages : en
Pages : 168
Get Book Here
Book Description
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomá Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments-the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan erých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa's innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.
Author: Marcus Rothkirch
Publisher: Frontiers Media SA
ISBN: 2889454312
Category :
Languages : en
Pages : 219
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Book Description
Over the last years, a large body of experimental data have been generated in the attempt to understand consciousness and its neural underpinnings. In this respect, particular interest has been paid to the attempt to distinguish between conscious experience and unconscious states which however may still be considered as mental states (e.g., in virtue of their representational nature). This is of course not without reason. A deep understanding of that which specifically characterizes conscious states, including neural correlates and cognitive functions, may crucially inform the ambition of understanding the relation between experience and the physical world. Nevertheless, the question has historically been challenged by the fact that consciousness is available in the first person only – not to other people, including scientists. Different methodological traditions and choices have led to quite different understandings of how conscious and unconscious states relate, and diverse empirical work has been inspired and guided by various cognitive and neurobiological theories of consciousness. The very diverse viewpoints include such different positions as the idea that unconscious states are associated with the very same functional characteristics as conscious states, and the idea that no informational state that is available for action can be completely unconscious. The Research Topic “Transitions between consciousness and unconsciousness” is therefore devoted to this particular question, how to understand the relation and transition between consciousness and unconsciousness. We hope that the reader will find the collected articles both informative and thought-provoking, and that this Research Topic will stimulate the scientific debate.
Author: Francesco Bajardi
Publisher: Cambridge University Press
ISBN: 1009208748
Category : Science
Languages : en
Pages : 451
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Book Description
This volume summarizes the many modified theories of gravity and shows how to select physically viable models using symmetry principles.
Author: Songül Gündoğdu
Publisher: University of Bamberg Press
ISBN: 386309686X
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
Current Issues in Kurdish Linguistics contains ten contributions which span the field of Kurdish linguistics, both in terms of geography and in terms of the range of topics. Along with several works on Kurmanji (Northern Kurdish) and Sorani (Central Kurdish), two chapters shed light on the lesser-known Southern Kurdish language area. Other studies are comparative, and treat the Kurdish language area in its entirety. The linguistic approaches of the authors are a mix of formal and typological perspectives, and cover topics ranging from geographical distribution and variation to phonology, morphosyntax, discourse structure, historical morphology, and sociolinguistics. The present volume is the first of its kind in bringing together contributions from a relatively large number of linguists, working in a diverse range of frameworks and on different aspects and varieties of Kurdish. As such, it attests to the increasing breadth and sophistication now evident in Kurdish linguistics, and is a worthy launch for the new series Bamberg Studies in Kurdish Linguistics (BSKL).
Author: W. Lance Bennett
Publisher: Cambridge University Press
ISBN: 1108843050
Category : Political Science
Languages : en
Pages : 323
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Book Description
This book shows how disinformation spread by partisan organizations and media platforms undermines institutional legitimacy on which authoritative information depends.
Author: Soil Mechanics Information Analysis Center
Publisher:
ISBN:
Category : Engineering geology
Languages : en
Pages : 362
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Book Description
Author: Jiri Anger
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
Author: Tarik Sabry
Publisher: Bloomsbury Publishing
ISBN: 1786725428
Category : Art
Languages : en
Pages : 225
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Book Description
In this revealing new study, Tarik Sabry and Joe Khalil preside over an original new exploration of Arab culture. They employ subjects as varied as anthropology, media studies, philosophy, political economy and cultural studies to illuminate the relationship between culture, time and publics in an Arab context, whilst also laying the foundations for a much more nuanced picture of Arab society. The diverse themes and locations explored include communities at borders, in rural and urban locations, Syrian drama audiences, Egyptian, Saudi and Tunisian artists and activists and historical and contemporary Arab intellectuals. This fresh empirical research and interdisciplinary analysis illuminate intricate experiences that transcend local, national and religious boundaries and expose how Arab publics combine the media and technology to create a rich experience that shapes their collective imagination and social structure. Providing a grounded orientation to key debates on time and what can be defined as public in modern Arab cultures, Sabry and Khalil address teachers, students and those concerned about the delicate structures that underpin the upheavals of the modern Arab world.
Author: Dieter Kastovsky
Publisher: Walter de Gruyter
ISBN: 3110810301
Category : Language Arts & Disciplines
Languages : en
Pages : 505
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Book Description
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Author: Tomáš Jirsa
Publisher: Bloomsbury Academic
ISBN: 1501362348
Category : Social Science
Languages : en
Pages : 169
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Book Description
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomáš Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments-the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan Šerých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa's innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.
