Discursos leidos ante la Real Academia de Nobles Artes de San Fernando en la recepción pública de don Eduardo Fernandez Pescador el dia 18 de abril de 1869

Discursos leidos ante la Real Academia de Nobles Artes de San Fernando en la recepción pública de don Eduardo Fernandez Pescador el dia 18 de abril de 1869 PDF Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 56

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Discursos leidos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública del ... señor D. Gemán Hernández Amores el día 29 de mayo de 1892

Discursos leidos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública del ... señor D. Gemán Hernández Amores el día 29 de mayo de 1892 PDF Author: German Hernández Amores
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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The Nineteenth Century in the Prado

The Nineteenth Century in the Prado PDF Author: Museo del Prado
Publisher: T.F. Editores, S.L.C.
ISBN:
Category : Art
Languages : en
Pages : 458

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Book Description
This is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública del señor Don Tomás Fernández Grajal el día 11 de junio de 1905

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública del señor Don Tomás Fernández Grajal el día 11 de junio de 1905 PDF Author: Tomás Fernández Grajal
Publisher:
ISBN:
Category :
Languages : es
Pages : 46

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The Time Machine and Other Stories

The Time Machine and Other Stories PDF Author: H. G. Wells
Publisher: Read Books Ltd
ISBN: 1473345715
Category : Fiction
Languages : en
Pages : 183

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Book Description
This book is a collection of eight short stories written by H. G. Wells. "The Short Stories of H. G. Wells" constitutes a must-have for lovers of the short storm form and is not to be missed by fans of Wells' fantastic work. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. The stories include: "The Time Machine", "The Empire of the Ants", "A Vision of Judgement", "The Land Ironclads", The Beautiful Suit", "The Door in the Wall", "The Pearl of Love", and "The Country of the Blind". Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública de Julio Moisés el día 30 de diciembre de 1947

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública de Julio Moisés el día 30 de diciembre de 1947 PDF Author: Julio Moisés Fernández de Villasante
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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The History of Modern Painting

The History of Modern Painting PDF Author: Richard Muther
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 514

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Goya & Italy

Goya & Italy PDF Author: Francisco Goya
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316

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Book Description
Around 1770 or 1771, Francisco Goya went to Italy for roughly one year. Although it is not known whether he was actually fleeing the Spanish Inquisition, as an artist of his time he was certainly undertaking a pilgrimage to a country in which many (non-Italian) artists had completed their apprenticeships. Myths proliferate about Goya's Italian period. There are tales of his working as an acrobat, romancing a nun and being offering a job as court painter to Catherine the Great. Whatever the truth of these, he certainly came face to face with much inspirational art: Raphael and Michelangelo at the Vatican, Tiepolo, Correggio's frescoes in Parma, plus the Belvedere Torso of Apollonius and the Farnese Hercules of Glykon (both of which he sketched). During this stint, Goya also entered a painting in the Parma Academy competition, winning second prize. But upon his return to Spain, Goya was an artist transformed, liberated from Neoclassicism and free to pursue his own wilder painterly imaginings. By 1774, Goya had gone from anonymity to become Saragossa's most prosperous artist. What was he doing during this murky Italian jaunt? Goya and Italy is the first book to consider this question at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography. It will prove an invaluable document for Goya fans.

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública de D. Francisco Fernández y González el día 12 de junio de 1881

Discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública de D. Francisco Fernández y González el día 12 de junio de 1881 PDF Author: Francisco Fernández y González
Publisher:
ISBN:
Category :
Languages : es
Pages : 74

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Inventing the Art Collection

Inventing the Art Collection PDF Author: Oscar E. Vázquez
Publisher: Penn State Press
ISBN: 9780271043951
Category : Antiques & Collectibles
Languages : en
Pages : 350

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Book Description
The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.