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Author: Manfred Pfister
Publisher: Cambridge University Press
ISBN: 9780521423830
Category : Drama
Languages : en
Pages : 364
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Book Description
Manfred Pfister's book is the first to provide a coherent comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The material on which his analysis is based covers all genres and periods. His approach is systematic rather than historical, combining more abstract categorisations with detailed interpretations of sample texts.
Author: Manfred Pfister
Publisher: Cambridge University Press
ISBN: 9780521423830
Category : Drama
Languages : en
Pages : 364
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Book Description
Manfred Pfister's book is the first to provide a coherent comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The material on which his analysis is based covers all genres and periods. His approach is systematic rather than historical, combining more abstract categorisations with detailed interpretations of sample texts.
Author: K. P. S. Jochum
Publisher: Frankfurt am Main ; Bern ; Las Vegas : Lang
ISBN:
Category : Drama
Languages : en
Pages : 374
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Book Description
«Discrepant awareness» describes the unequal distribution of knowledge and information among various characters in a drama as well as in the relationship between dramatic characters and audience. Only a few studies of this important dramatic element have been written so far. This book attempts to define discrepant awareness and to explore its various possibilities of usage in a coherent body of dramatic literature.
Author: R. Rawdon Wilson
Publisher: University of Delaware Press
ISBN: 9780874135251
Category : Drama
Languages : en
Pages : 322
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Book Description
"In Shakespearean Narrative, Rawdon Wilson explores the variety and purposes of narrative in Shakespeare's plays. He does this by placing Shakespeare's use of narrative within a context of Renaissance narrative theory and practice, often citing analogous strategies from such other writers as Spenser and Cervantes, and exploring in depth the fruitfulness of contemporary narrative theory to an understanding of Shakespeare's practice. Thus Shakespearean Narrative undertakes a double task: it tries to understand Shakespeare's narrative strategies, which has never been done before in any comparable depth, and it also attempts to test the usefulness of contemporary narrative theory." "The book also relates Shakespeare's understanding of the narrative in the plays to the brilliant narrative poems that he wrote in the early 1590s. It also examines the narrative conventions that are used in the embedded, or inset, narratives in the plays. Particular attention is paid to the way Shakespeare creates fictional entities, such as worlds and characters, in the plays. A great deal of emphasis is placed on Shakespeare's innovative transformations of traditional narrative conventions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Thomas J. Scheff
Publisher: Univ of California Press
ISBN: 9780520041257
Category : Psychology
Languages : en
Pages : 268
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Book Description
Author: Kent Cartwright
Publisher: Penn State Press
ISBN: 0271039639
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Author: Lewis Walker
Publisher: Routledge
ISBN: 1317943376
Category : Literary Criticism
Languages : en
Pages : 920
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Book Description
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521523516
Category : Drama
Languages : en
Pages : 220
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021596
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
Author: Imke Pannen
Publisher: V&R unipress GmbH
ISBN: 389971640X
Category : English drama
Languages : en
Pages : 340
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Book Description
Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.
Author: Arthur Asa Berger
Publisher: Routledge
ISBN: 1351293702
Category : Psychology
Languages : en
Pages : 192
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Book Description
In Blind Men and Elephants, Arthur Asa Berger uses case histories to show how scholars from different disciplines and scholarly domains have tried to describe and understand humor. He reveals not only the many approaches that are available to study humor, but also the many perspectives toward humor that characterize each discipline. Each case history sheds light on a particular aspect of humor, making the combination of approaches of considerable value in the study of social research. Among the various disciplines that Berger discusses in relation to humor are: communication theory, philosophy, semiotics, literary analysis, sociology, political science, and psychology. Berger deals with these particular disciplines and perspectives because they tend to be most commonly found in the scholarly literature about humor as well as being those that have the most to offer. Blind Men and Elephants covers a wide range of humor, from simple jokes to the uses of literary devices in films. Berger observes how humor often employs considerable ridicule directed at diverse groups of people: women, men, animals, politicians, African Americans, Jews, Catholics, Protestants, gay people, straight people, and so forth. The book also explains the risk factor in ridicule as a humorous device. Blind Men and Elephants depicts how one entity or one situation can be viewed in as many different ways as the number of people studying it. Berger also shows how those multiple perspectives, the Rashomon Effect, can be used together to create a clearer understanding of humor. Blind Men and Elephants is a valuable companion to Berger's recent effort about humor, An Anatomy of Humor, and will be enjoyed by communication and information studies scholars, sociologists, literary studies specialists, philosophers, and psychologists.
