Author: Quentin Bajac
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 172
Book Description
Surveys the early of history of photography, including the debut of the daguerreotype in 1839 in Paris, the growth of portrait studios in the mid-1800s, and the spread of the photographic image in the late 1800s.
Discoveries: The Invention of Photography
Author: Quentin Bajac
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 172
Book Description
Surveys the early of history of photography, including the debut of the daguerreotype in 1839 in Paris, the growth of portrait studios in the mid-1800s, and the spread of the photographic image in the late 1800s.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 172
Book Description
Surveys the early of history of photography, including the debut of the daguerreotype in 1839 in Paris, the growth of portrait studios in the mid-1800s, and the spread of the photographic image in the late 1800s.
The Pencil of Nature
Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
An Historical and Descriptive Account of the Various Processes of the Daguerréotype and the Diorama
Author: Louis Jacques Mandé Daguerre
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 100
Book Description
Out of the Shadows
Author: Larry John Schaaf
Publisher:
ISBN: 9780300057058
Category : Photography
Languages : en
Pages : 188
Book Description
This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
Publisher:
ISBN: 9780300057058
Category : Photography
Languages : en
Pages : 188
Book Description
This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
First Photographs
Author:
Publisher: powerHouse Books
ISBN: 1576871533
Category : Photography
Languages : en
Pages : 143
Book Description
First Photographs is an eyewitness to the origins of modern photography. This book - the only monograph on Talbot to be supported by the curator of the Fox Talbot Museum - includes many never-before-published images of landscapes, architectural studies, and portraiture from Talbot's personal archive and selections from his detailed research notebooks made during the 1830s and 1840s, currently housed at the Fox Talbot Museum at Lacock Abbey in Chippenham, England. In addition to his technological contributions, Talbot's own photographs represent exceptional and prescient artistic achievement. Arthur Ollman, director of the Museum of Photographic Arts, San Diego, contributes an innovative analysis of both the aesthetic and social significance of Talbot's first photographic image, the "Oriel Window," through a remarkable evocation of Talbot's late-life reflection one sunny afternoon beneath his window in Lacock Abbey. Curator Carol McCusker considers how the women of the Lacock household influenced Talbot's aesthetic choices. First Photographs also includes a biography and timeline of Talbot's eventful life and revolutionary work by the preeminent Talbot scholar Michael Gray.
Publisher: powerHouse Books
ISBN: 1576871533
Category : Photography
Languages : en
Pages : 143
Book Description
First Photographs is an eyewitness to the origins of modern photography. This book - the only monograph on Talbot to be supported by the curator of the Fox Talbot Museum - includes many never-before-published images of landscapes, architectural studies, and portraiture from Talbot's personal archive and selections from his detailed research notebooks made during the 1830s and 1840s, currently housed at the Fox Talbot Museum at Lacock Abbey in Chippenham, England. In addition to his technological contributions, Talbot's own photographs represent exceptional and prescient artistic achievement. Arthur Ollman, director of the Museum of Photographic Arts, San Diego, contributes an innovative analysis of both the aesthetic and social significance of Talbot's first photographic image, the "Oriel Window," through a remarkable evocation of Talbot's late-life reflection one sunny afternoon beneath his window in Lacock Abbey. Curator Carol McCusker considers how the women of the Lacock household influenced Talbot's aesthetic choices. First Photographs also includes a biography and timeline of Talbot's eventful life and revolutionary work by the preeminent Talbot scholar Michael Gray.
The History of Photography
Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
Book Description
A compact, readable, up-to-date overview of the history of photography.
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
Book Description
A compact, readable, up-to-date overview of the history of photography.
Burning with Desire
Author: Geoffrey Batchen
Publisher: MIT Press
ISBN: 9780262522595
Category : Photography
Languages : en
Pages : 294
Book Description
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Publisher: MIT Press
ISBN: 9780262522595
Category : Photography
Languages : en
Pages : 294
Book Description
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Giphantia
Author: Charles-François Tiphaigne de La Roche
Publisher: BoD – Books on Demand
ISBN: 3368900536
Category : Fiction
Languages : en
Pages : 90
Book Description
Reproduction of the original.
Publisher: BoD – Books on Demand
ISBN: 3368900536
Category : Fiction
Languages : en
Pages : 90
Book Description
Reproduction of the original.
Before Photography
Author: Peter Galassi (Museumskurator.)
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 151
Book Description
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 151
Book Description
A Manual of Photography
Author: Robert Hunt
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 396
Book Description