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Author: Shane Denson
Publisher: Duke University Press
ISBN: 1478012412
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Author: Shane Denson
Publisher: Duke University Press
ISBN: 1478012412
Category : Performing Arts
Languages : en
Pages : 200
Get Book Here
Book Description
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Author: Shane Denson
Publisher: Duke University Press Books
ISBN: 9781478010913
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Author: Steven Shaviro
Publisher: John Hunt Publishing
ISBN: 1846944317
Category : Art
Languages : en
Pages : 200
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Book Description
Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.
Author: Daniel Morgan
Publisher: Univ of California Press
ISBN: 0520344278
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.
Author: Shane Denson
Publisher: transcript Verlag
ISBN: 3839428173
Category : Social Science
Languages : en
Pages : 433
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Book Description
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.
Author: Shane Denson
Publisher: A&C Black
ISBN: 1441185755
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Written by leading international scholars, this book surveys transnational dimensions of graphic narratives, covering popular comics and graphic novels from the USA, Asia and Europe.
Author: Matthew Melia
Publisher: Bloomsbury Publishing USA
ISBN: 1501384856
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film's 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs. As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.
Author: Jinying Li
Publisher: U of Minnesota Press
ISBN: 1452970580
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Unlocking the technosocial implications of global geek cultures Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom. By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.
Author: Anthony Stagliano
Publisher: University of Alabama Press
ISBN: 0817361359
Category : Language Arts & Disciplines
Languages : en
Pages : 195
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Book Description
"Disobedient Aesthetics examines emergent forms of creative civil disobedience that have arisen in response to digital tools of surveillance and control. Analyzing activities that defy-by hacking, subverting, or otherwise thwarting efforts to use the interface of our bodies and networked technologies-Disobedient Aesthetics theorizes the rhetorical and aesthetic character of such disobedient acts and the possibilities, limitations, and risks they pose for democratic participation. In recent decades, new tools of surveillance and control have become ubiquitous, among them security cameras, data mining in social media spaces, and biometric scanning. As such, we all now dwell in spaces of public, everyday life that entangle networked levers of control with the facticity of having bodies, DNA, or even faces in public. Each chapter probes a different aspect of our embodied experience as sites of data exploitation. The first chapter examines tactical interventions into the thermal vision systems used on military drones. Human body heat itself is transformed into a media object and a source of data for lethal drone systems. In the following chapter, we encounter extraordinarily sophisticated facial recognition platforms that are turning our very faces into actionable data mines. The next chapter examines two kinds of on-demand DNA analysis, at-home testing, like that used by 23andMe, and a related police practice, to show what's at stake when the hunger for personal data dives all the way into our genetic makeup. The next chapter considers how surveillance and control has come to change urban governance, and with it the physical space of publicness itself. Data-driven governance, paired with home "sharing" platforms like AirBNB apply even more pressure on populations, and have engendered new predictive forms of policing and new architectural forms, such as anti-homeless spikes in public spaces. The final chapter examines several different creative, critical, and collective efforts to democratize access to the technical knowledge needed to intervene in the control systems addressed in the prior chapters. A concluding epilogue revisits current theories and manifestations of "control," and offers an alternative reading of Gilles Deleuze's oft-cited thesis on control societies-namely, that with control, it is not a matter of escaping it, but a matter of "finding new weapons" to undermine its functions. All of the projects and activities surveyed here do indeed attempt that, but the epilogue meditates on an alternative to finding new "weapons," in the search for new "tactics." Ultimately, Disobedient Aesthetics theorizes control and the possibilities of creative, disobedient intervention into it, as at once an aesthetic and rhetorical phenomenon, with the creative disruptions of control surveyed here standing as potent models for productive paths for democratizing technology now"--
Author: Pranab Dey
Publisher: Springer Nature
ISBN: 9811966168
Category : Medical
Languages : en
Pages : 350
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Book Description
The second edition of this well-received book provides detailed information on the basic and advanced laboratory techniques in histopathology and cytology. It offers clear guidance on the principles and techniques of routine and special laboratory techniques. It also covers advanced laboratory techniques such as immunocytochemistry, flow cytometry, liquid-based cytology, polymerase chain reactions, tissue microarray, molecular technology, etc. The book's second edition covers several important recent topics with many new chapters, such as liquid biopsy, artificial neural network, digital pathology, and next-generation sequencing. Each chapter elucidates basic principle, practical methods, troubleshooting, and clinical applications of the technique. It includes multiple colored line drawings, microphotographs, and tables to illustrate each technique. The book is a helpful guide to the post-graduate students and fellows in pathology, practicing pathologists, as well as laboratory technicians, and research students.
