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Author: Steven Shaviro
Publisher: Watkins Media Limited
ISBN: 1910924067
Category : Philosophy
Languages : en
Pages : 249
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Book Description
What is consciousness? What is it like to feel pain, or to see the color red? Do robots and computers really think? For that matter, do plants and amoebas think? If we ever meet intelligent aliens, will we be able to understand what they say to us? Philosophers and scientists are still unable to answer questions like these. Perhaps science fiction can help. In Discognition, Steven Shaviro looks at science fiction novels and stories that explore the extreme possibilities of human and alien sentience.
Author: Steven Shaviro
Publisher: Watkins Media Limited
ISBN: 1910924067
Category : Philosophy
Languages : en
Pages : 249
Get Book Here
Book Description
What is consciousness? What is it like to feel pain, or to see the color red? Do robots and computers really think? For that matter, do plants and amoebas think? If we ever meet intelligent aliens, will we be able to understand what they say to us? Philosophers and scientists are still unable to answer questions like these. Perhaps science fiction can help. In Discognition, Steven Shaviro looks at science fiction novels and stories that explore the extreme possibilities of human and alien sentience.
Author: Eileen A. Joy
Publisher: punctum books
ISBN: 1947447084
Category : Art
Languages : en
Pages : 85
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Book Description
Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.
Author: Roy Christopher
Publisher: Watkins Media Limited
ISBN: 1912248352
Category : Music
Languages : en
Pages : 196
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Book Description
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
Author: Vincent Haddad
Publisher: University of Michigan Press
ISBN: 1643150685
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The first comprehensive investigation of the literary and popular cultural representations of Detroit
Author: Erik Davis
Publisher: MIT Press
ISBN: 1907222871
Category : Philosophy
Languages : en
Pages : 562
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Book Description
An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.
Author: Marie-Luise Angerer
Publisher: Diaphanes
ISBN: 9783037346693
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
For many years now, the time of affect has been a major issue in the humanities, sciences, art and media. Affect stands here for feelings, emotions, processes of affection, for movements of the bodies, for a missing time with one word: for a broad range of ideas and discursive contexts and histories. "Timing of Affect" assembles contributions from different disciplines from philosophy to film, music, sound, media and art, through to technology, computation and neurology to explore the following temporal aspects of the time of affect(ion): Affect as a capacity of the body as a primary, ontological conjunctive and disjunctive process and anthropological inscription as a zone between a "not yet" and an "always already over" as an anthropogenetic interruption of chains of stimulus and response as the effect of a zone of sensory perception that can be encoded in acts of (self-)activation in the form of feelings as an arena within cultural history for political, media and psycho-pharmacological interventions as a signal and unconscious media grammar as time scale and "out of synch." "Timing of Affect" sets itself the task of showing how these aspects are articulated historically and contemporarily, in and as different forms of discourse and epistemological implications in the current establishment of orders of knowledge, thus intensively scrutinizing the momentum of the affective today. "
Author: Rita Felski
Publisher: Johns Hopkins University Press
ISBN: 1421438909
Category : Literary Criticism
Languages : en
Pages : 487
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Book Description
How does the work of influential theorist Bruno Latour offer a fresh angle on the practices and purposes of the humanities? In recent years, defenses of the humanities have tended to argue along predictable lines: the humanities foster empathy, the humanities encourage critical thinking, the humanities offer a counterweight to the cold calculations of the natural and social sciences. The essays in Latour and the Humanities take a different approach. Exploring the relevance of theorist Bruno Latour's work, they argue for attachments and entanglements between the humanities and the sciences while looking closely at the interests, institutions, and intellectual projects that shape the humanities within and beyond the university. The collection, which is written by a group of highly distinguished scholars from around the world, is divided into two sections. In the first part, authors engage in depth with Latour's work while also rethinking the ties between the humanities and the sciences. Essays argue for greater attention to the nonhuman world, the urgency of climate change, and more nuanced views of universities as institutions. The second half of the volume contains essays that reflect on Latour's influence on the practices of specific disciplines, including art, the digital humanities, film studies, and political theory. Inspiring conversation about the relevance of actor-network-theory for research and teaching in the humanities, Latour and the Humanities offers a substantial introduction to Latour's work while discussing the humanities without falling back on the genres of either the sermon or the jeremiad. This volume will be of interest to all those searching for fresh perspectives on the value and importance of humanistic disciplines and thought. Contributors: David J. Alworth, Anders Blok, Claudia Breger, Dipesh Chakrabarty, Yves Citton, Steven Connor, Gerard de Vries, Simon During, Rita Felski, Francis Halsall, Graham Harman, Antoine Hennion, Casper Bruun Jensen, Bruno Latour, Heather Love, Patrice Maniglier, Stephen Muecke, Barbara Herrnstein Smith, Nigel Thrift, Michael Witmore
Author: Dean Lockwood
Publisher: punctum books
ISBN: 0998237515
Category : Photography
Languages : en
Pages : 178
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Book Description
It's easy to forget there's a war on when the front line is everywhere encrypted in plain sight. Gathered in this book's several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as they are a mark of possession, in the sway of larger forces. These photographers are conceptual personae that collectively fabulate a different kind of photography, a paraphotography in which the camera produces negative abyssal flashes or 'endarkenment.' In his Vietnam War memoir, Dispatches, Michael Herr imagines a 'dropped camera' receiving 'jumping and falling' images, images which capture the weird indivisibility of medium and mediated in a time of war. The movies and the war, the photographs and the torn bodies, fused and exchanged. Reporting from the chaos at the middle of things, Herr invokes a kind of writing attuned to this experience. Photography in the Middle, eschewing a high theoretical mode, seeks to exploit the bag of tricks that is the dispatch. The dispatch makes no grand statement about the progress of the war. Cultivating the most perverse implications of its sources, it tries to express what the daily briefing never can. Ports of entry in the script we're given, odd and hasty little glyphs, unhelpful rips in the cover story, dispatches are futile, dark intuitions, an expeditious inefficacy. They are bleak but necessary responses to an indifferent world in which any action whatever has little noticeable effect.As luck would have it, Photography in the Middle begins with some nasty accidents, and extracts from the wreckage a few lessons learned. Dusting itself off, it ships out and puts up with a bunch of battle scarred, big gun photojournalists in the Holiday Inn of a typical world city. Later, it immerses itself within the leaked files of an enigmatic police cabal which detail the surveillance of conceptual photographers Bernd and Hilla Becher, an operation that even extends to the duo's dreams. Further back in time, in 1897, we are invited to an inflammatory, yet patchily documented public lecture given by the Titan, Muybridge.More than any other, it is William Burroughs, conceived here as a war photographer, who is our tutelary figure, hovering over all these pages in his attempt to map emergent vectors of mediation, ever more intimate forms of control and accelerants of planetary catastrophe. Burroughs believed that it was necessary to both keep pace with and formulate new vectors, vectors that might act as intersections with a nonhuman outside. Photography has an agency of its own, one that scrambles the patterns and refrains of mediation upon which human life is based, glitching the human and provoking relations with external coordinates. With Burroughs, and other inspirations such as J.G. Ballard, Georges Bataille, Tom McCarthy and Eugene Thacker, our notion of the dispatch does not offer positive knowledge of something that we can reconcile with existing rational explanations, but rather the revelation of a nightside, our redundancy in a photography that suspends all operations in a general blindness.
Author: Grafton Tanner
Publisher: Watkins Media Limited
ISBN: 1913462544
Category : Social Science
Languages : en
Pages : 283
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Book Description
The Hours Have Lost Their Clock charts the rise of nostalgia in an era knocked out of time. In The Hours Have Lost Their Clock, Grafton Tanner charts the rise of nostalgia in an era knocked out of time. Nostalgia is the defining emotion of our age. Political leaders promise a return to yesteryear. Old movies are remade and cancelled series are rebooted. Veterans reenact past wars, while the displaced across the world long for home. But who is behind this collective ache for a home in the past? Do we need to eliminate nostalgia, or just cultivate it better? And what is at stake if we make the wrong choice? Moving from the fight over Confederate monuments to the birth of homeland security to the mourning of species extinction, Grafton Tanner traces nostalgia’s ascent in the twenty-first century, revealing its power as both a consequence of our unstable time and a defense against it. With little faith in a future of climate change and economic anxiety, many have turned to nostalgia to weather the present, while powerful elites exploit it for their own gain. An exploration into the politics of loss and yearning, The Hours Have Lost Their Clock is an urgent call to take nostalgia seriously. The very future depends on it.
Author: Margret Grebowicz
Publisher: Watkins Media Limited
ISBN: 1913462234
Category : Sports & Recreation
Languages : en
Pages : 128
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Book Description
On the 100th anniversary of the first attempt to climb Mt Everest, Margret Grebowicz shows how and why climbing and mountaineering are still important today. In 1923, a reporter asked George Mallory why he wanted to summit Mount Everest. “Because it’s there”. Today the question "why do this?" is included in nearly every mountaineering story or interview. Meanwhile, interest in climbing is steadily on the rise, from commercial mountaineering and climbing walls in university gyms and corporate workplaces to the flood of spectacular climbing imagery in advertising, cinema, and social media. Climbing has become the theater for imagining limits—of the human body and of the planet— and the nature of desire, motivation, and #goals. Covering the degradation of Everest, the banning of climbing on Australia’s Uluru, UNESCO’s decision to name alpinism an Intangible Cultural Heritage, the sudden death of Ueli Steck, and the commercial and critical success of Free Solo, Mountains and Desire chases after what remains of this pursuit – marred by its colonial history, coopted by nationalistic chauvinism, ableism, and the capitalist compulsion to unlimited growth – for both climbers and their fans.
