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Author: Pennsylvania Academy of the Fine Arts
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
One of the foremost American painters of the 19th century, Eakins (1844-1916) was also a pioneer photographer, his most innovative aspect being his emphasis on the nude, then rarely encountered in the US. This catalogue of the Eakins photographs in the Pennsylvania Academy's Charles Bregler collection includes about three-fourths of Eakins' photographic output. It describes the entire collection of 648 images, reproducing 173 bandw photographs, 52 duotones, and a portfolio section of 16 tritones. The accompanying essays suggest new ways of looking at the photographs in terms not only of Eakins' own art but also of the history of the medium. 10.25x9.75" Annotation copyright by Book News, Inc., Portland, OR
Author: Pennsylvania Academy of the Fine Arts
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 256
Get Book Here
Book Description
One of the foremost American painters of the 19th century, Eakins (1844-1916) was also a pioneer photographer, his most innovative aspect being his emphasis on the nude, then rarely encountered in the US. This catalogue of the Eakins photographs in the Pennsylvania Academy's Charles Bregler collection includes about three-fourths of Eakins' photographic output. It describes the entire collection of 648 images, reproducing 173 bandw photographs, 52 duotones, and a portfolio section of 16 tritones. The accompanying essays suggest new ways of looking at the photographs in terms not only of Eakins' own art but also of the history of the medium. 10.25x9.75" Annotation copyright by Book News, Inc., Portland, OR
Author: Robert Jensen
Publisher: Princeton University Press
ISBN: 0691241953
Category : Art
Languages : en
Pages : 376
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Book Description
In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.
Author: Pennsylvania Academy of the Fine Arts
Publisher: Univ of California Press
ISBN: 0520283961
Category : Art
Languages : en
Pages : 162
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Book Description
David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of LynchÕs career, this book documents LynchÕs first major museum exhibition in the United States, bringing together works held in American and European collections and from the artistÕs studio. Much like his movies, many of LynchÕs artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings, and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories, and passion. Other works explore the odd, tender, and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia (1965Ð70), this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed LynchÕs work in 1987, ÒI would like to know how he got to this point; he cannot be born out of the head of Zeus.Ó Published in association with the Pennsylvania Academy of the Fine Arts
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
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Book Description
Author: Charles Christopher Mark
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 706
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Book Description
Author: Alfred Frankenstein
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 310
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
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Book Description
Includes section "The great calender of American exhibitions."
Author:
Publisher:
ISBN:
Category : Art and state
Languages : en
Pages : 212
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Book Description
Author: Charles Holme
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1254
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997106
Category : Art
Languages : en
Pages : 472
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Book Description
Updated to include new acquisitions, attributions, and reevaluations. Copyright © Libri GmbH. All rights reserved.
