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Author: Benoît Michel
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480157095
Category : 3-D films
Languages : en
Pages : 0
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Book Description
Why buy "Digital Stereoscopy"?Digital Stereoscopy is the bible of modern 3D technologies where students, amateurs, and professional stereographers will find a clear description of all 3D facets of the stereoscopic business as well as detailed info on the 3D image production, distribution, and presentation workflow. Abstract and special featuresStereoscopic images are a century old but the recent rise of digital 3D in all aspects of audiovisual production allows for a constant high quality level, making stereoscopy pleasant and comfortable for the viewer's eyes. The range of media influenced by stereoscopy is impressive, going from motion pictures and television to print and Internet distribution. This book will let you discover the basic principles of how we perceive objects in 3D, how we can shoot 3D pictures and movies, what digital processes are required to produce quality 3D images, and how 3D movies are distributed. We will also study less known aspects of the production workflow, such as 2D to 3D conversion, storage, real-time transmission for broadcasting, and 3D Blu-ray authoring. The various methods of displaying and projecting 3D images will be covered, along with their pros and cons. The book provides a large number of technical details on all these subjects, making it a reference work for professionals in the field, with explanations of the most commonly used software, hardware, and standards.To make the book as useful as possible, an abundance of sidebars explaining the most important concepts in each chapter and a glossary of the most frequently used 3D-specific terms have been included.
Author: Benoît Michel
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480157095
Category : 3-D films
Languages : en
Pages : 0
Get Book Here
Book Description
Why buy "Digital Stereoscopy"?Digital Stereoscopy is the bible of modern 3D technologies where students, amateurs, and professional stereographers will find a clear description of all 3D facets of the stereoscopic business as well as detailed info on the 3D image production, distribution, and presentation workflow. Abstract and special featuresStereoscopic images are a century old but the recent rise of digital 3D in all aspects of audiovisual production allows for a constant high quality level, making stereoscopy pleasant and comfortable for the viewer's eyes. The range of media influenced by stereoscopy is impressive, going from motion pictures and television to print and Internet distribution. This book will let you discover the basic principles of how we perceive objects in 3D, how we can shoot 3D pictures and movies, what digital processes are required to produce quality 3D images, and how 3D movies are distributed. We will also study less known aspects of the production workflow, such as 2D to 3D conversion, storage, real-time transmission for broadcasting, and 3D Blu-ray authoring. The various methods of displaying and projecting 3D images will be covered, along with their pros and cons. The book provides a large number of technical details on all these subjects, making it a reference work for professionals in the field, with explanations of the most commonly used software, hardware, and standards.To make the book as useful as possible, an abundance of sidebars explaining the most important concepts in each chapter and a glossary of the most frequently used 3D-specific terms have been included.
Author: Stacy A.C. Nelson
Publisher: CRC Press
ISBN: 1351980580
Category : Technology & Engineering
Languages : en
Pages : 264
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Book Description
Remotely sensed data, in the form of digital images captured from spaceborne and airborne platforms, provide a rich analytical and observational source of information about the current status, as well as changes occurring in, on, and around the Earth’s surface. The data products, or simply images processed from these platforms, provide an additional advantage in that geographic areas or regions of interest can be revisited on a regular cycle. This revisit cycle allows geospatial analysts and natural resource managers to explore changing conditions over time. Image Processing and Data Analysis with ERDAS IMAGINE® explains the principles behind the processing of remotely sensed data in a simple, easy to understand, and "how-to" format. Organized as a step-by-step guide with exercises adapted from original research and using publicly available imagery, such as NASA Landsat, ESA Sentinel-2, Orthophotos, and others, this book gives readers the ability to quickly gain the practical experience needed to navigate the ERDAS IMAGINE® software as well as learn certain applications in Esri’s ArcMap ArcGIS for Desktop software and Quantum the GIS (QGIS) open source applications package. It also helps readers to easily move beyond the information presented in this book and tackle more advanced skills. Written by two professors with long experience in remote sensing and image processing, this book is a useful guide and reference for both undergraduate and graduate students, researchers, instructors, managers, and agency professionals who are involved in the study of Earth systems and the environment.
Author: Denis Pellerin
Publisher:
ISBN: 9781838164508
Category :
Languages : en
Pages : 192
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Book Description
Author:
Publisher:
ISBN:
Category : Stereoscope
Languages : en
Pages : 296
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Book Description
Author: Colin Williamson
Publisher: Rutgers University Press
ISBN: 0813572568
Category : Art
Languages : en
Pages : 248
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Book Description
What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.
Author: David A. Cook
Publisher: Anthem Press
ISBN: 1839980141
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
Author: Frédéric Dufaux
Publisher: Academic Press
ISBN: 0128030399
Category : Computers
Languages : en
Pages : 631
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Book Description
At the time of rapid technological progress and uptake of High Dynamic Range (HDR) video content in numerous sectors, this book provides an overview of the key supporting technologies, discusses the effectiveness of various techniques, reviews the initial standardization efforts and explores new research directions in all aspects involved in HDR video systems. Topics addressed include content acquisition and production, tone mapping and inverse tone mapping operators, coding, quality of experience, and display technologies. This book also explores a number of applications using HDR video technologies in the automotive industry, medical imaging, spacecraft imaging, driving simulation and watermarking. By covering general to advanced topics, along with a broad and deep analysis, this book is suitable for both the researcher new or familiar to the area. With this book the reader will: - Gain a broad understanding of all the elements in the HDR video processing chain - Learn the most recent results of ongoing research - Understand the challenges and perspectives for HDR video technologies - Covers a broad range of topics encompassing the whole processing chain in HDR video systems, from acquisition to display - Provides a comprehensive overview of this fast emerging topic - Presents upcoming applications taking advantages of HDR
Author: Lars C. Grabbe
Publisher: Büchner-Verlag
ISBN: 3941310933
Category : Social Science
Languages : en
Pages : 209
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Book Description
Media technology plays a significant role in addressing the different sense modalities of the recipient or user. This role seems to deeply influence our concepts of time and space: The more a media technology is becoming a trigger for sensory and perceptual experiences, the bigger is the influence on temporality and spatiality. Image Temporality could be one part of the temporality discourse to connect the concepts of static and dynamic images with the approaches in modern media theory, philosophy of mind, perceptual theory, aesthetics, and film studies as well as the complex range of image science.This volume monitors and discusses the relation of time, space and visual media within the perspective of an autonomous image science.
Author:
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 892
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Book Description
Author: Sir James Mackenzie Davidson
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
