Author: Paul McGowan
Publisher:
ISBN: 9781792346675
Category :
Languages : en
Pages :

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Author: Luc Baert
Publisher: Newnes
ISBN: 1483140393
Category : Technology & Engineering
Languages : en
Pages : 256

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Book Description
Digital Audio and Compact Disc Technology, Second Edition presents the principles behind the development of the compact disc digital audio system. The book discusses the aspects of digital audio and compact disc technology, which has revolutionized the way music is recorded and consumed. The text contains chapters that discuss the principles of digital signal processing, such as, sampling, quantization and error correction; codes for digital magnetic recording; an overview of the compact disc medium; compact disc encoding; and digital audio recording systems. Electronics enthusiasts and engineers will find the book informative.

Author: Ken C. Pohlmann
Publisher: A-R Editions, Inc.
ISBN: 0895793008
Category : Music
Languages : en
Pages : 369

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Book Description
Revision of the 1989 book The compact disk; a handbook of theory and use. A technical discussion of the system. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Ivan March
Publisher: Penguin Group
ISBN: 9780140515237
Category : Music
Languages : en
Pages : 772

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Book Description
More than an essential companion to the complete "Penguin Guide to Compact Discs" (1999), the "Yearbook 2000/1" reviews hundreds of brand new CDs and takes a closer look at some of the more unusual areas of the classical-music repertoire.

Author: Ivan March
Publisher: Penguin Group
ISBN:
Category : Music
Languages : en
Pages : 808

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Book Description
The essential companion volume updating Penguin’s most recent CD/DVD guide This yearbook supplements The Penguin Guide to Compact Discs and DVDs, the largest and most comprehensive survey of classical music on digital audio and video discs ever published. Together, the two books cover thousands of recordings and films, offering candid evaluation of their relative artistic and technical merits, highlighting notable performances, and pinpointing best buys. This yearbook not only reviews the many hundreds of CDs that have appeared since the publication of the main guide in 2005, but it also takes a close look at some of the more unusual areas of the classical music repertoire and includes an extensive section on instrumental concerts and recitals. Designed to help select the very best classical music and video discs available to date, The Penguin Guide to Compact Discs and DVDs Yearbookis an invaluable resource for any classical music lover.

Author: Neil Young
Publisher: BenBella Books
ISBN: 1948836637
Category : Music
Languages : en
Pages : 173

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Book Description
Neil Young took on the music industry so that fans could hear his music—all music—the way it was meant to be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound,while analog masterpieces are turning to dustin record company vaults. As these record-ings disappear, music fans aren't just losing acollection of notes. We're losing spaciousness,breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn't have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers—the most important undertaking ofhis career. It's an unprecedented look insidethe successes and setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil's unrelentingdetermination to make musical art availableto everyone. It's a story that shows how muchmore there is to music than meets the ear. Neil's efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website's history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he'd imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.

Author: Simon J. Godsill
Publisher: Springer
ISBN: 1447115619
Category : Technology & Engineering
Languages : en
Pages : 335

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Book Description
The application of digital signal processing (DSP) to problems in audio has been an area of growing importance since the pioneering DSP work of the 1960s and 70s. In the 1980s, DSP micro-chips became sufficiently powerful to handle the complex processing operations required for sound restoration in real-time, or close to real-time. This led to the first commer cially available restoration systems, with companies such as CEDAR Audio Ltd. in the UK and Sonic Solutions in the US selling dedicated systems world-wide to recording studios, broadcasting companies, media archives and film studios. Vast amounts of important audio material, ranging from historic recordings of the last century to relatively recent recordings on analogue or even digital tape media, were noise-reduced and re-released on CD for the increasingly quality-conscious music enthusiast. Indeed, the first restorations were a revelation in that clicks, crackles and hiss could for the first time be almost completely eliminated from recordings which might otherwise be un-releasable in CD format. Until recently, however, digital audio processing has required high-powered computational engines which were only available to large institutions who could afford to use the sophisticated digital remastering technology. With the advent of compact disc and other digital audio formats, followed by the increased accessibility of home computing, digital audio processing is now available to anyone who owns a PC with sound card, and will be of increasing importance, in association with digital video, as the multimedia revolution continues into the next millennium.

Author: Michael Talbot-Smith
Publisher: Taylor & Francis
ISBN: 1136119736
Category : Technology & Engineering
Languages : en
Pages : 674

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Book Description
An authoritative reference on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. Compiled by an international team of experts, the second edition was updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. This is a new paperback version.

Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1135949492
Category : Music
Languages : en
Pages : 2611

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Book Description
First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.

Author: Ken C. Pohlmann
Publisher: McGraw-Hill Companies
ISBN:
Category : Music
Languages : en
Pages : 650

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Book Description