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Author: Dierk Schmidt
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
In 1884 - 85, the European powers and the USA met in Berlin to prepare the division of the entire African continent through an 'international' act of law. The series of pictures by Dierk Schmidt that was shown at documenta XII serves as a starting point in exploring the urgent question: Is it possible to respond to the brutality, with which colonial borders were forced upon existing societies, with a representation that makes legal abstractions tangible as a historic product of political and aesthetic modernism in Europe? The Division of the Earth is based on years of research and tackles, both visually and textually, the aesthetic-political, art historical and current legal facets of the growing international, post-colonial discussion.
Author: Dierk Schmidt
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
In 1884 - 85, the European powers and the USA met in Berlin to prepare the division of the entire African continent through an 'international' act of law. The series of pictures by Dierk Schmidt that was shown at documenta XII serves as a starting point in exploring the urgent question: Is it possible to respond to the brutality, with which colonial borders were forced upon existing societies, with a representation that makes legal abstractions tangible as a historic product of political and aesthetic modernism in Europe? The Division of the Earth is based on years of research and tackles, both visually and textually, the aesthetic-political, art historical and current legal facets of the growing international, post-colonial discussion.
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 327
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Book Description
Author: Katrin Sieg
Publisher: University of Michigan Press
ISBN: 0472129589
Category : History
Languages : en
Pages : 327
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Book Description
Decolonizing German and European History at the Museum examines efforts by European museums to investigate colonialism as part of an unprocessed past, confront its presence, and urge repair. A flurry of exhibitions and the overhaul of numerous large museums in the last decade signal that an emergent colonial memory culture is now reaching broader publics. Exhibitions pose the question of what Europeans owe to those they colonized. Decolonizing German and European History at the Museum shows how museums can help visitors mourn historic violence and identify the contemporary agents, beneficiaries, victims, survivors, and resisters of colonial presence. At the same time, the book treats the museum as part of the racialized power relations that activists, academics, and artists have long protested against. This book asks whether museums have made the dream of activists, academics, and artists to build equitable futures more acceptable and more durable—or whether in packaging that dream for general audiences they curtail it. Confronting colonial violence, this book argues, pushes Europeans to face the histories of racism and urges them to envision antiracism at the global scale.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
The artist Dierk Schmidt (Unna, 1965) makes use of the aesthetic and the visual to disrupt positivist and liner concepts of history with respect to the omissions and violence in colonial narratives -- one of the core themes running through his work, along with a need for the restitution of plundered objects and the related international law -- the manipulation of museum discourses and the contrived and dramatic state of televised politics. 0The retrospective held by the Museo Reina Sofía assembles some of Schmidt?s most ambitious projects as 'The Division of the Earth' or 'Broken Windows' and concludes with a site-specific project related to the role of the Palacio de Velázquez -- where the show is displayed -- directly after it was built in 1883 and in view of its housing, in 1887, part of the monographic exhibition of the Philippines, Mariana and Caroline Islands, before becoming the 'Biblioteca y Museo de Ultramar' (the Museum-Library of the Overseas).00Exhibition: Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (09.10.2018-10.03.2019).
Author: Sarah Hegenbart
Publisher: Bloomsbury Publishing
ISBN: 1350227749
Category : Art
Languages : en
Pages : 329
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Book Description
Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation's aspiration of purported multiculturalism and cosmopolitanism; yet the project's resurrection of the site's former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives.
Author:
Publisher:
ISBN: 9783927941366
Category :
Languages : de
Pages : 16
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Book Description
Author: Veronica Tello
Publisher: Bloomsbury Publishing
ISBN: 1474252761
Category : Philosophy
Languages : en
Pages : 273
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Book Description
Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Verónica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dinh Q. Lé, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory. Building on the writings of such thinkers as Michel Foucault and Jacques Rancière, this book offers a useful concept of 'counter-memory' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other, often interrelated, global crises in the contemporary era.
Author: Lorraine Atkin
Publisher: FriesenPress
ISBN: 1039188044
Category : History
Languages : en
Pages : 259
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Book Description
How can words on paper be more devastating than war? Why is there persistent inequality—racial, financial, structural? Why are things in our society the way they are? Mightier Than the Sword: How Three Obscure Treaties Sanctioned the Enslavement of Millions and the Exploitation of Continents for More Than 400 Years offers a perspective on the roots of the inequality of today. Documents written hundreds of years ago embody the biases and power strategies of their time, but they still have a long reach through history. Atkin examines three treaties—the Treaty of Tordesillas, the Treaties of Nanking, and the Conference of Berlin— that granted permission, or the sanctioned rationale, to decree that annihilation and confiscation of property was legal and just on five continents. Atkin argues these written words continued to achieve their objectives and exercise power by influencing, among other things, the codification of Eurocentric International Law. Enhancing trade was (and remains) the claimed intent but inequality serves this objective. Land dispossession, slavery, and the subjugation of Indigenous peoples are repeated themes in history and are unfortunately still with us today. This book will change how you understand today's events and the continuing influence of historic documents. This fresh perspective offers hope for real change in policy and the societies they shape.
Author: Sarah Hegenbart
Publisher: Leuven University Press
ISBN: 9462703582
Category : Art
Languages : en
Pages : 296
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Book Description
Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kéré. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, including coming to terms with the German past, anti-Semitism, critical race theory, and questions of postcolonial (self-)criticism. From Bayreuth to Burkina Faso introduces the notion of the postcolonial Gesamtkunstwerk to disrupt the Eurocentric perspective on art history, exploring how the socio-political force of a postcolonial Gesamtkunstwerk could affect processes of transcultural identity construction. It reveals how Schlingensief translocated the Wagnerian concept to Burkina Faso to address German colonial history and engage with it from the perspective of multidirectional memory cultures.
Author: Wulf Dietmar Hund
Publisher: LIT Verlag Münster
ISBN: 3643901259
Category : Social Science
Languages : en
Pages : 236
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Book Description
This book examines racism in Germany and includes the following essays: Racisms Made in Germany: Without Sonderweg to a Rupture in Civilization * Between Jew-Hatred and Racism: The German Invention of Antisemitism * It Must Come from Europe: The Racisms of Immanuel Kant * Antisemitism and Colonial Racism: Transnational and Interdiscursive Intersectionality * Racist Fantasies: Africa in Austrian and German African Studies * From Disagreement to Dissension: African Perspectives on Germany * Purification of the National Body: Racial Policy and Racial Murder in the Third Reich * Between Race and Class: Elite Racism in Contemporary Germany * Racism Analysis in Germany: The Development in the Federal Republic (Series: Racism Analysis - Series B: Yearbooks - Vol. 2)
