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Author: John Watson Warman
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 88
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Book Description
Author: John Watson Warman
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 88
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Book Description
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Book Description
Author: Alejandro Nieto
Publisher: Routledge
ISBN: 1351864203
Category : Social Science
Languages : en
Pages : 303
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Book Description
How do musical practices move? Though technology increasingly plays a great part in establishing different degrees of spatial proximity, music making still seems to be tied to specific geographical locations, cultures or communities. The identity of musical traditions, in particular, is often demarcated by a presumed degree of uniformity amongst its practitioners. Musical Mobilities analyses how a musical tradition moves literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions. This unique ethnography focuses on son jarocho, a musical practice originating in southeast Mexico that is currently reproduced through transnational connections, particularly in the United States. Paradoxically, the transformation of son jarocho has been a noticeable outcome of its recuperation and preservation. Thus, in describing the moves of this musical tradition, this book provides a theoretical and empirical perspective on the dissonances between cultural continuity and change. The first ethnographic work to explicitly address the continuity and transformation of a musical practice through the analysis of multiple forms of mobility and fixity, Musical Mobilities will appeal to undergraduate and postgraduate students and postdoctoral researchers interested in fields such as Latin American & Hispanic Studies, South American Music, Ethnomusicology, Cultural Studies and Sociology of Culture.
Author: Javier L. Collazo
Publisher: McGraw-Hill Companies
ISBN:
Category : Diccionarios
Languages : en
Pages : 970
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Book Description
Author: Vincent Harris Duckles
Publisher: New York : Schirmer Books ; London ; Toronto : Prentice Hall International
ISBN:
Category : Education
Languages : en
Pages : 840
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Book Description
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
Author: John Watson Warman
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: A. Albert Torrellas
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 738
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Book Description
Author: Alexandra T. Vazquez
Publisher: Duke University Press
ISBN: 0822378876
Category : Music
Languages : en
Pages : 352
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Book Description
Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or market consumption. Contending that the music is not a knowable entity but a spectrum of dynamic practices that elude definition, Alexandra T. Vazquez models a new way of writing about music and the meanings assigned to it. "Listening in detail" is a method invested in opening up, rather than pinning down, experiences of Cuban music. Critiques of imperialism, nationalism, race, and gender emerge in fragments and moments, and in gestures and sounds through Vazquez's engagement with Alfredo Rodríguez's album Cuba Linda (1996), the seventy-year career of the vocalist Graciela Pérez, the signature grunt of the "Mambo King" Dámaso Pérez Prado, Cuban music documentaries of the 1960s, and late-twentieth-century concert ephemera.
Author: Alejandro L. Madrid
Publisher: Oxford University Press, USA
ISBN: 019021578X
Category : History
Languages : en
Pages : 329
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Book Description
In the 1920s, Mexican composer Julián Carrillo (1875-1965) developed a microtonal system he metaphorically called El Sonido 13 (The 13th Sound). Although his pioneering role as one of the first proponents of microtonality gave him a cult figure status among European avant-garde circles in the 1960s and 1970s, his music and legacy have remained largely ignored by scholars and critics. This book explores his ideas not only in relation to the historical moments of their inception but also in relation to the various cultural projects that kept them alive and resignified them into the 21st century.
Author: Robert L. Adams Jr.
Publisher: Routledge
ISBN: 1317850459
Category : Social Science
Languages : en
Pages : 257
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Book Description
This volume considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing both established and emerging approaches such as feminism and Atlantic studies, the authors explore the production of historical and contemporary identities and cultural practices within and beyond the boundaries of the nation-state. Rewriting the African Diaspora in the Caribbean and Latin America illustrates how far the fields of Afro-Latino and African Diaspora studies have advanced beyond the Herskovits and Frazier debates of the 1940s. The book’s arguments complicate Herskovits’ insistence on Black culture being an exclusive reflection of African survivals, as well as Frazier’s counter-claim of African American culture being a result of slavery and colonialism. This collection of thought-provoking essays extends the concepts of diaspora and transnationalism, forcing the reader to reassess their present limitations as interpretive tools. In the process, Afro-Latinos are rendered visible as national actors and transnational citizens. This book was originally published as a special issue of African and Black Diaspora.
