Diaries of Edmund Montague Morris: Western Journeys 1907-1910 PDF Download
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Author: Royal Ontario Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 99
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Book Description
Author: Royal Ontario Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 99
Get Book Here
Book Description
Author: Edmund Morris
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
Author: L. James Dempsey
Publisher: University of Oklahoma Press
ISBN: 0806155892
Category : Art
Languages : en
Pages : 517
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Book Description
When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment. This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked. In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.
Author: Arni Brownstone
Publisher: U of Nebraska Press
ISBN: 0803265212
Category : Social Science
Languages : en
Pages : 160
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Book Description
During much of the nineteenth century, paintings functioned as the Plains Indians’ equivalent to written records. The majority of their paintings documented warfare, focusing on specific war deeds. These pictorial narratives—appearing on hide robes, war shirts, tipi liners, and tipi covers—were maintained by the several dozen Plains Indians tribes, and they continue to expand historical knowledge of a people and place in transition. War Paintings of the Tsuu T’ina Nation is a study of several important war paintings and artifact collections of the Tsuu T’ina (Sarcee) that provides insight into the changing relations between the Tsuu T’ina, other plains tribes, and non-Native communities during the nineteenth and twentieth centuries. Arni Brownstone has meticulously created renderings of the paintings that invite readers to explore them more fully. All known Tsuu T’ina paintings are considered in the study, as are several important collections of Tsuu T’ina artifacts, with particular emphasis on five key works. Brownstone’s analysis furthers our understanding of Tsuu T’ina pictographic war paintings in relation to the social, historical, and artistic forces that influenced them and provides a broader understanding of pictographic painting, one of the richest and most important Native American artistic and literary genres.
Author: Katherine Pettipas
Publisher: Univ. of Manitoba Press
ISBN: 0887550312
Category : History
Languages : en
Pages : 497
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Book Description
Religious ceremonies were an inseparable part of Aboriginal traditional life, reinforcing social, economic, and political values. However, missionaries and government officials with ethnocentric attitudes of cultural superiority decreed that Native dances and ceremonies were immoral or un-Christian and an impediment to the integration of the Native population into Canadian society. Beginning in 1885, the Department of Indian Affairs implemented a series of amendments to the Canadian Indian Act, designed to eliminate traditional forms of religious expression and customs, such as the Sun Dance, the Midewiwin, the Sweat Lodge, and giveaway ceremonies.However, the amendments were only partially effective. Aboriginal resistance to the laws took many forms; community leaders challenged the legitimacy of the terms and the manner in which the regulations were implemented, and they altered their ceremonies, the times and locations, the practices, in an attempt both to avoid detection and to placate the agents who enforced the law.Katherine Pettipas views the amendments as part of official support for the destruction of indigenous cultural systems. She presents a critical analysis of the administrative policies and considers the effects of government suppression of traditional religious activities on the whole spectrum of Aboriginal life, focussing on the experiences of the Plains Cree from the mid-1880s to 1951, when the regulations pertaining to religious practices were removed from the Act. She shows how the destructive effects of the legislation are still felt in Aboriginal communities today, and offers insight into current issues of Aboriginal spirituality, including access to and use of religious objects held in museum repositories, protection of sacred lands and sites, and the right to indigenous religious practices in prison.
Author: Amelia M. Paget
Publisher: University of Regina Press
ISBN: 9780889771598
Category : Biography & Autobiography
Languages : en
Pages : 124
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Book Description
In People of the Plains (first published in 1909), Amelia McLean Paget records her observations of the customs, beliefs, and lifestyles of the Plains Cree and Saulteaux among whom she lived.
Author: Sarah Carter
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773557695
Category : Social Science
Languages : en
Pages : 359
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Book Description
Agriculture on Plains Indian reserves is generally thought to have failed because the Indigenous people lacked either an interest in farming or an aptitude for it. In Lost Harvests Sarah Carter reveals that reserve residents were anxious to farm and expended considerable effort on cultivation; government policies, more than anything else, acted to undermine their success. Despite repeated requests for assistance from Plains Indians, the Canadian government provided very little help between 1874 and 1885, and what little they did give proved useless. Although drought, frost, and other natural phenomena contributed to the failure of early efforts, reserve farmers were determined to create an economy based on agriculture and to become independent of government regulations and the need for assistance. Officials in Ottawa, however, attributed setbacks not to economic or climatic conditions but to the Indians' character and traditions which, they claimed, made the Indians unsuited to agriculture. In the decade following 1885 government policies made farming virtually impossible for the Plains Indians. They were expected to subsist on one or two acres and were denied access to any improvements in technology: farmers had to sow seed by hand, harvest with scythes, and thresh with flails. After the turn of the century, the government encouraged land surrenders in order to make good agricultural land available to non-Indian settlers. This destroyed any chance the Plains Indians had of making agriculture a stable economic base. Through an examination of the relevant published literature and of archival sources in Ottawa, Manitoba, Saskatchewan, and Alberta, Carter provides an in-depth study of government policy, Indian responses, and the socio-economic condition of the reserve communities on the prairies in the post-treaty era. The new introduction by the author offers a reflection on Lost Harvests, the influences that shaped it, and the issues and approaches that remain to be explored.
Author: Allan J. Ryan
Publisher: University of Washington Press
ISBN: 9780295978161
Category : Art criticism
Languages : en
Pages : 346
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Book Description
The Trickster Shift not only presents some of the most stunningly original examples of contemporary Native art but also allows the artists to offer their own insights into the creative process and the nature of Native humour.
Author: Stan Dragland
Publisher: House of Anansi
ISBN: 9780887845512
Category : History
Languages : en
Pages : 308
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Book Description
"The writing of Duncan Campbell Scott has long represented a sympathetic understanding of Canada's Native peoplesÑperhaps mistakenly so, however, as in his work as a bureaucrat, Scott put in place white paternalistic policies that Native peoples resist to this day. Floating Voice examines Scott's contradictions, with renewed consideration of his best ÒIndianÓ fiction and poetry ."
Author: Celia Haig-Brown
Publisher: UBC Press
ISBN: 0774842490
Category : Social Science
Languages : en
Pages : 370
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Book Description
With Good Intentions examines the joint efforts of Aboriginal people and individuals of European ancestry to counter injustice in Canada when colonization was at its height, from the mid-nineteenth to the early twentieth century. These people recognized colonial wrongs and worked together in a variety of ways to right them, but they could not stem the tide of European-based exploitation. The book is neither an apologist text nor an attempt to argue that some colonizers were simply "well intentioned." Almost all those considered here -- teachers, lawyers, missionaries, activists -- had as their overall goal the Christianization and civilization of Canada's First Peoples. By discussing examples of Euro-Canadians who worked with Aboriginal peoples, With Good Intentions brings to light some of the lesser-known complexities of colonization.
