Author: George Meredith
Publisher: ReadHowYouWant.com
ISBN:
Category : Great Britain
Languages : en
Pages : 446
Book Description
Diana of the Crossways
Author: George Meredith
Publisher: ReadHowYouWant.com
ISBN:
Category : Great Britain
Languages : en
Pages : 446
Book Description
Publisher: ReadHowYouWant.com
ISBN:
Category : Great Britain
Languages : en
Pages : 446
Book Description
The Tragicomic Novel
Author: Randall Craig
Publisher: University of Delaware Press
ISBN: 9780874133394
Category : Fiction
Languages : en
Pages : 204
Book Description
Theoretically grounded in classical and Renaissance writings, as well as in the work of modern theorists, this study analyzes the role of tragicomedy in the development of the English novel from the late nineteenth to the early twentieth century. Diana of the Crossways, the Awkward Age, the Old Wives' Tale, and Ulysses are among the illustrative works discussed.
Publisher: University of Delaware Press
ISBN: 9780874133394
Category : Fiction
Languages : en
Pages : 204
Book Description
Theoretically grounded in classical and Renaissance writings, as well as in the work of modern theorists, this study analyzes the role of tragicomedy in the development of the English novel from the late nineteenth to the early twentieth century. Diana of the Crossways, the Awkward Age, the Old Wives' Tale, and Ulysses are among the illustrative works discussed.
Mistress of the House
Author: Tim Dolin
Publisher: Routledge
ISBN: 135191720X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary.
Publisher: Routledge
ISBN: 135191720X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary.
The Odd Women
Author: George Gissing
Publisher: Broadview Press
ISBN: 1770488286
Category : Fiction
Languages : en
Pages : 417
Book Description
George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
Publisher: Broadview Press
ISBN: 1770488286
Category : Fiction
Languages : en
Pages : 417
Book Description
George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
The True History of the First Mrs. Meredith and Other Lesser Lives
Author: Diane Johnson
Publisher: New York Review of Books
ISBN: 1681374463
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
Publisher: New York Review of Books
ISBN: 1681374463
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
The Feminine Political Novel in Victorian England
Author: Barbara Leah Harman
Publisher: University of Virginia Press
ISBN: 9780813917726
Category : Literary Collections
Languages : en
Pages : 248
Book Description
In this book, Barbara Leah Harman convincingly establishes a new category in Victorian fiction: the feminine political novel. By studying Victorian female protagonists who participate in the public universe conventionally occupied by men - the world of mills and city streets, of political activism and labor strikes, of public speaking and parliamentary debates - she is able to reassess the public realm as the site of noble and meaningful action for women in Victorian England. Harman examines at length Bronte's Shirley, Gaskell's North and South, Meredith's Diana of the Crossways, Gissing's In the Year of Jubilee, and Elizabeth Robins's The Convert, reading these novels in relation to each other and to developments in the emerging British women's movement. She argues that these texts constitute a countertradition in Victorian fiction: neither domestic fiction nor fiction about the public "fallen" woman, these novels reveal how nineteenth-century English writers began to think about female transgression into the political sphere and about the intriguing meanings of women's public appearances.
Publisher: University of Virginia Press
ISBN: 9780813917726
Category : Literary Collections
Languages : en
Pages : 248
Book Description
In this book, Barbara Leah Harman convincingly establishes a new category in Victorian fiction: the feminine political novel. By studying Victorian female protagonists who participate in the public universe conventionally occupied by men - the world of mills and city streets, of political activism and labor strikes, of public speaking and parliamentary debates - she is able to reassess the public realm as the site of noble and meaningful action for women in Victorian England. Harman examines at length Bronte's Shirley, Gaskell's North and South, Meredith's Diana of the Crossways, Gissing's In the Year of Jubilee, and Elizabeth Robins's The Convert, reading these novels in relation to each other and to developments in the emerging British women's movement. She argues that these texts constitute a countertradition in Victorian fiction: neither domestic fiction nor fiction about the public "fallen" woman, these novels reveal how nineteenth-century English writers began to think about female transgression into the political sphere and about the intriguing meanings of women's public appearances.
Lady Rose's Daughter
Author: Humphry Ward
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
The Egoist
Author: George Meredith
Publisher:
ISBN:
Category : Catalogs, Publishers
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Catalogs, Publishers
Languages : en
Pages : 354
Book Description
The End of the Novel of Love
Author: Vivian Gornick
Publisher: Macmillan + ORM
ISBN: 0374719896
Category : Literary Criticism
Languages : en
Pages : 131
Book Description
A finalist for the National Book Critics Circle Award for Criticism that explores the meaning of love and marriage as literary themes in the twentieth century. In The End of the Novel of Love, an acclaimed and provocative collection of criticism, Gornick applies the same intelligence, honesty, and insight that define her memoirs to an analysis of love and marriage as literary themes in the twentieth century. She examines the work and lives of several authors she admires—including Grace Paley, Willa Cather, Jean Rhys, George Meredith, Jane Smiley, Richard Ford, and Andre Dubus—to ultimately posit that love, sexual fulfillment, and marriage are now exhausted as the metaphorical expressions of success and happiness. Spanning the depths of common experience and the expanse of twentieth century literature, Gornick crafts an argument that is as defined by discourse as it is by the power of her language, which is gracefully poised between objective knowledge and subjective experience. In these eleven essays, she comes to see that, for most writers, like most readers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation. The End of the Novel of Love is a strikingly original and thought-provoking collection from a canonical critic. “Reading her essays, one is reassured that the conversation between life and literature is mutually sustaining as well as mutually corrective.” —The New York Times Book Review “Small in bulk but large in implication. The book is a pleasure and a stimulus: persuasive, finely wrought, quivering with intelligence.” —George Scialabba, Boston Review “An exceptionally well-written, original, and thought-provoking set of essays.” —Kirkus Reviews
Publisher: Macmillan + ORM
ISBN: 0374719896
Category : Literary Criticism
Languages : en
Pages : 131
Book Description
A finalist for the National Book Critics Circle Award for Criticism that explores the meaning of love and marriage as literary themes in the twentieth century. In The End of the Novel of Love, an acclaimed and provocative collection of criticism, Gornick applies the same intelligence, honesty, and insight that define her memoirs to an analysis of love and marriage as literary themes in the twentieth century. She examines the work and lives of several authors she admires—including Grace Paley, Willa Cather, Jean Rhys, George Meredith, Jane Smiley, Richard Ford, and Andre Dubus—to ultimately posit that love, sexual fulfillment, and marriage are now exhausted as the metaphorical expressions of success and happiness. Spanning the depths of common experience and the expanse of twentieth century literature, Gornick crafts an argument that is as defined by discourse as it is by the power of her language, which is gracefully poised between objective knowledge and subjective experience. In these eleven essays, she comes to see that, for most writers, like most readers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation. The End of the Novel of Love is a strikingly original and thought-provoking collection from a canonical critic. “Reading her essays, one is reassured that the conversation between life and literature is mutually sustaining as well as mutually corrective.” —The New York Times Book Review “Small in bulk but large in implication. The book is a pleasure and a stimulus: persuasive, finely wrought, quivering with intelligence.” —George Scialabba, Boston Review “An exceptionally well-written, original, and thought-provoking set of essays.” —Kirkus Reviews
Modern Love
Author: George Meredith
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
Book Description