Author: Rachel Douglas
Publisher: Lexington Books
ISBN: 0739136356
Category : Biography & Autobiography
Languages : en
Pages : 207
Book Description
'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, such as 'rewriting history' or 'rewriting canonical texts.' By shifting the focus to how Caribbean writers return to their own works in order to rework them, this book offers theoretical considerations to postcolonial studies on 'literariness' in relation to the near-obsessive degree of rewriting to which Caribbean writers have subjected their own literary texts. Focusing specifically on FrankZtienne, this book offers an overview of how the defining aesthetic and thematic components of FrankZtienne's major works have emerged over the course of his forty-year writing career. It reveals the marked development of key notions guiding his literary creation since the 1960s, and demonstrates that rewriting illustrates the central aesthetic of the Spiral which has always shaped his Iuvre. It is, the book argues, the constantly moving form of the Spiral which FrankZtienne explores through his constant reworking of his previously written texts. FrankZtienne and Rewriting negotiates between the literary and material ends of the burgeoning field of postcolonial studies, arguing that literary characteristics in FrankZtienne connect with changing political, social, economic, and cultural circumstances in the Haiti he rewrites.
Frankétienne and Rewriting
Author: Rachel Douglas
Publisher: Lexington Books
ISBN: 0739136356
Category : Biography & Autobiography
Languages : en
Pages : 207
Book Description
'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, such as 'rewriting history' or 'rewriting canonical texts.' By shifting the focus to how Caribbean writers return to their own works in order to rework them, this book offers theoretical considerations to postcolonial studies on 'literariness' in relation to the near-obsessive degree of rewriting to which Caribbean writers have subjected their own literary texts. Focusing specifically on FrankZtienne, this book offers an overview of how the defining aesthetic and thematic components of FrankZtienne's major works have emerged over the course of his forty-year writing career. It reveals the marked development of key notions guiding his literary creation since the 1960s, and demonstrates that rewriting illustrates the central aesthetic of the Spiral which has always shaped his Iuvre. It is, the book argues, the constantly moving form of the Spiral which FrankZtienne explores through his constant reworking of his previously written texts. FrankZtienne and Rewriting negotiates between the literary and material ends of the burgeoning field of postcolonial studies, arguing that literary characteristics in FrankZtienne connect with changing political, social, economic, and cultural circumstances in the Haiti he rewrites.
Publisher: Lexington Books
ISBN: 0739136356
Category : Biography & Autobiography
Languages : en
Pages : 207
Book Description
'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, such as 'rewriting history' or 'rewriting canonical texts.' By shifting the focus to how Caribbean writers return to their own works in order to rework them, this book offers theoretical considerations to postcolonial studies on 'literariness' in relation to the near-obsessive degree of rewriting to which Caribbean writers have subjected their own literary texts. Focusing specifically on FrankZtienne, this book offers an overview of how the defining aesthetic and thematic components of FrankZtienne's major works have emerged over the course of his forty-year writing career. It reveals the marked development of key notions guiding his literary creation since the 1960s, and demonstrates that rewriting illustrates the central aesthetic of the Spiral which has always shaped his Iuvre. It is, the book argues, the constantly moving form of the Spiral which FrankZtienne explores through his constant reworking of his previously written texts. FrankZtienne and Rewriting negotiates between the literary and material ends of the burgeoning field of postcolonial studies, arguing that literary characteristics in FrankZtienne connect with changing political, social, economic, and cultural circumstances in the Haiti he rewrites.
Dézafi
Author: Frankétienne
Publisher: University of Virginia Press
ISBN: 0813941407
Category : Fiction
Languages : en
Pages : 226
Book Description
Dézafi is no ordinary zombie novel. In the hands of the great Haitian author known simply as Frankétienne, zombification takes on a symbolic dimension that stands as a potent commentary on a country haunted by a history of slavery. Now this dynamic new translation brings this touchstone in Haitian literature—the first book ever published in Haitian Creole—to English-language readers for the first time. Written in a provocative experimental style, with a myriad of voices and combining myth, poetry, allegory, magical realism, and social realism, Dézafi tells the tale of a plantation that is run and worked by zombies for the financial benefit of the living owner. The owner's daughter falls in love with a zombie and facilitates his transformation back into fully human form, leading to a rebellion that challenges the oppressive imbalance that had robbed the workers of their spirit. With the walking dead and bloody cockfights (the "dézafi" of the title) as cultural metaphors for Haitian existence, Frankétienne’s novel is ultimately a powerful allegory of political and social liberation.
Publisher: University of Virginia Press
ISBN: 0813941407
Category : Fiction
Languages : en
Pages : 226
Book Description
Dézafi is no ordinary zombie novel. In the hands of the great Haitian author known simply as Frankétienne, zombification takes on a symbolic dimension that stands as a potent commentary on a country haunted by a history of slavery. Now this dynamic new translation brings this touchstone in Haitian literature—the first book ever published in Haitian Creole—to English-language readers for the first time. Written in a provocative experimental style, with a myriad of voices and combining myth, poetry, allegory, magical realism, and social realism, Dézafi tells the tale of a plantation that is run and worked by zombies for the financial benefit of the living owner. The owner's daughter falls in love with a zombie and facilitates his transformation back into fully human form, leading to a rebellion that challenges the oppressive imbalance that had robbed the workers of their spirit. With the walking dead and bloody cockfights (the "dézafi" of the title) as cultural metaphors for Haitian existence, Frankétienne’s novel is ultimately a powerful allegory of political and social liberation.
Dictionary of Languages
Author: Andrew Dalby
Publisher: Bloomsbury Publishing
ISBN: 1408102145
Category : Reference
Languages : en
Pages : 754
Book Description
Covering the political, social and historical background of each language, Dictionary of Languages offers a unique insight into human culture and communication. Every language with official status is included, as well as all those that have a written literature and 175 'minor' languages with special historical or anthropological interest. We see how, with the rapidly increasing uniformity of our culture as media's influence spreads, more languages have become extinct or are under threat of extinction. The text is highlighted by maps and charts of scripts, while proverbs, anecdotes and quotations reveal the features that make a language unique.
Publisher: Bloomsbury Publishing
ISBN: 1408102145
Category : Reference
Languages : en
Pages : 754
Book Description
Covering the political, social and historical background of each language, Dictionary of Languages offers a unique insight into human culture and communication. Every language with official status is included, as well as all those that have a written literature and 175 'minor' languages with special historical or anthropological interest. We see how, with the rapidly increasing uniformity of our culture as media's influence spreads, more languages have become extinct or are under threat of extinction. The text is highlighted by maps and charts of scripts, while proverbs, anecdotes and quotations reveal the features that make a language unique.
Development and Structures of Creole Languages
Author: Francis Byrne
Publisher: John Benjamins Publishing
ISBN: 9027277826
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
This collection of original essays is intended to both celebrate Derek Bickerton's sixty-fifth birthday and honor his long and eminent career. Each author included in the volume is a noted scholar who has distinguished him/herself in some area of linguistics and has professionally or personally interacted with Bickerton and been influenced by his work. While the papers make independent thematic contributions, they also discuss, augment, present alternatives to, or are inspired in some way by Bickerton's seminal ideas or penetrating analyses. The book is organized into 5 sections, each a reflection of a major research period in Bickerton's career: Section 1: Identifying Creoles; Section 2: Language Variation; Section 3: Creole Processes; Section 4: Creole Syntax and Semantics; Section 5: Serial Verbs.
Publisher: John Benjamins Publishing
ISBN: 9027277826
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
This collection of original essays is intended to both celebrate Derek Bickerton's sixty-fifth birthday and honor his long and eminent career. Each author included in the volume is a noted scholar who has distinguished him/herself in some area of linguistics and has professionally or personally interacted with Bickerton and been influenced by his work. While the papers make independent thematic contributions, they also discuss, augment, present alternatives to, or are inspired in some way by Bickerton's seminal ideas or penetrating analyses. The book is organized into 5 sections, each a reflection of a major research period in Bickerton's career: Section 1: Identifying Creoles; Section 2: Language Variation; Section 3: Creole Processes; Section 4: Creole Syntax and Semantics; Section 5: Serial Verbs.
Transition 111
Author: IU Press Journals
Publisher: Indiana University Press
ISBN: 0253018641
Category : Literary Collections
Languages : en
Pages : 205
Book Description
The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.
Publisher: Indiana University Press
ISBN: 0253018641
Category : Literary Collections
Languages : en
Pages : 205
Book Description
The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.
Race, Culture, and Identity
Author: Shireen K. Lewis
Publisher: Lexington Books
ISBN: 9780739114735
Category : History
Languages : en
Pages : 194
Book Description
In this groundbreaking book, Shireen Lewis gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Raphaël Confiant, Aimé Césaire, Léopold Senghor, Léon Damas, and Paulette Nardal, Lewis traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space. In addition to exploring how this shift parallels the larger debate around modernism and postmodernism, Lewis makes a significant contribution by arguing for the inclusion of Martinican intellectual Paulette Nardal, and other women into the canon as significant contributors to the birth of modern black Francophone literature.
Publisher: Lexington Books
ISBN: 9780739114735
Category : History
Languages : en
Pages : 194
Book Description
In this groundbreaking book, Shireen Lewis gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Raphaël Confiant, Aimé Césaire, Léopold Senghor, Léon Damas, and Paulette Nardal, Lewis traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space. In addition to exploring how this shift parallels the larger debate around modernism and postmodernism, Lewis makes a significant contribution by arguing for the inclusion of Martinican intellectual Paulette Nardal, and other women into the canon as significant contributors to the birth of modern black Francophone literature.
Spirit Possession in French, Haitian, and Vodou Thought
Author: Alessandra Benedicty-Kokken
Publisher: Lexington Books
ISBN: 0739184660
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
This book recuperates the important history that Haitian thought around Vodou possession has had in French critical theory. The author takes the period of the 1930s and ‘40s, as the centerfold of a more complex network of relations that places Haiti as one of the pivots of a more expanded intellectual conversation around “possession,” which links anthropology, literature, psychoanalysis, human rights, and visual arts in France, Haiti, and the United States. Benedicty argues that Haiti as the anthropological other serves as a kick-starter to an entire French-based theoretical apparatus (Breton, Leiris, Bataille, de Certeau, Foucault, and Butler), but once up and running, its role as catalyst is forgotten and the multiple iterations of the anthropological other are cast back into the net of Michel-Rolph Trouillot’s “Savage slot.” The book offers the reader unfamiliar with Haiti a comprehensive interdisciplinary study of twentieth and early twenty-first century Haitian thought, including a detailed timeline of important moments in the intellectual history that connects Haiti to France and the United States. The first part of the book is about global dispossessions in the first decades of the twentieth century; the second part points to how the narratives of ‘Haiti’ are intimately linked to a Franco-U.S.-American discursive space, constructed over the course of the twentieth century, a discursive order that has conflated the representation of ‘Haiti’ with an understanding of Vodou primarily as an occult religion, and not as a philosophical system. The third and fourth parts of the book examine how the novels of René Depestre, Jean-Claude Fignolé, and Kettly Mars have revisited the notion of possession since the fall of the Duvalier dictatorships.
Publisher: Lexington Books
ISBN: 0739184660
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
This book recuperates the important history that Haitian thought around Vodou possession has had in French critical theory. The author takes the period of the 1930s and ‘40s, as the centerfold of a more complex network of relations that places Haiti as one of the pivots of a more expanded intellectual conversation around “possession,” which links anthropology, literature, psychoanalysis, human rights, and visual arts in France, Haiti, and the United States. Benedicty argues that Haiti as the anthropological other serves as a kick-starter to an entire French-based theoretical apparatus (Breton, Leiris, Bataille, de Certeau, Foucault, and Butler), but once up and running, its role as catalyst is forgotten and the multiple iterations of the anthropological other are cast back into the net of Michel-Rolph Trouillot’s “Savage slot.” The book offers the reader unfamiliar with Haiti a comprehensive interdisciplinary study of twentieth and early twenty-first century Haitian thought, including a detailed timeline of important moments in the intellectual history that connects Haiti to France and the United States. The first part of the book is about global dispossessions in the first decades of the twentieth century; the second part points to how the narratives of ‘Haiti’ are intimately linked to a Franco-U.S.-American discursive space, constructed over the course of the twentieth century, a discursive order that has conflated the representation of ‘Haiti’ with an understanding of Vodou primarily as an occult religion, and not as a philosophical system. The third and fourth parts of the book examine how the novels of René Depestre, Jean-Claude Fignolé, and Kettly Mars have revisited the notion of possession since the fall of the Duvalier dictatorships.
Vodou, Ethics, and Aesthetics
Author: Alessandra Benedicty
Publisher:
ISBN:
Category : Haitian literature
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Haitian literature
Languages : en
Pages : 320
Book Description
Transparent City
Author: Ondjaki
Publisher: Biblioasis
ISBN: 1771961449
Category : Fiction
Languages : en
Pages : 233
Book Description
NOMINATED FOR THE 2019 BEST TRANSLATED BOOK AWARD A VANITY FAIR HOT TYPE BOOK FOR APRIL 2018 A VULTURE MUST-READ TRANSLATED BOOK FROM THE PAST 5 YEARS A GLOBE AND MAIL BEST BOOK OF 2018 A LIT HUB FAVOURITE BOOK OF THE YEAR A WORLD LITERATURE TODAY NOTABLE TRANSLATION OF 2018 In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.
Publisher: Biblioasis
ISBN: 1771961449
Category : Fiction
Languages : en
Pages : 233
Book Description
NOMINATED FOR THE 2019 BEST TRANSLATED BOOK AWARD A VANITY FAIR HOT TYPE BOOK FOR APRIL 2018 A VULTURE MUST-READ TRANSLATED BOOK FROM THE PAST 5 YEARS A GLOBE AND MAIL BEST BOOK OF 2018 A LIT HUB FAVOURITE BOOK OF THE YEAR A WORLD LITERATURE TODAY NOTABLE TRANSLATION OF 2018 In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.
A History of Literature in the Caribbean: Cross-cultural studies
Author: Albert James Arnold
Publisher: John Benjamins Publishing
ISBN: 9789027234445
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
Cross-Cultural Studies is the culminating effort of a distinguished team of international scholars who have worked since the mid-1980s to create the most complete analysis of Caribbean literature ever undertaken. Conceived as a major contribution to postcolonial studies, cultural studies, cultural anthropology, and regional studies of the Caribbean and the Americas, Cross-Cultural Studies illuminates the interrelations between and among Europe, the Caribbean islands, Africa, and the American continents from the late fifteenth century to the present. Scholars from five continents bring to bear on the most salient issues of Caribbean literature theoretical and critical positions that are currently in the forefront of discussion in literature, the arts, and public policy. Among the major issues treated at length in Cross-Cultural Studies are: The history and construction of racial inequality in Caribbean colonization; The origins and formation of literatures in various Creoles; The gendered literary representation of the Caribbean region; The political and ideological appropriation of Caribbean history in creating the idea of national culture in North and South America, Europe, and Africa; The role of the Caribbean in contemporary theories of Modernism and the Postmodern; The decentering of such canonical authors as Shakespeare; The vexed but inevitable connectedness of Caribbean literature with both its former colonial metropoles and its geographical neighbors. Contributions to Cross-Cultural Studies give a concrete cultural and historical analysis of such contemporary critical terms as hybridity, transculturation, and the carnivalesque, which have so often been taken out of context and employed in narrowly ideological contexts. Two important theories of the simultaneous unity and diversity of Caribbean literature and culture, propounded by Antonio Benítez-Rojo and +douard Glissant, receive extended treatment that places them strategically in the debate over multiculturalism in postcolonial societies and in the context of chaos theory. A contribution by Benítez-Rojo permits the reader to test the theory through his critical practice. Divided into nine thematic and methodological sections followed by a complete index to the names and dates of authors and significant historical figures discussed, Cross-Cultural Studies will be an indispensable resource for every library and a necessary handbook for scholars, teachers, and advanced students of the Caribbean region.
Publisher: John Benjamins Publishing
ISBN: 9789027234445
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
Cross-Cultural Studies is the culminating effort of a distinguished team of international scholars who have worked since the mid-1980s to create the most complete analysis of Caribbean literature ever undertaken. Conceived as a major contribution to postcolonial studies, cultural studies, cultural anthropology, and regional studies of the Caribbean and the Americas, Cross-Cultural Studies illuminates the interrelations between and among Europe, the Caribbean islands, Africa, and the American continents from the late fifteenth century to the present. Scholars from five continents bring to bear on the most salient issues of Caribbean literature theoretical and critical positions that are currently in the forefront of discussion in literature, the arts, and public policy. Among the major issues treated at length in Cross-Cultural Studies are: The history and construction of racial inequality in Caribbean colonization; The origins and formation of literatures in various Creoles; The gendered literary representation of the Caribbean region; The political and ideological appropriation of Caribbean history in creating the idea of national culture in North and South America, Europe, and Africa; The role of the Caribbean in contemporary theories of Modernism and the Postmodern; The decentering of such canonical authors as Shakespeare; The vexed but inevitable connectedness of Caribbean literature with both its former colonial metropoles and its geographical neighbors. Contributions to Cross-Cultural Studies give a concrete cultural and historical analysis of such contemporary critical terms as hybridity, transculturation, and the carnivalesque, which have so often been taken out of context and employed in narrowly ideological contexts. Two important theories of the simultaneous unity and diversity of Caribbean literature and culture, propounded by Antonio Benítez-Rojo and +douard Glissant, receive extended treatment that places them strategically in the debate over multiculturalism in postcolonial societies and in the context of chaos theory. A contribution by Benítez-Rojo permits the reader to test the theory through his critical practice. Divided into nine thematic and methodological sections followed by a complete index to the names and dates of authors and significant historical figures discussed, Cross-Cultural Studies will be an indispensable resource for every library and a necessary handbook for scholars, teachers, and advanced students of the Caribbean region.