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Author: Jan Frans van Dijkhuizen
Publisher: DS Brewer
ISBN: 9781843841142
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
Author: Jan Frans van Dijkhuizen
Publisher: DS Brewer
ISBN: 9781843841142
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 608
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Author: Steve Lillebuen
Publisher: Penguin Group Australia
ISBN: 0670077062
Category : True Crime
Languages : en
Pages : 404
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Book Description
On the night of October 10, 2008, Johnny Altinger, 38 and single, was heading to his first date with a woman he had met online. Soon after, Johnny's friends received strange emails and computer messages from him, boasting of his new girlfriend and her plans to treat him to an extended tropical holiday. 'I've got a one way ticket to heaven,' he wrote, 'and I'm never coming back.' He was never seen again. Two weeks earlier, aspiring filmmaker Mark Twitchell, a young father with a devotion to the television series Dexter, began a three-day shoot for his latest short film. His horror story featured a serial killer who impersonates women on an online dating site to lure unsuspecting men to his suburban kill room. But was his script actually the blueprint for a real-life murder? And what of Twitchell's other writings, including the elaborate and shocking document titled S.K. Confessions? Was it a diary detailing his dark transformation into a would-be serial killer? Combining sharp journalistic insight, meticulous research, and a powerfully gripping narrative,The Devil's Cinemais the definitive account of the notorious 'Dexter Killer,' a case and trial that captured the world's attention. Steve Lillebuen takes us deep into the extraordinary police investigation and the lives of everyone involved, while unveiling never-before-revealed details, all drawn from extensive and exclusive interviews - including months of contact with the killer himself. Moving from the police station to the courtroom, from the surface calm of suburbia to the surreal glamour of Hollywood, The Devil's Cinemais a compelling, multi-faceted story of dangerous obsessions pushed to extremes.
Author: Steve Lillebuen
Publisher: McClelland & Stewart
ISBN: 0771050348
Category : True Crime
Languages : en
Pages : 362
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Book Description
Reality and fantasy collide with shocking results in this riveting account of the notorious case of Mark Twitchell - and the police investigation into one of the most bizarre murders in recent memory. In October 2008, Johnny Altinger, a 38-year-old Edmonton man, was on his way to a tryst with a woman he had met on an online dating website when he emailed the directions to their rendezvous to a concerned friend. He was never seen again. Two weeks before Altinger's disappearance, independent filmmaker Mark Twitchell began shooting a low-budget horror film about a serial killer who impersonates a woman on an online dating website to lure his victims to their gruesome deaths. But these are just the starting points of the stranger-than-fiction case of Mark Twitchell, a man with a startling plan to turn his life-long love of fantasy and desire for fame into reality: - Did Twitchell, in a horrific example of life imitating art, act out the grisly premise of his own script? - Obsessed with Dexter, the popular TV show and book series about a fictional vigilante serial killer, Twitchell assumed Dexter Morgan's profile on Facebook. But how far did he intend to take his fascination with Dexter? - Is the shocking document "S.K. Confessions" a graphic work of fiction that, as Twitchell claims, he wrote to promote his film? Or is it a diary he kept of his transformation into a killer, and proof that the police stopped a prolific serial killer at the very beginning? Veteran journalist Steve Lillebuen provides a gripping investigative account of the nesting doll intricacies of the case, plunging us into the world of pop culture fanaticism and into the mind of a self-professed psychopath. Drawing on extensive interviews, Lillebuen illuminates what can happen when some of our culture's darkest obsessions are pushed to extremes.
Author: Josiah Woodward Leeds
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 98
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Book Description
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 542
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Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 610
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Author: D. W. Gregory
Publisher: Dramatic Publishing
ISBN: 9781583421901
Category : Drama
Languages : en
Pages : 120
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Book Description
In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage- until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not only with the U.S. Radium Corporation, but also with her own family and friends, who fear that her campaign for justice will backfire.
Author: Jeffrey Andrew Weinstock
Publisher: Fordham University Press
ISBN: 0823297918
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan’s ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 494
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Book Description
