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Author: State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies
Publisher: Albany : State University of New York Press
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
Author: Bernard S. Levy
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages : 223
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Book Description
Author: State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies
Publisher: Albany : State University of New York Press
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
Author: Bernard S. Levy
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
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Book Description
Author: Sir Banister Fletcher
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: State University of New York at Binghamton. University Art Gallery
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 44
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Book Description
Author: Paul N. Balchin
Publisher: Routledge
ISBN: 1000550788
Category : Business & Economics
Languages : en
Pages : 398
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Book Description
Originally published in 2019, this book provides a comprehensive account of a formative historical period, uniquely describing Renaissance architecture as the physical manifestation of political and economic change. The book illustrates how shifts in architectural style and design were paralleled with Northern and Central Italy’s external and internal conflicts, the evolution of urban and regional government, and economic and demographic growth. Covering the full extent of the Renaissance period, Balchin charts the era’s medieval roots and its transformation into Mannerist and Baroque tendencies. He demonstrates how developments in architecture and planning were inextricably linked to political and economic power, and how these relationships shifted from city to city over time.
Author: Robert Brennan
Publisher: Harvey Miller
ISBN: 9781912554003
Category : Art, Modern
Languages : en
Pages : 366
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Book Description
"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Author:
Publisher: Penn State Press
ISBN: 9780271048307
Category : Art, Early Renaissance
Languages : en
Pages : 348
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Book Description
Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300079814
Category : Art
Languages : en
Pages : 14
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Book Description
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434
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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
